By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music.
Level: Grade 5.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 5. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music.

Composed by Mat Marucci. Squareback saddle stitch, Method, Technique, Theory and Reference. Percussion: Snare Drum. Book and online audio. 116 pages. Mel Bay Publications, Inc #30646M. Published by Mel Bay Publications, Inc

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5

SKU: CF.PPS49

Composed by Richard Summers. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+1+12+2 pages. Duration 2 minutes. Carl Fischer Music #PPS49. Published by Carl Fischer Music (CF.PPS49).

ISBN 9781491151938. UPC: 680160909438.

Exemp lary is a mature musical  piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.
Exemplar y is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .

Grade 2

SKU: CL.011-4672-00

Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR395). Score and set of parts. Composed 2018. Duration 3 minutes, 33 seconds. C.L. Barnhouse #011-4672-00. Published by C.L. Barnhouse (CL.011-4672-00).

Designed to assist your ensemble in advancing to the next level, the opening section of this unique work combines lively and energetic mixed-meter melodic lines with syncopated underlying harmonic structures to create a distinctive musical flavor your students and audiences will love! Additionally, the middle section provides beautiful lyrical opportunities to enhance musicality development. Breaking out of the mold of the standard band keys, Beyond The Challenge! challenges your students to improve their music literacy and technical skills while, at the same time, creating great music. Outstanding selection for contest or concert! (Beyond The Challenge! is correlated with the key development competencies presented in Ed Huckeby’s Core Competencies for the Successful Development of Sightreading Skills, Book Two.).

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-4672-01

Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR395). Extra full score. Composed 2018. Duration 3 minutes, 33 seconds. C.L. Barnhouse #011-4672-01. Published by C.L. Barnhouse (CL.011-4672-01).

Designed to assist your ensemble in advancing to the next level, the opening section of this unique work combines lively and energetic mixed-meter melodic lines with syncopated underlying harmonic structures to create a distinctive musical flavor your students and audiences will love! Additionally, the middle section provides beautiful lyrical opportunities to enhance musicality development. Breaking out of the mold of the standard band keys, Beyond The Challenge! challenges your students to improve their music literacy and technical skills while, at the same time, creating great music. Outstanding selection for contest or concert! (Beyond The Challenge! is correlated with the key development competencies presented in Ed Huckeby’s Core Competencies for the Successful Development of Sightreading Skills, Book Two.).

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2845-00

Overture. Composed by J. Williams. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). Overture. Score and set of parts. Composed 1997. Duration 5 minutes, 33 seconds. C.L. Barnhouse #011-2845-00. Published by C.L. Barnhouse (CL.011-2845-00).

A delightful overture with a slight southwestern flavor that is sure to become a favorite for concert and contest performances everywhere. A great motivator for young bands.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 3

SKU: CL.011-3789-75

Spanish March. Composed by King. Arranged by A. Clark. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Oversized, spiral-bound score. Composed 2009. Duration 2 minutes, 25 seconds. C.L. Barnhouse #011-3789-75. Published by C.L. Barnhouse (CL.011-3789-75).

An impressive new arrangement by Andy Clark of one of Karl L. King's most distinctive marches. This arrangement retains all of the charm and Spanish flavor of the original while it utilizes a reduced instrumentation which makes it sound great with smaller bands. An outstanding choice for concert or contest performances.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 3

SKU: CL.011-3789-01

Spanish March. Composed by King. Arranged by A. Clark. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Extra full score. Composed 2009. Duration 2 minutes, 25 seconds. C.L. Barnhouse #011-3789-01. Published by C.L. Barnhouse (CL.011-3789-01).

An impressive arrangement by Andy Clark of one of Karl L. King’s most distinctive marches. This arrangement retains all of the charm and Spanish flavor of the original while it utilizes a reduced instrumentation which makes it sound great with smaller bands. An outstanding choice for concert or contest performances. Very highly recommended!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2845-01

Overture. Composed by J. Williams. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). Extra full score. Composed 1997. Duration 5 minutes, 33 seconds. C.L. Barnhouse #011-2845-01. Published by C.L. Barnhouse (CL.011-2845-01).

A delightful overture with a slight southwestern flavor that is sure to become a favorite for concert and contest performances everywhere. A great motivator for young bands.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Chorus (with soloists) and piano (solos: SSSATTTTBBBBBB - 2sp - choir: SATB - orch: 2picc.2.2.2.2.serpentone - 4.2.3.0 - timp.perc - str - stage music: 2hn.2trp)

SKU: BR.EB-8915

Large Romantic Opera in 2 Acts - Urtext. Composed by Heinrich Marschner. Edited by Egon Voss. Choir; Softbound. Edition Breitkopf.

The splendid music is worth it. What a work!, writes Claus Ambrosius in the Rhein-Zeitung.

After the premiere of Marschner's Vampyr on 7 May at the Theater Koblenz, the early romantic opera repertoire is once again a work the richer. <. Opera; Romantic. Piano/Vocal Score. 344 pages. Duration 180'. Breitkopf and Haertel #EB 8915. Published by Breitkopf and Haertel (BR.EB-8915).

ISBN 9790004185810. 7.5 x 10.5 inches.

The original version finally availableHeinrich Marschner is considered the most significant German opera composer between Carl Maria von Weber and Richard Wagner. Among his most important works is his opera Der Vampyr (The Vampire) premiered in 1828, with which he celebrated his breakthrough. The composer's autograph is regarded as lost, and a score was not published in Marschner's lifetime. It was only in 1925 that Hans Pfitzner produced an edition that must be described as flawed. Breitkopf & Hartel has prepared the complete, practical performance material based on the score published in the Das Erbe deutscher Musik (German Music Heritage) in the version authorized by Marschner and tops it off with a new piano reduction [or piano score?] that is very playable.

