(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Headmaster / The Resurrection Stone / Showdown / A New Beginning with Hedwig's Theme). By Alexandre Desplat and John Williams. Arranged by Jerry Brubaker. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Movie; Pop. Grade 4. 226 pages. Published by Alfred Music Publishing

(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Headmaster / The Resurrection Stone / Showdown / A New Beginning with Hedwig's Theme). By Alexandre Desplat and John Williams. Arranged by Jerry Brubaker. Orchestra. Full Orchestra; Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Movie; Pop. Grade 4. 28 pages. Published by Alfred Music Publishing

(Featuring: Lily's Theme / A New Headmaster / Statues / Voldemort's End / A New Beginning (with Hedwig's Theme)). By Alexandre Desplat and John Williams. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Pop Intermediate Full Orchestra. Form: Medley. Light Concert; Movie. Grade 3. 244 pages. Published by Alfred Music Publishing

(Featuring: Lily's Theme / A New Headmaster / Statues / Voldemort's End / A New Beginning (with Hedwig's Theme)). By Alexandre Desplat and John Williams. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Score. Pop Intermediate Full Orchestra. Form: Medley. Light Concert; Movie. Grade 3. 24 pages. Published by Alfred Music Publishing

Composed by Alexandre Desplat, John Williams, Nicholas Hooper, and Patrick Doyle. Collections; Piano Collection; Piano Supplemental. Movie; Pop. Book. Alfred Music #00- 0571542964. Published by Alfred Music

(Five Finger Piano). By John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. Arranged by Tom Gerou. For Piano. This edition: Five Finger Piano. Book; Piano - Five Finger Collection; Piano Supplemental. Movie. Five Finger. 144 pages. Published by Alfred Music Publishing

(Piano Solos). By John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. For Piano. This edition: Piano Solos. Book; Piano Collection; Piano Supplemental. Movie. Advanced; Early Advanced; Intermediate; Late Intermediate. 144 pages. Published by Alfred Music Publishing

(Easy Piano). By John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Movie. Easy Piano. 140 pages. Published by Alfred Music Publishing

(Big Note Piano). By John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat. Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano - Big Note Collection; Piano Supplemental. Movie. Big Note. 132 pages. Published by Alfred Music

SKU: HL.194637

The Secret Language of Film Music. Music Pro Guides. Composition, Musicals Reference, Songwriting. Softcover. 424 pages. Published by Hal Leonard (HL.194637).

ISBN 9781495073731. UPC: 888680641528. 7.0x10.0x1.071 inches. Andy Hill Music Pro Guides.

Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”.