By Johan De Meij. Full score (separate set of parts needed for performance) for cello, piccolo flute, 4 flutes (one), 4 flutes (two), flute (three), 2 oboes (one and two), english horn (in F), 2 bassoons (one and two), double bassoon, Eb clarinet, 6 Bb clarinets (one), 6 Bb clarinets (two), 6 Bb clarinets (three), Eb alto clarinet, Bb bass clarinet, 2 Eb alto saxophones (one), 2 Eb alto saxophones (two), 2 Bb tenor saxophones, Eb baritone saxophone, 3 horns (one and three), 3 horns (two and four), 2 Bb trumpets (one), 2 Bb trumpets (two), 2 Bb trumpets (three), 2 Bb trump

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15133-07

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Study Score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15133-07. Published by Breitkopf and Haertel (BR.PB-15133-07).

ISBN 9790004214695. 6.5 x 9 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Cello and Orchestra

SKU: HL.14020990

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Score. Composed 1999. 80 pages. Chester Music #CH58933. Published by Chester Music (HL.14020990).

ISBN 9780711923904. 5.5x7.5x0.283 inches.

If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.

Cello and Orchestra

SKU: BT.ALHE32207

Composed by Henri Dutilleux. Classical. Score Only. 137 pages. Heugel & Cie #ALHE32207. Published by Heugel & Cie (BT.ALHE32207).

French.

Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire.

Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-16110

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Full score. 216 pages. Duration 35'. Breitkopf and Haertel #PB 16110. Published by Breitkopf and Haertel (BR.PB-16110).

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.

By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).

By Gerald E. Anderson. Orchestra Method/Study. Essential for Strings. Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Violin and Orchestra (Score)

SKU: HL.14008406

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 94 pages. Chester Music #CH60978. Published by Chester Music (HL.14008406).

ISBN 9780711948716.

A work for solo violin and orchestra, commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow, by James Clark and the Scottish Chamber Orchestra conducted by Maxwell Davies. The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.' Davies's dancing concerto imagines the fiddler following a route from field to field, from dance to dance, accompanied by a bunch of companions in the form of an orchestra. As the music goes on, so it gets brighter and livelier, moving from the dark colouring of clarinets, bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion, as if the dancers as much as the fields were beginning to glow with new life. Score (miniature). Duration c. 20mins.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5297

Composed by Franz Joseph Haydn. Edited by Walter Heinz Bernstein. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Haydn's C major Concerto now in a new, up-to-date edition

EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair

Solo concerto; Classical. Full score. 24 pages. Duration 24'. Breitkopf and Haertel #PB 5297. Published by Breitkopf and Haertel (BR.PB-5297).

ISBN 9790004211755. 10 x 12.5 inches.

Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)< br>
Haydn's C major Concerto now in a new, up-to-date edition.

Violin and Orchestra (Score)

SKU: HL.14008396

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 112 pages. Chester Music #CH55780. Published by Chester Music (HL.14008396).

ISBN 9780711921337. 8.5x12.0x0.533 inches.

This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral, Kirkwall, as part of the tenth St. Magnus Festival. Written for and first performed by Isaac Stern, Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance, it asks to be measured in the company of Beethoven, Brahms and Sibelius, while there is also, particularly in the middle movement, a strong element of the Scots lament. The orchestra is generally muted in colour, though there is a dramatic role for the timpanist. There are three movements, played without a break - this is only one of many connections with the Mendelssohn Violin Concerto. Duration c. 30mins.

Cello and Orchestra

SKU: BT.SCHEE419

Set (Score & Parts). 58 pages. Simrock #SCHEE419. Published by Simrock (BT.SCHEE419).

Cello, Piano. Bortkiewicz, S.

By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow, consulting editor Anne C. Witt, and contributing arrangers Jack Bullock, Victor Lopez, and Tom Roed. For Cello. String Orchestra Method/Supplement. Expressions Music Curriculum[TM]. Book & CD. 56 pages. Published by Alfred Publishing.

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-5531-07

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day.

Solo concerto; Classical. Study Score. 88 pages. Duration 45'. Breitkopf and Haertel #PB 5531-07. Published by Breitkopf and Haertel (BR.PB-5531-07).

ISBN 9790004212608. 6.5 x 9 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

(For String Orchestra or String Quartet). Edited by Paul Paradise. For Cello. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 28 pages. Published by Alfred Publishing.

Composed by Luigi Boccherini (1743-1805). Edited by Alessandro Bares. Paperback. Minghen dal Viuluzel. Baroque, Galant. Score and set of parts (strings: 3/3/2/4). Published by Musedita Edizioni Musicali (M8.BO-4-475).