Violin and Orchestra (Score) SKU: HL.14008396 Composed by Sir Peter Maxwe...(+)
Violin and Orchestra
(Score)
SKU:
HL.14008396
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 112 pages. Chester
Music #CH55780. Published
by Chester Music
(HL.14008396).
ISBN
9780711921337.
8.5x12.0x0.533
inches.
This work
was commissioned by the
Royal Philharmonic
Orchestra to celebrate
its 40th birthday. The
first performance took
place in June 1986 at St.
Magnus' Cathedral,
Kirkwall, as part of the
tenth St. Magnus
Festival. Written for and
first performed by Isaac
Stern, Davies's Violin
Concerto brings together
two streams in his music:
symphonism and
folk-fiddling. In its
strongly developed
substance, it asks to be
measured in the company
of Beethoven, Brahms and
Sibelius, while there is
also, particularly in the
middle movement, a strong
element of the Scots
lament. The orchestra is
generally muted in
colour, though there is a
dramatic role for the
timpanist. There are
three movements, played
without a break - this is
only one of many
connections with the
Mendelssohn Violin
Concerto. Duration c.
30mins.
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
Cello and Orchestra SKU: HL.14006311 Composed by Sir Arthur Drummond Blis...(+)
Cello and Orchestra
SKU: HL.14006311
Composed by Sir Arthur
Drummond Bliss. Music
Sales America. Post-1900.
Studyscore. 122 pages.
Music Sales #NOV090211.
Published by Music Sales
(HL.14006311).
8.5x11.75x0.5
inches.
Study Score
edition of the Concerto
For Cello and Orchestra.
Duration 26 minutes.
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra
SKU: BR.PB-5509
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Full score. 52
pages. Duration 27'.
Breitkopf and Haertel #PB
5509. Published by
Breitkopf and Haertel
(BR.PB-5509).
ISBN
9790004211694. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
(For String Orchestra or String Quartet). Edited by Paul Paradise. For Cello. St...(+)
(For String Orchestra or
String Quartet). Edited
by Paul Paradise. For
Cello. String Orchestra
Collection. The Best of..
Level: Medium-Advanced.
Book. 28 pages. Published
by Alfred Publishing.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements.
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello a...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For cello
and orchestra (solo
cello, 2 flutes, oboe,
english horn, 2 clarinets
in A, 2 bassoons, 4
horns, 2 trumpets in C, 3
trombones, tuba, timpani,
percussion, celeste,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
136 pages. Duration 27'.
Published by Oxford
University Press
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra
(solo: vl - str - bc)
SKU: BR.PB-5297
Composed by Franz Joseph
Haydn. Edited by Walter
Heinz Bernstein.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Haydn's C major
Concerto now in a new,
up-to-date
edition
EB 8634
(edition for violin and
piano) with cadenzas by
Thomas Zehetmair
Solo
concerto; Classical. Full
score. 24 pages. Duration
24'. Breitkopf and
Haertel #PB 5297.
Published by Breitkopf
and Haertel (BR.PB-5297).
ISBN 9790004211755. 10
x 12.5
inches.
Haydn's
Violin Concerto in C
major has always been
closely linked to
Breitkopf & Hartel,
which began selling
copies of the work back
in 1769. The first
edition came out in 1909
and helped secure the
work a broad
dissemination and lasting
popularity. Strangely
enough, this first
edition is one of the
most important sources
today, since its own
source a copy of Haydn's
autograph, perhaps the
autograph itself was lost
at the end of World War
II. Although other copies
from Haydn's time were
made, they are textually
less reliable. Walter
Heinz Bernstein has
created an easily
playable and
pleasant-sounding piano
score on the basis of the
first edition, whereby he
has respected the early
classical continuo
practice. As he did
earlier in the G major
Concerto (EB 8606),
Thomas Zehetmair has once
again accepted the
challenging task of
embellishing the solo
part with stylistically
accurate cadenzas and
flourishes. This
delightful concerto is
thus now available in a
modern edition.The
piano-harpsichord part by
Walter Heinz Bernstein
features a continuo part
in keeping with the late
Baroque performing
tradition and offers a
much cleaner, unfettered
realization.(Stringendo)<
br> Haydn's C major
Concerto now in a new,
up-to-date edition.
Cello and Orchestra SKU: BT.SLB-00452900 Composed by Darius Milhaud. Solo...(+)
Cello and Orchestra
SKU:
BT.SLB-00452900
Composed by Darius
Milhaud. Solo & Concerto.
Study Score. Composed
2002. Editions Salabert
#SLB 00452900. Published
by Editions Salabert
(BT.SLB-00452900).
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Bach's manuscript
leaves several questions
unanswered.
Solo
concerto; Baroque. Full
score. 24 pages. Duration
16'. Breitkopf and
Haertel #PB 5354.
Published by Breitkopf
and Haertel (BR.PB-5354).
ISBN 9790004211533. 9
x 12 inches.
When
an editorial formula
proves to be as
compelling as in the case
of the E-major Concerto
BWV 1042, then its
obvious that it is going
to be applied again: this
time to Klaus Hofmanns
new Urtext edition of the
A-minor Concerto. Bachs
manuscript leaves several
questions unanswered. The
slurring, particularly in
the solo part, is once
again equivocal and
inconsistent. Bach
himself expected his
performers to be
creative, which is why
the interpretative
suggestions of Baroque
expert Sigiswald Kuijken
are particularly welcome.
The edition for violin
and keyboard instrument
(with continuo ad lib.)
once again contains three
violin parts (the first
unmarked, the second with
markings and comments by
Sigiswald Kuijken, the
third as a facsimile).
This provides
well-grounded stimuli for
ones own personal
interpretation based on
historically informed
performance practice. The
keyboard arrangement by
Siegfried Petrenz is
transparent and easy to
play. A violoncello part
has been added for
chamber-music.
Bac
h's manuscript leaves
several questions
unanswered.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra
(solo: vl - picc.2.2(cor
ang).2.2.dbn. - 4.3.3.1.
- perc(3) - hp - pno -
str: 14.12.10.8.6.)
SKU: BR.PB-5434
Composed by Ye Shen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Tokyo, August
21, 2018. Solo concerto;
Music post-1945; New
music (post-2000). Full
score. Composed 2018. 96
pages. Duration 27'.
Breitkopf and Haertel #PB
5434. Published by
Breitkopf and Haertel
(BR.PB-5434).
ISBN
9790004212813. 10.5 x 14
inches.
My first
violin concerto, The
Psalms of Taciturnity,
describes the inner
feelings that cannot be
expressed verbally, but
that also cannot remain
unexpressed. There is the
human spirit's pain,
sorrow and fortitude in
the face of this big
quandry. The Psalms stand
for the praise of
humanity and of life. And
so in this concerto, the
Psalms are lacking in
words, but are full of
music. (Ye
Shen)