Machera
Impressions. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2010. De
Haske Publications #DHP
1104883-010. Published by
De Haske Publications
(BT.DHP-1104883-010).
9x12 inches.
The
twofold title of this
concert work is directly
connected with the band
who commissioned it. The
â??Harmonie Municipale
Grevenmacherâ?? from the
town of the same name, by
the river Moselle in the
Grand Duchy of Luxembourg
was founded in the
year1834. The name
Machera is derived from
the word machara, which
in turn originated from
maceries (old wall).
Later, Machera evolved
into Machern,
Grafenmachern, and
finally Grevenmacher.In
2009, this music society
the third oldest still in
existence in the country
celebrated its 175th
anniversary. And after
all these years the
society still flourishes!
The dynamic committee,
led by Georges May, fully
supports and inspires
themusical leader of the
band, Claude Weiland, as
well as his 60-strong
ensemble. This
well-functioning team
took the initiative to
ask Jan Van der Roost to
write an anniversary
composition, inspired, on
the one hand, by the
rural character
ofGrevenmacher and its
surroundings (where the
famous Moselle wine
growing dominates the
countryside), and on the
other hand, by the
dynamics, creativity and
joie de vivre the band
exudes. All of this
resulted in a twofold
work with alternating
peaceand excitement,
virtuous and melodic
features, orchestral
splendour and soberly
orchestrated passages.
The première, on 10
January 2010, was
conducted by the composer
himself at a successful
gala concert which
brought a fine year full
of musicalfestivities to
a close. The â??Harmonie
Municipale
Grevenmacherâ?? faces
the future with
confidence, and will now
prepare for its next
milestone: the 200th
anniversary!
1834
- Machara Impressions was
a commission for the
175th anniversary of the
band Harmonie Municipale
Grevenmacher from the
town of Grevenmacher -
formerly Machara - in
Luxemburg. It is a work
of many contrasts with
alternating peace and
excitement, virtuous and
melodic features,
orchestral splendour and
soberly orchestrated
passages - reflecting the
peaceful and turbulent
history of the band.
Das zweiteilige
Auftragswerk zum
175-jährigen
Jubiläum der Harmonie
Municipale Grevenmacher
aus dem Dorf Grevenmacher
- historisch Machara - in
Luxemburg ist von
Dynamik, Kreativität
und Lebensfreude des
Blasorchesters
inspiriert. Friedliche
und aufregende Zeiten
spiegeln sich
wechselweise in virtuosen
und melodischen
Eigenschaften,
orchestraler Pracht und
nu?chtern orchestrierten
Passagen wider. Ein Thema
fu?r jedes Blasorchester
mit Tradition, umgesetzt
in ein attraktives Werk
von Jan Van der
Roost.
Questo brano
sottolinea ed elogia il
dinamismo della Banda
Municipale di
Grevenmacher, fondata nel
1834, ricordando allo
stesso tempo la storia di
questa cittadina, situata
in riva alla Mosella
lussemburghese, il cui
nome era nellâ??antichit
Machera. Passaggi calmi
si alternano
armoniosamente a passaggi
più vivaci, elementi
virtuosi si mischiano a
tratti melodici, mentre
sul tutto aleggia uno
splendore e una sobriet
orchestrale fuori dal
comune.
Composed by Bela Bartok.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A932690.
Published by
LudwigMasters
Publications
(AP.36-A932690).
UPC:
676737521530.
English.
Béla
Bartók's (1881-1945)
Four Orchestra Pieces,
Op. 12 premiered in
January 1922 in Budapest,
but did not become one of
Bartók's best-known
works until its
popularity was revived by
Pierre Boulez in the
1970s. Bartók's
influences are on display
in these pieces,
including that of Debussy
in the first movement
Preludio, and Beethoven's
Ninth Symphony in the
Scherzo. Four Orchestra
Pieces is considered a
bridge stylistically
between Bartók's early
works like Duke
Bluebeard's Castle and
his mature works like The
Miraculous Mandarin.
Instrumentation:
4(3&4dPicc).3(2&3dEH).3(3
dEb/BCl)+BCl(dEb).4(4dCBs
n): 4.4(AlldCrnt).4.1:
Timp.Perc(2):
Clst.Hp(2).Pno(4-Hands):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Bela Bartok.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A932601.
Published by
LudwigMasters
Publications
(AP.36-A932601).
ISBN
9781638879831. UPC:
676737768577.
English.
