Messe h-moll - Mass in B minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Critical Reports] Barenreiter
H-moll Messe - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach E...(+)
H-moll Messe - Mass for
Soloists, Chorus and
Orchestra. Urtext of the
New Bach Edition.
(Performance Material for
sale = BA 5102). By
Johann Sebastian Bach.
Edited by Smend,
Friedrich. For Soli,
Mixed Choir, Orchestra.
Neue Bach-Ausgabe. Serie
II, Band 1. Critical
Commentary; Complete
Edition (cloth bound).
BWV 232. Published by
Baerenreiter-Ausgaben
(German import). (BA5001
41)
Messe h-moll BWV 232 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Breitkopf & Härtel
(piano reduction). By Johann Sebastian Bach (1685-1750). Edited by J. Rifkin / A...(+)
(piano reduction). By
Johann Sebastian Bach
(1685-1750). Edited by J.
Rifkin / A. Durr. For
Soli, Choir and
Orchestra. This edition:
piano reduction/vocal
score. Edition Breitkopf.
Piano reduction, Urtext.
228 pages
Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorb...(+)
Soli e Coro SST(A)TB, 2
Fl, 2 Ob, 2 Tr, Timp, 2
Vl, 2 Va (Va, Vl), Vc/
Fg/ Tiorba, Bc
SKU:
CA.2103203
Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. Sacred
vocal music, Motets,
Praise and thanks. Vocal
score. H 146. 48 pages.
Duration 25 minutes.
Carus Verlag #CV
21.032/03. Published by
Carus Verlag
(CA.2103203).
ISBN
9790007186142. Language:
Latin.
In 1953,
with timpani and trumpets
a la Marseillaise, a
French piece of music
once again captured
public attention
(Eurovision Hymn) and a
composer was
rediscovered: the first
recording of Marc-Antoine
Charpentier's Te Deum H
146 was released. The
introductory fanfare not
only praised God but the
Sun King Louis XIV, and
it opens one of the
greatest works of French
Baroque music.
Magnificent celebration
and ardent pleading,
effective choruses, arias
and small ensembles, plus
instrumental interludes
combine to create a
harmonious whole, drawing
its higher meaning from
Charpentier's
musical-theological
interpretation of the
Latin hymn of praise that
it is based on. Score
available separately -
see item CA.2103200.
ISBN
9790006558223. 27 x 19 cm
inches. Text Language:
French. Preface: Kocevar,
Ã?rik. Text: Charles
Colle.
The heroic
pastoral Daphnis et Egle
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version--which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas--but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
Symphonie Nr. 9 d-moll op. 125 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Breitkopf & Härtel
(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschil...(+)
(piano reduction). By
Ludwig van Beethoven
(1770-1827). Edited by
Peter Hauschild. For
Soli, Choir and
Orchestra. Edition
Breitkopf. Piano
reduction/vocal score. 56
pages
SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100305 Comp...(+)
SATB vocal soli, SATB
choir, cello/contrabass,
organ
SKU:
CA.2100305
Composed
by Marc-Antoine
Charpentier. Edited by
Annick Fiaschi. Arranged
by Paul Horn. French
Sacred Music. German
title: Magnificat. Sacred
vocal music, Magnificats,
Motets, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Choral Score. H. Duration
9 minutes. Carus Verlag
#CV 21.003/05. Published
by Carus Verlag
(CA.2100305).
ISBN
9790007100797. Language:
Latin.
Marc-Antoine
Charpentier's Magnificat
H 78 was composed around
1690 for the Jesuits in
Paris. No less than ten
works by the composer, in
differing vocal and
instrumental scoring and
form comprise this genre.
In the present Magnificat
H 78 for five voices (in
which alto and bass also
have solo roles), two
flutes, strings and basso
continuo, each of the
individual movements
contains its own
expressive profile in
sound. Score available
separately - see item
CA.2100300.
Kantaten zum Sonntag Estomihi Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
By Johann Sebastian Bach. Edited by Christoph Wolff. For Solo, Mixed Choir, Inst...(+)
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Solo, Mixed
Choir, Instrument. Neue
Bach-Ausgabe. Serie I.
