Composed by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR322 & CL.WFR343).
Patriotic. Score and set
of parts. Composed 2002.
Duration 4 minutes, 56
seconds. Opus III Wind
Orchestra Publications
#012-3200-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-3200-00).
This impressive
chorale-prelude by Andrew
Glover is an exceptional
choice for ceremonial
events, formal
observances, or as a
concert selection. A
robust opening fanfare
segues seemlessly into a
peaceful original
chorale. A short
interlude leads into a
robust and powerful
chorus of America, the
Beautiful which includes
optional parts for
antiphonal trumpets and
trombones. Sensitive and
reflective scoring
combine with warm and
gentle dissonances for a
truly remarkable
conclusion. Stunning,
emotional and inspiring
selection for any
program.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR322 & CL.WFR343).
Extra full score.
Composed 2002. Duration 4
minutes, 56 seconds. Opus
III Wind Orchestra
Publications
#012-3200-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3200-01).
This impressive
chorale-prelude by Andrew
Glover is an exceptional
choice for ceremonial
events, formal
observances, or as a
concert selection. A
robust opening fanfare
segues seemlessly into a
peaceful original
chorale. A short
interlude leads into a
robust and powerful
chorus of America, the
Beautiful which includes
optional parts for
antiphonal trumpets and
trombones. Sensitive and
reflective scoring
combine with warm and
gentle dissonances for a
truly remarkable
conclusion. Stunning,
emotional and inspiring
selection for any
program.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Arranged by Alfred Reed. Arr. Alfred Reed. For Concert Band. Concert Band. Conce...(+)
Arranged by Alfred Reed.
Arr. Alfred Reed. For
Concert Band. Concert
Band. Concert Band.
Level: Medium Easy (grade
III). Conductor Score and
Parts. 176 pages.
Published by Alfred
Publishing.
(P) SKU: HL.49033012 A Ritual of Dream and Delusion. Composed by H...(+)
(P)
SKU:
HL.49033012
A
Ritual of Dream and
Delusion. Composed by
Harry Partch. This
edition: Ring/Spiral
binding. Sheet music.
Edition Schott. Study
score, facsimile edition.
Composed 1965-1966. 250
pages. Duration 75'.
Schott Music #ED9334.
Published by Schott Music
(HL.49033012).
ISBN
9790001130356. UPC:
888680077488.
9.0x12.0x0.929 inches.
English.
Now, one
of most unusual works of
our time is available as
study score in a
facsimile edition:
'Delusion of the Fury'.
At the time of creation,
the great experimenter
and sound researcher
Harry Partch had fully
developed his special
scale system. By having
specially designed
instruments made, he
created the prerequisites
to bring his ideas of
sound and harmony onto
the stage. Using 25 of
these special
instruments, 'Delusion of
the Fury' provides the
opportunity to experience
the musical universe of
one of the most
extraordinary American
composers of the 20th
century in all its
nuances and hypnotic
power.
1. Small
Hand Instruments: Alpha -
Ugumbo, copy of a Zulu
instrument * Beta -
Bolivian double flute *
Gamma - Rotating drum *
Delta - First waving drum
* Phi - Second waving
drum * Epsilon - Six
bamboo claves * Zeta -
First bamboo ceremonial
pole * Eta - Second
bamboo ceremonial pole *
Theta - Third bamboo
ceremonial pole * Iota -
First pair of eucal
claves * Kappa - Second
pair of eucal claves *
Lambda - Third pair of
eucal claves * Psi -
Fourth pair of eucal
claves * Xi - Thumb piano
* Omicron - First belly
drum * Pi - Second belly
drum * Rho - Gourd drum *
Sigma - Fiji rhythm boat
* Omega - Gubagubi -
2. Stage Left and
Center: Harmonic Canon I
* Adapted Guitar I und II
* Koto * Kithara I und II
* Chromelodeon I und II *
Blo-Boy * Castor & Pollux
(Harmonic Canon II) *
Blue Rainbow (Harmonic
Canon III) * Surrogate
Kithara * Crychord *
Cloud-Chamber-Bowls *
Spoils of war * Gourd
Tree * Cone Gongs -
3. Stage Right: Mazda
Marimba * Zyno-Xyl *
Diamond Marimba *
Quadrangularis Reversum *
Eucal Blossom * Boo
(Bamboo Marimba) * Bass
Marimba * Marimba Eroica
* Bass Drum.
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770).
UPC:
680160640850. 9 x 12
inches.
Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music.
(For Solo Violin). By Donald Erb. For Violin Solo. Solo part. Standard notation....(+)
(For Solo Violin). By
Donald Erb. For Violin
Solo. Solo part. Standard
notation. 11 pages.
Duration 15 minutes.
Published by Theodore
Presser Company solo
part
Scottish Dances Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
(24 small duets for two or more violins Performance Score). Composed by Heinz Ho...(+)
(24 small duets for two
or more violins
Performance Score).
Composed by Heinz
Holliger (1939-2002). For
String Duet, Violin Duet.
Schott. 52 pages. Schott
Music #VLB158. Published
by Schott Music
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526109 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526109
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526109. Published by
Carus Verlag
(CA.5526109).
ISBN
9790007310981.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526103 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526103
Composed by George
Frideric Handel. Edited
by Alon Schab. Vocal
score. Composed 1727. HWV
261. Duration 12 minutes.
Carus Verlag #5526103.
Published by Carus Verlag
(CA.5526103).
ISBN
9790007252106.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526119 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526119
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526119. Published by
Carus Verlag
(CA.5526119).
ISBN
9790007311124.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526112 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526112
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, Violin 2 and 3.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526112.
Published by Carus Verlag
(CA.5526112).
ISBN
9790007311148.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526113 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526113
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526113. Published by
Carus Verlag
(CA.5526113).
ISBN
9790007311155.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Orchestra - Grade 2.5 SKU: AP.49435S I. Processional: Pomp and Circums...(+)
Orchestra - Grade 2.5
SKU: AP.49435S
I. Processional: Pomp
and Circumstance March
No. 1 and II.
Recessional: Rondeau from
Premiere Suite.
Composed by Edward Elgar
and Jean-Joseph Mouret.
Arranged by Michael Story
(ASCAP). Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Intermediate
String/Full Orchestra.
Form: March. Score.
Duration 3:45. Belwin
Music #00-49435S.
Published by Belwin Music
(AP.49435S).
ISBN
9781470650612. UPC:
038081571393.
English.
A must for
any regal ceremony. The
traditional Pomp and
Circumstance has been
scored for young full
orchestra, or strings
alone. It includes a
processional and the
majestic Rondeau from
Premiere Suite as the
recessional. This
arrangement would be an
outstanding graduation
choice for any level
orchestra performing
without graduating
seniors. A welcome
necessary arrangement for
every library. (3:45)
This title is available
in MakeMusic Cloud.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526111 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526111
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526111. Published by
Carus Verlag
(CA.5526111).
ISBN
9790007311131.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526149 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526149
Composed by George
Frideric Handel. Edited
by Alon Schab. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526149. Published by
Carus Verlag
(CA.5526149).
ISBN
9790007311179.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Mixed choir (SATB) and organ - difficult SKU: HL.49016988 Composed by Sir...(+)
Mixed choir (SATB) and
organ - difficult
SKU:
HL.49016988
Composed
by Sir Peter Maxwell
Davies. This edition:
Saddle stitching. Sheet
music. Choral. Score.
Composed 2005. Op. 263. 8
pages. Duration 4'.
Schott Music #ED12876.
Published by Schott Music
(HL.49016988).
ISBN
9790220124075. UPC:
884088449674.
8.5x11.75x0.049 inches.
English.
Written to
mark the 60th anniversary
of the end of World War
II, this short choral
work is suitable for
professional, amateur and
church choruses.
Premiered at the 2005
Service of Thanksgiving
in the presence of Her
Majesty The Queen, the
use of biblical texts
(Isaiah) give this piece
a sense of ceremony.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526114 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526114
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, basso continuo.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526114.
Published by Carus Verlag
(CA.5526114).
ISBN
9790007311162.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526100 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526100
Composed by George
Frideric Handel. Edited
by Alon Schab. Carus
digital: Extra digital
products. Full Score.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526100.
Published by Carus Verlag
(CA.5526100).
ISBN
9790007252090.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
Orchestra - Grade 2.5 SKU: AP.49435 I. Processional: Pomp and Circumst...(+)
Orchestra - Grade 2.5
SKU: AP.49435
I. Processional: Pomp
and Circumstance March
No. 1 and II.
Recessional: Rondeau from
Premiere Suite.
Composed by Edward Elgar
and Jean-Joseph Mouret.
Arranged by Michael Story
(ASCAP). Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Intermediate
String/Full Orchestra.
Form: March. Graduation.
Score and Part(s).
Duration 3:45. Belwin
Music #00-49435.
Published by Belwin Music
(AP.49435).
ISBN
9781470650605. UPC:
038081571386.
English.
A must for
any regal ceremony. The
traditional Pomp and
Circumstance has been
scored for young full
orchestra or strings
alone. It includes a
processional and the
majestic Rondeau from
Premiere Suite as the
recessional. This
arrangement would be an
outstanding graduation
choice for any level
orchestra performing
without graduating
seniors. A welcome
necessary arrangement for
every library. (3:45)
This title is available
in MakeMusic Cloud.
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526105 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526105
Composed by George
Frideric Handel. Edited
by Alon Schab. Choral
Score. Composed 1727. HWV
261. Duration 12 minutes.
Carus Verlag #5526105.
Published by Carus Verlag
(CA.5526105).
ISBN
9790007252113.
English.
Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.