Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] - Avancé Schirmer
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano vo...(+)
Composed by Pietro
Mascagni (1863-1945).
Vocal score for SATB
chorus, soprano voice
solo, contra alto voice
solo, baritone voice
solo, tenor voice solo,
mezzo soprano voice solo
and piano accompaniment.
With vocal score, lyrics,
piano reduction and
introductory text.
Series: G. Schirmer Opera
Score Editions. Text
language Italian and
English. Translated by
Machlis. 146 pages.
Published by G. Schirmer,
Inc.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Soprano, Alto,
Tenor, Bass Soli, SSATB
Chorus, Piano. Baroque,
Sacred, Choral. Sheet
Music. 204 pages.
Published by Novello and
Co Ltd.
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
By George Frideric Handel. Edited by Gerald Hendrie. Arranged by Kohs, Andreas. ...(+)
By George Frideric
Handel. Edited by Gerald
Hendrie. Arranged by
Kohs, Andreas. For Alto
solo, Bass solo, Mixed
Choir (SATB), Piano.
Piano Reduction/Vocal
Score; Urtext Edition.
HWV 249a. Published by
Baerenreiter-Ausgaben
(German import). (BA4263
90)
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203).
ISBN
9790007294243. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
Solo voices, choir, 2 pianos, timpani With timpani part. Composed by Johannes ...(+)
Solo voices, choir, 2
pianos,
timpani
With timpani part.
Composed
by Johannes Brahms (1833-
1897). Edited by Heinrich
Poos. Arranged by
Heinrich
Poos. Score. Breitkopf
and
Haertel #PB 5697.
Published
by Breitkopf and Haertel
Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
Missa Sancti Gabrielis Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. Full score
available separately -
see item CA.9100900.
Church music of the
Viennese Classical.
Choral score. Language:
Latin. Composed
1760/1768. 16 pages
Four Passion Meditations Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Oxford University Press
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University...(+)
Composed by Bob Chilcott.
Vocal score. 28 pages.
Duration 15'. Oxford
University Press
#9780193519763. Published
by Oxford University
Press (OU.9780193519763).
A Celebration of Chanukah. Arranged by Judith Clurman, Larry Hochman, Brian Stok...(+)
A Celebration of
Chanukah. Arranged by
Judith Clurman, Larry
Hochman, Brian Stokes
Mitchell. Sheet music.
Edition Schott. Score and
parts. Composed 2012.
30108. 32 pages. Duration
11'. Schott Music #ED
30108. Published by
Schott Music
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version –
including
Bruckner’s Te
Deum. Unfortunately, only
a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Bruckner’s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709246.
Published by Carus Verlag
(CA.2709246).
ISBN
9790007310868. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version –
including
Bruckner’s Te
Deum. The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Bruckner’s
symphonic approach
becomes evident for the
first time in the Mass in
D minor from 1864, the
work does not place the
same high demands on the
performers as the two
later masses. This
arrangement for soloists,
choir and 2 pianos has an
air of transparency,
rather like a work of
chamber music.. Score
and parts available
separately - see item
CA.2709200.
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Carus digital:
Extra digital products.
Full Score. WAB 26.
Duration 45 minutes.
Carus Verlag #2709244.
Published by Carus Verlag
(CA.2709244).
ISBN
9790007303358. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerâ??s symphonic
approach becomes evident
for the first time in the
Mass in D minor from
1864, the work does not
place the same high
demands on the performers
as the two later masses.
This arrangement for
soloists, choir and 2
pianos has an air of
transparency, rather like
a work of chamber
music.. Score
available separately -
see item CA.2709200.
Composed by Antonia Bembo (1643-1715). Edited by Conrad Misch. Soli, Choir and I...(+)
Composed by Antonia Bembo
(1643-1715). Edited by
Conrad Misch. Soli, Choir
and Instruments (Piano,
Organ, Orchestra). First
edition. Choral. Score
and parts. Published by
Furore Verlag
(FV.FUE-6710).
Petite Messe solennelle Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound.
Score available
separately - see item
CA.4065000. Latin Masses.
Level 3. Study score.
Language: Latin. Composed
1863. 184 pages. Duration
90 min. Published by
Carus Verlag
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Magnificat in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes,...(+)
By Franz Schubert. Edited
by Reiser, Salome. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ.
D 486. Full score
available separately -
see item CA.7005300.
Magnificat; Stuttgart
Urtext editions; Use
during church year:
Advent, Christmas.
Piano/Vocal score.
Language: Latin. Composed
1815. 24 pages. Duration
9 min. Published by Carus
Verlag (German import).
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/10. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05004_01.
Published by Baerenreiter
Verlag (BA.BA05004-01).
ISBN 9790006461387. 33
x 26.5 cm inches.
Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding