2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Mass in A-Flat Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Alfred Publishing
By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Canta...(+)
By Franz Schubert. For
Orch. (SATB divisi with
SATB Soli). Choral
Worship Cantata. Kalmus
Edition. Masterwork;
Sacred. Book. 108 pages.
Published by Alfred
Publishing.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914).
ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 1.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 1.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/11. Published by
Carus Verlag
(CA.7005311).
ISBN
9790007228286. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 2.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 2.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/12. Published by
Carus Verlag
(CA.7005312).
ISBN
9790007228293. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Viola 2.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Viola 2. H
9. 12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/13. Published by
Carus Verlag
(CA.2102913).
ISBN
9790007198213. Text
language:
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Magnificat in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes,...(+)
By Franz Schubert. Edited
by Reiser, Salome. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ.
D 486. Full score
available separately -
see item CA.7005300.
Magnificat; Stuttgart
Urtext editions; Use
during church year:
Advent, Christmas.
Piano/Vocal score.
Language: Latin. Composed
1815. 24 pages. Duration
9 min. Published by Carus
Verlag (German import).
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Single Part, Organ.
Composed 1793. MH 546. 32
pages. Duration 40
minutes. Carus Verlag #CV
54.546/49. Published by
Carus Verlag
(CA.5454649).
ISBN
9790007074623. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
and part available
separately - see item
CA.5454600.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged b...(+)
Composed by Antonio
Vivaldi
(1678-1741). Edited by
Gunter
Graulich. Arranged by
Paul
Horn. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Sacred vocal music, Mass
sections, Christmas,
Praise
and thanks. Full Score.
Composed 1713/1717. RV
589.
Duration 29 minutes.
Carus
Verlag #CV 40.001/50.
Published by Carus Verlag
Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged b...(+)
Composed by Antonio
Vivaldi
(1678-1741). Edited by
Gunter
Graulich. Arranged by
Paul
Horn. Stuttgart Urtext
Edition: Vivaldi-Archiv.
Sacred vocal music, Mass
sections, Christmas,
Praise
and thanks. Vocal score.
Composed 1713/1717. RV
589.
Duration 29 minutes.
Carus
Verlag #CV 40.001/53.
Published by Carus Verlag
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611).
ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English.
Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/05. Published by
Carus Verlag
(CA.3100305).
ISBN
9790007041410. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score
available separately -
see item CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Stabat Mater (Srnka, Kachlik) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Reduction] Barenreiter
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edite...(+)
Piano reduction by
Antonin Dvorak. Composed
by Antonin Dvorak
(1841-1904). Edited by
Jan Kachlik / Miroslav
Srnka. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Version in 10
movements. Classical.
Vocal score. With
Language: Latin, Text
Language:
Czech/English/German.
Opus 58. Duration 1 hour,
27 minutes. Editio
Baerenreiter Praha
#H07920. Published by
Editio Baerenreiter Praha
B minor Mass Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Linen
cover. Latin Masses. Full
score and DVD. Text
language: Latin. BWV 232.
304 pages. Duration 100
minutes. Published by
Carus Verlag
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Violin.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin. H 9.
12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/11. Published by
Carus Verlag
(CA.2102911).
ISBN
9790007198190. Text
language:
Latin.
Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900.