The splendid music is worth it. What a work!, writes Claus Ambrosius in the Rhein-Zeitung. After the premiere of Marschner's Vampyr on 7 May at the Theater Koblenz, the early romantic opera repertoire is once again a work the richer.

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Floor Tom, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS160F

Composed by Sean O'Loughlin. SWS. Concert Band. Full score. 36 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #CPS160F. Published by Carl Fischer Music (CF.CPS160F).

ISBN 9780825896538. UPC: 798408096533. 9 x 12 inches.

The music for Daedalus' Labyrinth is loosely based on the story first presented by Homer. You'll hear the musical twists, rhythmic turns, and harmonic changes that have made Sean O'Loughlin's music so popular. This is a sophisticated work, but well worth the effort for the advancing band. Conquer the Labryrinth!

By Girolamo Frescobaldi (1583-1643). Arranged by David Marlatt. For Brass Choir (4.4.3.1.1.perc). Brass - Brass Choir; Masterworks. Eighth Note Publications. Baroque. Duration 00:04:20. Published by Eighth Note Publications

Clarinet, piano

SKU: FG.55011-360-2

Composed by Kai Nieminen. Fennica Gehrman #55011-360-2. Published by Fennica Gehrman (FG.55011-360-2).

ISBN 9790550113602.

Asso nata by Kai Nieminen dates from 1982. It is a joyful exploration of clarinet's possibilities; cascades, flatterzunge, large jumps from one end of the compass to the other are thorougly charted. The work's duration is ca. 12 minutes.

Arranged by Eiji Suzuki. New Sounds for Concert Band. TV- Film-Musical-Show. Set (Score and Parts). Composed 2009. Hal Leonard #1713-10-010 DHE. Published by Hal Leonard

Concert band - Grade 4

SKU: MH.1-59913-070-X

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music (MH.1-59913-070-X).

ISBN 9781599130705.

Prog ram Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.

Concert band - Grade 4

SKU: MH.1-59913-071-8

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music (MH.1-59913-071-8).

ISBN 9781599130712.

Prog ram Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Prog ram Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

Orchestra 1. Vibraphone, 2 Bassoons, 2 Oboes, 2. Glockenspiel, 3 Clarinets in Bb (3. doubles bass clarinet), 3 Flutes (3. doubles Piccolo), 3 Percussion, 3 Trombones (3. = bass), 3 Trumpets in C, 4 Horns in F, English Horn, High Wood Block, Marimba, Suspended, Tuba

SKU: PR.446412580

For Orchestra. Composed by Steven Stucky. Contemporary. Full score. With Standard notation. Composed March 11 2008. 58 pages. Duration 10 minutes. Theodore Presser Company #446-41258. Published by Theodore Presser Company (PR.446412580).

UPC: 680160599417. 8.5 x 11 inches.

Premiere performances given by the New York Philharmonic, Lorin Maazel, Music Director: World premiere 28 August 2008 at the BBC Proms, Royal Albert Hall, London. United States premiere performances 18, 19, 20, and 23 September 2008, Avery Fisher Hall, Ne.

Clarinet. Arranged by Various. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. 76 pages. Published by Alfred Music (AP.45168).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 2

SKU: CF.YPS160F

Composed by George Sweet. SWS. Full score. 16 pages. Duration 2 minutes, 29 seconds. Carl Fischer Music #YPS160F. Published by Carl Fischer Music (CF.YPS160F).

ISBN 9781491141250. UPC: 680160629312. 9 x 12 inches.

Up-and-comi ng composer George Sweet is a music educator with years of experience working with developing students. In the Final Analysis is a lush and lyrical composition that will flow off the page and into the hearts of students and audiences alike. Sweet's understanding of young students' technical limitations along with his fresh compositional perspective makes him a unique new voice in the field.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101809

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. 1x 31.018/21 flute 1, 1x 31.018/22 flute 2, 1x 31.018/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Holy Week. Set of Orchestra Parts. Composed 1715(?). BWV 18. Duration 21 minutes. Carus Verlag #CV 31.018/09. Published by Carus Verlag (CA.3101809).

ISBN 9790007204839. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and parts available separately - see item CA.3101800.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3

SKU: CF.CPS107F

Composed by Mykola Leontovich. Arranged by Bill Calhoun. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 24 pages. Duration 2 minutes, 24 seconds. Carl Fischer Music #CPS107F. Published by Carl Fischer Music (CF.CPS107F).

ISBN 9780825874260. UPC: 798408074265. 9x12 inches. Text: Peter J. Wilhousky. Peter J. Wilhousky.

The classic Christmas carol is given a symphonic treatment that brings out the rich Ukrainian flavor of this popular song. Year after year, this carol is one of the most performed of all Christmas classics and this arrangement does not disappoint.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Percussion 2, Percussion 3, Snare Drum, Tambourine, Timpani, Triangle, Trombone 1 and more. - Grade 3

SKU: CF.CPS129F

Arranged by Joseph Compello. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 36 pages. Duration 5 minutes, 9 seconds. Carl Fischer Music #CPS129F. Published by Carl Fischer Music (CF.CPS129F).

ISBN 9780825888311. UPC: 798408088316. 9x12 inches.

Arranger Joseph Compello works his magic with this familiar Grieg piece from the famous Peer Gynt Suite No. 2. A faithful transcription for band that keep the flavor of the original intact, there is no better way to introduce students to the wonderful music of Grieg!