| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sunday Morning Praise Duet Companion 1 Piano, 4 mains - Intermédiaire Alfred Publishing
(16 Worship Selections for One Piano, Four Hands). Arranged by Victor Labens...(+)
(16 Worship Selections
for
One Piano, Four Hands).
Arranged by Victor
Labenske.
For Piano. Book; Duet or
Duo; Piano Duet (1 Piano,
4
Hands). Sacred Performer
Duet Collections.
Contemporary Christian;
Sacred. Intermediate;
Late
Intermediate. 124 pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Hymn Makers 1 Chorale SATB SATB, Orgue Boosey and Hawkes
SATB and Organ. By Christopher Norton. (SATB). Boosey and Hawkes Large Choral. ...(+)
SATB and Organ. By
Christopher Norton.
(SATB). Boosey and Hawkes
Large Choral. Size 9x12
inches. 42 pages.
Published by Boosey &
Hawkes.
(1)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Junior Hymnbook Book 1 Piano seul [Partition] Music Sales
(Book 1). By Rachel Beatty Kahl. Arranged by Rachel Beatty Kahl. For piano. Musi...(+)
(Book 1). By Rachel
Beatty Kahl. Arranged by
Rachel Beatty Kahl. For
piano. Music Sales
America. Designed to be
played with student's
very first piano book.
Sacred. Softcover. 48
pages. Music Sales
#BMC12102. Published by
Music Sales
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Quest for the Throne Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Tom-tom,
Trombone and more. -
Grade 1.5 SKU:
CF.FPS155 Composed by
Larry Clark. First Plus
Band (FPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+2+3+16+2 pages.
Duration 2 minutes, 11
seconds. Carl Fischer
Music #FPS155. Published
by Carl Fischer Music
(CF.FPS155). ISBN
9781491152157. UPC:
680160909650. Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Quest for the Throne Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Tom-tom,
Trombone and more. -
Grade 1.5 SKU:
CF.FPS155F Composed
by Larry Clark. First
Plus Band (FPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #FPS155F.
Published by Carl Fischer
Music (CF.FPS155F).
ISBN 9781491152836.
UPC:
680160910335. Quest
for the Throne evokes
images of kings and
castles, knights and
horses, and dragons in
all their glory. It is
a bold and aggressive
piece throughout, but
includes a contrasting,
lush secondary theme for
variety. In his typical
style, Clark has used
forceful figures, and
strong melodic content to
give students music
they'll want to practice
and play again and
again. This piece
should depict images of
kings and castles, knight
and horses, dragons and
damsels in distress. It
should be bold and
aggressive throughout,
but never with bad
tone. This is then
contrasted by the lush
second theme that is
presented first in a
softer thin
orchestration, but later
becomes a change for the
whole ensemble to play in
a strong, but lush
presentation of this
theme.One thing that is
important to me when
writing music for younger
students is to offer
pieces that challenge all
students in the ensemble
and give every section an
important part of the
musical presentation,
which naturally should
include some melodic
material. Every member
of the ensemble wants to
feel that they are
contributing to the
collective whole.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing & Praise Piano seul Music Sales
| | |
| Easy To Ring Praise and Worship VI Cloches [Partition] - Débutant Hope Publishing Company
Arranged by Peggy Bettcher. For handbell choir (3-5 octaves). This edition: Comp...(+)
Arranged by Peggy
Bettcher. For handbell
choir (3-5 octaves). This
edition: Complete.
Collection. Easy to Ring
Series. Contemporary,
General, Sacred. Grade 1
. Collection. 44 pages.
Published by Hope
Publishing Company
$20.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Easy To Ring Praise and Worship VI Cloches [Partition] - Débutant Hope Publishing Company
Arranged by Peggy Bettcher. For 2-3 octave handbells or handchimes. This edition...(+)
Arranged by Peggy
Bettcher. For 2-3 octave
handbells or handchimes.
This edition: Complete.
Collection. Easy to Ring
Series. Contemporary,
General, Sacred. Grade 1
. Handbell score. 44
pages. Published by Hope
Publishing Company
$20.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns For Unaccompanied Trumpet Trompette [Partition] - Intermédiaire Mel Bay
Composed by William Bay. For trumpet. Intermediate. Book. 58 pages. Publishe...(+)
Composed by William Bay.
For
trumpet. Intermediate.
Book.
58 pages. Published by
Mel
Bay Publications, Inc
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| William Bay Trumpet Anthology Trompette [Partition + Accès audio] - Intermédiaire Mel Bay
Saddle-stitched, Solos. Trumpet. Book and online audio. Mel Bay Publications, ...(+)
Saddle-stitched, Solos.
Trumpet. Book and online
audio. Mel Bay
Publications,
Inc #WBM78M. Published by
Mel
Bay Publications, Inc
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Before the Throne of God Above CD Chorale - Facile Hope Publishing Company
(Choral, Rhythm, SAB or Three-Part) - Level 2 SKU: HP.C5711C Composed by ...(+)
(Choral, Rhythm, SAB or
Three-Part) - Level 2
SKU: HP.C5711C
Composed by Charitie
Bancroft and Vikki Cook.
Arranged by Joel Raney.
Sing & Ring Series.
General Worship, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5711C.
Published by Hope
Publishing Company
(HP.C5711C). UPC:
763628957117. By Charitie
Bancroft & Vikki Cook.
Revelation 4:2,
Revelation 22:1 Matthew
6:1-6,16-21. Popula
r worship song by
Charitie Bancroft &
Vikki Cook This
compelling new worship
song conveys the pardon
and forgiveness that is
found before the throne
of God. Joel Raney has
beautifully arranged this
for SAB choirs as part of
our Ring and Sing series,
which features a full,
stand-alone handbell
setting which can double
as the accompaniment to
the choral setting. The
recording features
acoustic guitar and bass
playing off the guitar
chords that are included
in the octavo. The P/A CD
includes one track with
rhythm and handbells to
accompany a vocal choir
and a second track of
just the rhythm to
accompany a bell choir.
The Rhythm Packet include
a Conductor's Score and
parts for Acoustic
Guitar, Bass & Synth. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| He's Still On the Throne/Let Me Touch Him (Lillenas Choraltrax CD #1) Chorale Unison Lillenas Publishing Co.
Choir SKU: LP.MU-5500T Anthems. Southern Gospel and Sacred. Stereo & spli...(+)
Choir SKU:
LP.MU-5500T Anthems.
Southern Gospel and
Sacred. Stereo &
split-channel
accompaniment CD with
demo. Published by
Lillenas Publishing
Company (LP.MU-5500T).
UPC:
765762019829. Lille
nas Choraltrax CD
includes stereo and
split-channel mixes as
well as demo recording
for two Lillenas octavos:
AN-9063 HE'S STILL ON THE
THRONE and AN-1866 LET ME
TOUCH HIM. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eastertime Psalm: Psalms for Easter, Ascension, and Petecost (This is the day the Lord has made; God mounts his throne to shouts of joy; Lord, send out your Spirit on us) Chorale SATB [Octavo] - Facile GIA Publications
By James Chepponis. For Voices: Cantor, assembly, opt. SATB. Instruments: 2 trum...(+)
By James Chepponis. For
Voices: Cantor, assembly,
opt. SATB. Instruments: 2
trumpets in B or C, 23
handbells (instruments
optional). Organ. Choral
Sacred. Level: easy. 9
pages. Published by GIA
Publications.
$2.40 $2.28 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double-Braced Drum Throne Hal Leonard
SKU: HL.776454 Model 1000T. Percussion Plus Drums. General Merchan...(+)
SKU: HL.776454
Model 1000T.
Percussion Plus Drums.
General Merchandise. Hal
Leonard #1000T. Published
by Hal Leonard
(HL.776454). UPC:
611534004053.
13.5x16.25x6.25
inches. A round
drum throne with a tripod
base gives you a sturdy
foundation to keep you
from tipping over when
you are in the groove.
This comfortable 1000T
padded seat gives you the
support and comfort you
need for those long and
tiring gigs! It works for
keyboard players and
guitar players too. The
double braced design
makes it long lasting and
rugged, and the screw
type height adjustment
lets you set the right
height. Features include:
• Tripod throne
• Double-braced
• 12″ x
2-1/2″ padded
locking seat • 13.5
x 16 x 6.5 inches •
Item weight: 9.2
pounds. $64.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eighteen Chorals Of Leipzig (organ) Orgue Leduc, Alphonse
Organ SKU: HL.48184601 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ SKU:
HL.48184601 Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 86 pages.
Alphonse Leduc #AL27723.
Published by Alphonse
Leduc (HL.48184601).
UPC: 888680853914.
9.0x12.0x0.288
inches. Part of the
Organ collection by J. S.
Bach, this Volume IX
Eighteen Chorals of
Leipzig (BWV 651-668) was
composed between 1740 and
1750, in Leipzig. This
volume is now translated
in English and French and
features the annotation
of Marcel Dupre, a French
organist, to help the
performer getting the
most of the music sheet.
This ninth book contains
a set of eighteen
religious preludes: 1.
Come, Holy Ghost 2. Come,
Holy Ghost 3. By the
rivers of Babylon 4. Deck
thyself, o my soul 5.
Lord Jesus Christ, unto
us turn 6. O stainless
Lamb of God 7. Now thank
we all our God 8. From
God I will not turn 9.