Béla
Bartók's (1881-1945)
Four Orchestra Pieces,
Op. 12 premiered in
January 1922 in Budapest,
but did not become one of
Bartók's best-known
works until its
popularity was revived by
Pierre Boulez in the
1970s. Bartók's
influences are on display
in these pieces,
including that of Debussy
in the first movement
Preludio, and Beethoven's
Ninth Symphony in the
Scherzo. Four Orchestra
Pieces is considered a
bridge stylistically
between Bartók's early
works like Duke
Bluebeard's Castle and
his mature works like The
Miraculous Mandarin.
Instrumentation:
4(3&4dPicc).3(2&3dEH).3(3
dEb/BCl)+BCl(dEb).4(4dCBs
n): 4.4(AlldCrnt).4.1:
Timp.Perc(2):
Clst.Hp(2).Pno(4-Hands):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Felix
Mendelssohn/ Libretto by
William Bartholomew after
Psalm 55. Cantata/
Oratorio, Orchestra
Accompaniment, VS. Kalmus
Choral Library. Score.
LudwigMasters
Publications #36-A464991.
Published by
LudwigMasters
Publications
(AP.36-A464991).
ISBN
9798892700023. UPC:
659359968167.
English.
While
Felix Mendelssohn
(1809-1847) modestly
refers to Hear My Prayer
(Hör' mein Bitten) in
G Major, WoO 15, as a
trifle, it is among his
most popular works for
chorus. On the autograph
score, he inscribed the
following: A sacred Solo,
for a Soprano and Chorus,
with Organ accompaniment,
composed for W.
Bartholomew, Esq., by
Felix Mendelssohn
Bartholdy. William
Bartholomew wrote the
text, which is derived on
Psalm 55, and requested
that Mendelssohn set it
to music. This version
premiered on January 8,
1845, at Crosby Hall in
London. In 1847,
Mendelssohn orchestrated
the work, but he passed
before he could hear this
version, which premiered
on December 21, 1848, in
Dublin. Score and parts
for orchestral
accompaniment available
separately. This edition
adds reheasal numbers
that match between the
score, parts, and choral
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164002
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A164002.
Published by
LudwigMasters
Publications
(AP.36-A164002).
UPC:
659359515002.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-S014201
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
SS. Kalmus Study Score
Series. Score.
LudwigMasters
Publications #36-S014201.
Published by
LudwigMasters
Publications
(AP.36-S014201).
ISBN
9781608740055. UPC:
659359973819.
English.
Franz
Liszt (1811-1886) started
work on his Concerto for
Piano and Orchestra No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint edition.
Study score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.2.2: 2.2.3.1: Timp:
Str (9-8-7-6-5 in set)
SKU: AP.36-A171502
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Conductor
Score and Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A171502.
Published by
LudwigMasters
Publications
(AP.36-A171502).
UPC:
659359994098.
English.
In 1840,
the King of Prussia
invited Felix Mendelssohn
(1809-1847) to accept a
lofty musical appointment
in the French Academie
Royale. A few years
later, Wilhelm IV
commissioned the composer
to write incidental music
to a religious drama by
Jean Racine, ATHALIE,
based on the queen of
Judah during Jehoram's
reign. It was intended
for a private performance
on December 1, 1845 and
saw its first public
performance on January
8th of the following
year. WAR MARCH OF THE
PRIESTS, a brief excerpt
taken from the work, is
sometimes heard during
graduation ceremonies.
Reprint edition.
Instrumentation: 2.2.2.2:
2.2.3.1: Timp: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164001
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A164001.
Published by
LudwigMasters
Publications
(AP.36-A164001).
ISBN
9798892703208. UPC:
659359825644.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112602
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-E112602.
Published by
LudwigMasters
Publications
(AP.36-E112602).
UPC:
659359956621.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112601
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-E112601.
Published by
LudwigMasters
Publications
(AP.36-E112601).
ISBN
9798892700733. UPC:
659359826610.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.2.2: 2.2.3.1: Timp:
Str (9-8-7-6-5 in set)
SKU: AP.36-A171501
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A171501.
Published by
LudwigMasters
Publications
(AP.36-A171501).
ISBN
9798892702669. UPC:
659359839108.
English.
In 1840,
the King of Prussia
invited Felix Mendelssohn
(1809-1847) to accept a
lofty musical appointment
in the French Academie
Royale. A few years
later, Wilhelm IV
commissioned the composer
to write incidental music
to a religious drama by
Jean Racine, ATHALIE,
based on the queen of
Judah during Jehoram's
reign. It was intended
for a private performance
on December 1, 1845 and
saw its first public
performance on January
8th of the following
year. WAR MARCH OF THE
PRIESTS, a brief excerpt
taken from the work, is
sometimes heard during
graduation ceremonies.
Reprint edition.
Instrumentation: 2.2.2.2:
2.2.3.1: Timp: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.