Band 8/1. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5078
01)
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Kantate 211 Schweigt stille Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Breitkopf & Härtel
By Johann Sebastian Bach (1685-1750). For vocal solo(s), mixed choir, orchestra....(+)
By Johann Sebastian Bach
(1685-1750). For vocal
solo(s), mixed choir,
orchestra.
Partitur-Bibliothek
(Score Library). Score.
32 pages. Published by
Breitkopf and Haertel
score
Missa in C KV 257 (Credo) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Breitkopf & Härtel
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Partitur...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Franz Beyer.
Partitur-Bibliothek
(Score Library). Study
score. Published by
Breitkopf and Haertel
(BR.PB-5615-07).
Kantate 142 Uns ist ein Kind Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Reduction] Breitkopf & Härtel
Composed by Johann Sebastian Bach (1685-1750). Edited by Otto Schroder. For voca...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Otto Schroder. For vocal
solo(s), mixed choir,
orchestra. This edition:
paperback. Edition
Breitkopf. Piano
reduction. 24 pages.
Published by Breitkopf
and Haertel
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
Composed by Antonin Dvorak (1841-1904). Edited by Haig Utidjian. This edition:...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Haig
Utidjian. This edition:
urtext edition.
Paperback.
Barenreiter Urtext. Organ
version. Organ reduction.
Opus 86. Baerenreiter
Verlag
#BA10434-90. Published by
Baerenreiter Verlag
Composed by Bohuslav
Martinu. Edited by Paul
Wingfield. This edition:
complete edition, urtext
edition. Linen. The
Bohuslav Martinu Complete
Edition VI/2/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA10573_01.
Published by Baerenreiter
Verlag (BA.BA10573-01).
ISBN 9790260107922.
33.3 x 26.3 cm inches.
Text Language: Czech.
Preface: Wingfield,
Paul.
The present
volume of the Bohuslav
Martinu Complete Edition
(BMCE) contains two
vocal-instrumental works.
TheField Mass(1939) with
a text by Jiri Mucha
incorporating bible and
liturgy quotes was
created in reaction to
the outbreak of the
Second World War and
intended for outdoor
performances. The
cantataThe Spectre's
Bridewith a text by Karel
Jaromir Erben was
composed in 1932 as part
of the
balletSpalicek(meaningcha
pbook); the composer
later took out the
cantata, making it into a
stand-alone concert
piece.
The
autograph scores served
as primary sources for
both works. The edition
of theField
Mass(including its
performance materials)
also contains the
original version of the
ending with a quote from
the Czech medieval
hymnJezu Kriste, stedry
kneze(Jesu Christ,
bountiful priest) and a
number of contemporary
translations.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709).
ISBN
9790007215774. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Requiem in c (Requiem in C minor) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Johann Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir...(+)
By Johann Michael Haydn.
Edited by Sherman,
Charles H. For Soli SATB,
SATB Choir, 2
Clarinos/Trumpets, 2
Trumpets, (3 Trombones),
Timpani, 2 Violins, Basso
continuo. MH 155. Full
score available
separately - see item
CA.5032100. Requiem;
Sacred Music from
Salzburg; Occasions:
Mourning, Death.
Piano/Vocal score.
Language: Latin. Composed
1771. 72 pages. Duration
35 min. Published by
Carus Verlag (German
import).
Composed by Michael
Haydn. Edited by Charles
H. Sherman. German title:
Veni Sancte Spiritus Mh
39. Sacred vocal music,
Hymns, Whitsun. Single
Part, Violin 1. Composed
1761. MH 39. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 50.344/11.
Published by Carus Verlag
(CA.5034411).
ISBN
9790007081331. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Composed
by Michael Haydn. Edited
by Sherman, Charles H.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Stae
Theresiae In D Mh 796.
Masses, Latin. Choral
Score. Composed 1801. MH
797. 32 pages. Duration
40 minutes. Carus Verlag
#CV 50.328/05. Published
by Carus Verlag
(CA.5032805).
ISBN
9790007223847. Key: D
major. Language:
Latin.