Come now, Saviour of the
Heathen 10. Come now,
Saviour of the Heathen
11. Come now, Saviour of
the Heathen 12. Glory to
God on high 13. Glory to
God on high 14. Glory to
God on high 15. Jesus
Christ, our Saviour 16.
Jesus Christ, our Saviour
17. Come, God, Creator,
Holy Ghost 18. Before thy
Throne, I now appear Some
of this prelude contains
toccatas, sarabandes,
fugues, ritornellos and
many ornaments. Quite
varied, they can also be
either joyful or full of
lamentations. The preface
of these Eighteen Chorals
of Leipzig is well
written, with
explanations of the
comments and descriptions
of the techniques to use
for a good interpretation
of this work. . $33.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Skye Boat Song Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS39 Composed by Scotti...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS39
Composed by Scottish Folk
Song. Arranged by
Virginia Croft. Carl
Fischer First Plus String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 8+8+8+2+5+5+5+2
pages. Carl Fischer Music
#FAS39. Published by Carl
Fischer Music (CF.FAS39).
ISBN 9780825863301.
UPC: 798408063306. 8.5 X
11 inches. Key: D
major. Virginia
Croft's experience as a
string player and
educator is evident in
the care with which she
has scored this beautiful
folk tune idiomatically
for young string players.
Relatively easy to play,
Skye Boat Song is a great
opportunity to develop
lyrical playing habits
with a developing string
group. Here is a very
playable setting of a
beautiful Scottish folk
song. It commemorates one
of the most exciting
moments in Scottish
history in the middle of
the eighteenth century
during the Jacobite
Rebellion. At this time,
a small group of men
escaped by night in a
tiny boat across the
rough sea to the Isle of
Skye to save the life of
the young lad whom they
believed to be the
rightful heir to the
throne of Scotland.As you
play this music, can't
you feel the boat rocking
and the oarsmen straining
at their posts against
the sea? The long
diminuendo from m. 51 to
the end passes the final
melodic fragment down
through the voices until
the small boat has
vanished into the
distance, leaving only
the water.The words of
the original folk song
are:Speed, bonnie boat,
like a bird on the
wind;Hark, how the
seagulls cray!Carry the
lad that was born to be
kindOver the sea to
Skye!. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Organ Works Orgue [Score|Solo Part|Part] Barenreiter
Organ Chorales from Miscellaneous Sources. By Johann Sebastian Bach. Edited by R...(+)
Organ Chorales from
Miscellaneous Sources. By
Johann Sebastian Bach.
Edited by Reinmar Emans.
For Organ. This edition:
Urtext of the New Bach
Edition. Mit separater
Tromba-Stimme zu 'Wachet
auf, ruft uns die
Stimme'. Score; Single
Part. 177 pages.
Published by Baerenreiter
Verlag (German import).
$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deep River Chorale SATB Hope Publishing Company
SATB choir; rhythm SKU: HP.C5661R Composed by Robert Lowry. Arranged by L...(+)
SATB choir; rhythm
SKU: HP.C5661R
Composed by Robert Lowry.
Arranged by Lloyd Larson.
General Worship, Sacred.
Rhythm Parts. Hope
Publishing Company
#C5661R. Published by
Hope Publishing Company
(HP.C5661R). UPC:
763628256616. By Robert
Lowry. 2 Timothy 2:5, 2
Timothy 4:8, Hebrews
11:9, Isaiah 61:10,
Psalms 46:4, Revelation
2:10, Revelation 22:1,
Revelation 4:6,
Revelation 6:11,
Deuteronomy 1:6-8, Joshua
1:2. African-Americ
an Spritiual by
Robert Lowry In this
spiritual the river
symbolizes life and
crossing over into
campground symbolizes a
yearning for deliverance,
salvation and freedom in
God's Promised Land.
Lloyd Larson captures the
significance of this rich
text in his setting for
SATB choir with piano and
rhythm accompaniment. The
addition of Robert
Lowry's folk hymn, Shall
We Gather at the River,
provides an even greater
connection to the crystal
tide forever flowing by
the throne of God. This
setting comes from
Lloyd's musical
celebration of the
African American
spirtual, Singin' in the
Spirit. The Rhythm packet
contains parts for:
Guitar, Bass, Drums &
Synth. $34.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| First 50 Songs You Should Play on Xylophone Xylophone Hal Leonard
Composed by Various. Percussion. Jazz, Movies, Pop. Softcover. Published by H...(+)
Composed by Various.
Percussion. Jazz, Movies,
Pop. Softcover. Published
by
Hal Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Thou Holiest of Rivers Cor et Piano - Intermédiaire/avancé Imagine Music
| | |
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