(Violin and Piano with CD of Performance and Play-Along Tracks Book/CD). By Kurt Weill (1900-1950). Arranged by Martin Reiter. For Violin, Piano Accompaniment. String Solo. Book with CD. 56 pages. Universal Edition #UE34324. Published by Universal Edition

25 Favorite Classical Pieces in Intermediate Level Arrangements. Composed by Various. Violin/Piano. Classical. Softcover. 56 pages. Published by Hal Leonard

Violin & Piano (Organ) + CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-33828

Les Anges Dans Nos Campagnes / Jericho / Old Folks At Home / La Cucaracha / The Monastery Garden / Happy-Go-Lucky / Halloween / Ragtime / Study In Thirds / Toreador's Song / Lullaby / La ci darem la mano / Minuet / Largo. Composed by John G. Mortimer. Violin & CD Playback (Play Along). 14 Titles. Score and parts. Duration 22'03. Editions Marc Reift #EMR 33828. Published by Editions Marc Reift (MA.EMR-33828).

Possible instrumentations:

Violin & CD Play Back / Play Along
Violin & Organ (+ Play Back / Play Along CD optional)
Violin & Piano (+ Play Back / Play Along CD optional).

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.

By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method Core Materials. Book. 28 pages. Published by Alfred Publishing.

Violin & Piano or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-50576

Composed by Jean-Francois Michel. Score and parts. Duration 17'58. Editions Marc Reift #EMR 50576. Published by Editions Marc Reift (MA.EMR-50576).

1. Winner's Glory / 2. Spring Joy / 3. Sirtaki / 4. Tune For Happy Hours / 5. Gospel.

By David Pearl (Arranger). For Violin, Piano Accompaniment. Pop, Classical, Folk. Sheet Music and Audio CD. 36 pages. Published by Music Sales.

Violin and Piano - Grade 3

SKU: BT.EMBZ810

Composed by Ferenc Vecsey. Book Only. Composed 1952. 6 pages. Editio Musica Budapest #EMBZ810. Published by Editio Musica Budapest (BT.EMBZ810).

English-German-Hungari an.

Ferenc Vecsey (1893-1935) was one of the greatest virtuoso violinists of the early twentieth century. He was soon noticed as a child prodigy, and after his early violin lessons from his father, he became a pupil of Hubay. His first known public appearance was at the age of 6 in Tátraszéplak (Tatranská Polianka), and a few years later in Berlin he made his debut abroad. There he heard the elderly maestro József Joachim, who was astonished at the talented boy's playing. So started the young Vecsey's performing career: he gave a dozen or so concerts in Germany, then followed a series of concert tours all over the world (in 1906 in Spain, Bartók was his accompanist). From1907, his permanent place of residence between concerts was Berlin, where he began to study harmony and counterpoint. Soon he began composing himself, mainly writing virtuoso pieces for his own concerts, of which the Valse triste became the most famous. Other musicians were also happy to include this short character piece in their programmes.Vecsey later settled in Italy. He died unexpectedly at the young age of 42.

Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of performance parts (includes separate pull-out violin part, softcover). With solo part and piano accompaniment (spiral bound). 238 pages. Music Sales #AM948926. Published by Music Sales

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.

For violin. By Gunter Van Rompaey. Arranged by Roland Kernen. Speel viool! Book with Part and Audio-Online. Composed 2022. 40 pages. De Haske Publications #DHP 1074228-404. Published by De Haske Publications

For violin. By Gunter Van Rompaey. Arranged by Roland Kernen. De Haske Play-Along Book. Book with CD. Composed 2007. 40 pages. De Haske Publications #1074228-400. Published by De Haske Publications