27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Feli...(+)
27 Christmas Favorites
(Alto Sax Book - Includes
CD). By Benjamin R.
Hanby; Felix Mendelssohn
Bartholdy; Franz Gruber;
George Frideric Handel;
James Pierpont; James R.
Murray; John Francis
Wade; John Henry Hopkins;
Lewis Redner; Richard
Storrs Willis;
Theodoricus Petrus Of
Nyland; Thomas Helmore.
Arranged by Sandy
Feldstein. Text: Charles
Wesley; Edward H. Sears;
John Francis Wade; John
Mason Neale; William
Sandy. For Alto
Saxophone. Score and
Audio CD. 32 pages.
Published by Carl
Fischer.
By Johann Sebastian Bach. Edited by Wolf, Uwe / Tarr, Edward H. Brass/Woodwind M...(+)
By Johann Sebastian Bach.
Edited by Wolf, Uwe /
Tarr, Edward H.
Brass/Woodwind Music,
Mass Sections; Stuttgart
Urtext editions; Use
during church year:
Ascension, Easter and
Eastertide, Christmas.
Collection. 88 pages.
Published by Carus Verlag
(German import).
Trumpet and orchestra SKU: BR.MR-1192 Composed by Henry Purcell. Edited b...(+)
Trumpet and orchestra
SKU: BR.MR-1192
Composed by Henry
Purcell. Edited by Edward
H. Tarr. Orchestra;
Softcover. Musica Rara.
Sonata; Renaissance/early
Baroque; Baroque. Score
and parts. 22 pages.
Duration 7'. Breitkopf
and Haertel #MR 1192.
Published by Breitkopf
and Haertel (BR.MR-1192).
Trumpet and orchestra SKU: BR.MR-1557B Set of parts. Composed by J...(+)
Trumpet and orchestra
SKU: BR.MR-1557B
Set of parts.
Composed by Johann
Wilhelm Hertel. Edited by
Edward H. Tarr.
Orchestra; stapled.
Musica Rara. Solo
concerto; Early
classical. Score and
parts. 60 pages. Duration
12'. Breitkopf and
Haertel #MR 1557b.
Published by Breitkopf
and Haertel
(BR.MR-1557B).
From: Psalmen Davids
II. Reconstruction.
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Edward
H. Tarr, Paul Horn. This
edition: urtext. Cycles:
Schutz: Psalmen Davids
SWV 22-47. Stuttgart
Urtext Edition: Schutz.
Psalm 136 Danket Dem
Herren. Sacred concertos,
Psalms, German, Psalms.
Choral Score. SWV 45. 12
pages. Duration 7
minutes. Carus Verlag #CV
20.045/05. Published by
Carus Verlag
(CA.2004505).
ISBN
9790007165123. Text
language:
German.
With this
magnificent setting of
Psalm 136 from the
Psalmen Davids of 1619,
Heinrich Schütz
broke new ground: he
brought the court trumpet
ensemble into the realm
of art music (similar to
Michael Praetorius at
around the same time).
Alongside the trumpet
ensemble, a five-part
ripieno choir ensures
musical splendor, whilst
the leading role is given
two two favoriti choirs,
one high (SSTT) and one
low (TTBB, scored for
tenor and three
trombones). Schütz
did not write out the
trumpet ensemble parts,
but made do with notating
just the middle part,
around which the other
parts were to improvise.
For this critical
edition, the trumpet
ensemble is available
separately in a
reconstruction by the
internationally-famous
baroque trumpet
specialist Edward H.
Tarr. This edition is
also used for the
recording of the Psalm
with the Dresdner
Kammerchor conducted by
Hans-Christoph Rademann.
Score available
separately - see item
CA.2004500.
From: Psalmen Davids
II. Reconstruction.
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Edward
H. Tarr, Paul Horn. This
edition: urtext. Cycles:
Schutz: Psalmen Davids
SWV 22-47. Stuttgart
Urtext Edition: Schutz.
Psalm 136 Danket Dem
Herren. Sacred concertos,
Psalms, German, Psalms.
Choral Score. SWV 45. 20
pages. Duration 7
minutes. Carus Verlag #CV
20.045/06. Published by
Carus Verlag
(CA.2004506).
ISBN
9790007165130. Text
language:
German.
With this
magnificent setting of
Psalm 136 from the
Psalmen Davids of 1619,
Heinrich Schütz
broke new ground: he
brought the court trumpet
ensemble into the realm
of art music (similar to
Michael Praetorius at
around the same time).
Alongside the trumpet
ensemble, a five-part
ripieno choir ensures
musical splendor, whilst
the leading role is given
two two favoriti choirs,
one high (SSTT) and one
low (TTBB, scored for
tenor and three
trombones). Schütz
did not write out the
trumpet ensemble parts,
but made do with notating
just the middle part,
around which the other
parts were to improvise.
For this critical
edition, the trumpet
ensemble is available
separately in a
reconstruction by the
internationally-famous
baroque trumpet
specialist Edward H.
Tarr. This edition is
also used for the
recording of the Psalm
with the Dresdner
Kammerchor conducted by
Hans-Christoph Rademann.
Score available
separately - see item
CA.2004500.
Laudate Dominum Chorale 3 parties TTB/TBB Edward B. Marks Music Company
Composed by Marc-Antoine Charpentier (1645-1704). Edited by H. Wiley Hitchcock. ...(+)
Composed by Marc-Antoine
Charpentier (1645-1704).
Edited by H. Wiley
Hitchcock. Choral.
Festival. Octavo. 16
pages. Edward B. Marks
Music #MC4603. Published
by Edward B. Marks Music
(HL.7726).
Adagio. Composed
by Edward Elgar.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Sospiri is one of those
brief, highly
atmospheric, studies that
abound in practically all
music publishers'
catalogues around 1900.
Romantic; Late-romantic.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5271-12. Published by
Breitkopf and Haertel
(BR.OB-5271-12).
ISBN
9790004331873. 10 x 12.5
inches.
Sospiri is
one of those brief,
highly atmospheric
studies that abound in
practically all music
publishers' catalogues
around 1900. This piece,
however, owes its
survival beyond its time
of origin only in part to
the unbroken esteem
enjoyed by Edward Elgar.
The piece contains a
number of striking
features and is far
superior to the
mass-produced,
sentimental parlor pieces
of the time.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone,
tuba, timpani - Early
intermediate
SKU:
GI.G-9044
Concertato on
MARION. Composed by
Arthur Henry Messiter.
Arranged by Carlton R.
Young. Choral. Tune Name:
Marion. Sacred. Octavo. 8
pages. GIA Publications
#9044. Published by GIA
Publications (GI.G-9044).
UPC: 785147904403.
English. Text Source:
Edward H. Plumptre,
1821–1891, alt.,
words adapt. Ruth C.
Duck. Text by Edward
Hayes
Plumptre.
Scored
for SATB voices, assembly
and organ with optional
brass quintet and
timpani, the time-honored
tune MARION is set most
festively in traditional
style. Vocal parts are
easy to master, and the
brass quintet and timpani
parts make the anthem
crackle with energy. The
organ accompaniment is
printed in the full
score.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
