Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445).
ISBN
9790014135041. 297 x 420
mm inches.
German.
ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss.
Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte).
Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung!
Bernd
Franke. Leipzig,
11.10.2019
W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano.
14
songs for solo
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006
AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything:
Every
flame, every fire, every
light, every warmth is
AGNI.
AGNI is
omnipresent, establishing
everything and ending
everything.
AGNI is
often depicted with seven
tongues which represent
different aspects of his
being.
These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming.
Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet.
This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies.
The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer.
W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work.
Score and
horn
part.
Contempo
rary work for Horn in F
and
piano
Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010.
Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music.
Contemp
orary piece for solo
cello
Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006
to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006
Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual.
This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788
A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'.
Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano.
14
songs for solo high
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of sacred and
secular Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298
for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony.
W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind.
I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation.
The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world.
The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello.
The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020.
Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Violin 2. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
BWV 197. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.197/62. Published by
Carus Verlag
(CA.3119762).
ISBN
9790007210533. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas. Single Part,
basso continuo. BWV 197.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.197/64. Published by
Carus Verlag
(CA.3119764).
ISBN
9790007210557. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Violin 3. Sacred
vocal music, Cantatas.
Single Part, Violin 3.
BWV 197. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.197/63. Published by
Carus Verlag
(CA.3119763).
ISBN
9790007210540. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas. Single
Part, Violin 1. BWV 197.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.197/61. Published by
Carus Verlag
(CA.3119761).
ISBN
9790007210526. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.062/21 oboe 1, 1x
31.062/22 oboe 2, 1x
31.062/31 horn 1, 1x
31.062/32 horn 2.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/09. Published by
Carus Verlag
(CA.3106209).
ISBN
9790007043605. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and parts
available separately -
see item CA.3106200.
Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc SKU: CA.3119759...(+)
Soli SAB, SATB Choir, 2
Ob/Obda, Fg, 3 Tr, Timp,
2 Vl, Va, Bc
SKU:
CA.3119759
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. 1x 31.197/71
oboe 1, 1x 31.197/72 oboe
2, 1x 31.197/73 bassoon,
4x 31.197/81 3 trumpets
and timpani. Stuttgart
Urtext Edition: Bach
vocal. Harmony parts.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. BWV 197.
Duration 20 minutes.
Carus Verlag #CV
31.197/59. Published by
Carus Verlag
(CA.3119759).
ISBN
9790007210519. Language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and parts
available separately -
see item CA.3119700.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Epiphany. Vocal
score. Composed 1714. BWV
152. 24 pages. Duration
21 minutes. Carus Verlag
#CV 31.152/03. Published
by Carus Verlag
(CA.3115203).
ISBN
9790007164553. Text
language: German/English.
Text: Franck,
Salomo.
For his
cantata BWV 152 Bach
chose a remarkable
chamber music scoring
which still sounds very
colorful and lively
today: the two solo
voices are accompanied by
recorder, oboe, viola
d'amore, viola da gamba
and organ. The cantata
was written for the
Sunday after Christmas
and was performed for the
first time on 30 December
1714 in the Schlosskirche
Weimar. Nowadays the last
aria is often performed
during weddings. Exactly
300 years later, it is
now being published in a
practical Urtext edition.
Score available
separately - see item
CA.3115200.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
basso continuo. Composed
1714. BWV 152. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.152/13. Published by
Carus Verlag
(CA.3115213).
ISBN
9790007208653. Text
language: German/English.
Text: Franck,
Salomo.
For his
cantata BWV 152 Bach
chose a remarkable
chamber music scoring
which still sounds very
colorful and lively
today: the two solo
voices are accompanied by
recorder, oboe, viola
d'amore, viola da gamba
and organ. The cantata
was written for the
Sunday after Christmas
and was performed for the
first time on 30 December
1714 in the Schlosskirche
Weimar. Nowadays the last
aria is often performed
during weddings. Exactly
300 years later, it is
now being published in a
practical Urtext edition.
Score and part available
separately - see item
CA.3115200.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola da gamba. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola da gamba. Composed
1714. BWV 152. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.152/12. Published by
Carus Verlag
(CA.3115212).
ISBN
9790007208646. Text
language: German/English.
Text: Franck,
Salomo.
For his
cantata BWV 152 Bach
chose a remarkable
chamber music scoring
which still sounds very
colorful and lively
today: the two solo
voices are accompanied by
recorder, oboe, viola
d'amore, viola da gamba
and organ. The cantata
was written for the
Sunday after Christmas
and was performed for the
first time on 30 December
1714 in the Schlosskirche
Weimar. Nowadays the last
aria is often performed
during weddings. Exactly
300 years later, it is
now being published in a
practical Urtext edition.
Score and part available
separately - see item
CA.3115200.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1714. BWV
152. 16 pages. Duration
21 minutes. Carus Verlag
#CV 31.152/49. Published
by Carus Verlag
(CA.3115249).
ISBN
9790007208660. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
For
his cantata BWV 152 Bach
chose a remarkable
chamber music scoring
which still sounds very
colorful and lively
today: the two solo
voices are accompanied by
recorder, oboe, viola
d'amore, viola da gamba
and organ. The cantata
was written for the
Sunday after Christmas
and was performed for the
first time on 30 December
1714 in the Schlosskirche
Weimar. Nowadays the last
aria is often performed
during weddings. Exactly
300 years later, it is
now being published in a
practical Urtext edition.
Score and part available
separately - see item
CA.3115200.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1714. BWV 152. Duration
21 minutes. Carus Verlag
#CV 31.152/19. Published
by Carus Verlag
(CA.3115219).
ISBN
9790007164584. Text
language: German/English.
Text: Franck,
Salomo.
For his
cantata BWV 152 Bach
chose a remarkable
chamber music scoring
which still sounds very
colorful and lively
today: the two solo
voices are accompanied by
recorder, oboe, viola
d'amore, viola da gamba
and organ. The cantata
was written for the
Sunday after Christmas
and was performed for the
first time on 30 December
1714 in the Schlosskirche
Weimar. Nowadays the last
aria is often performed
during weddings. Exactly
300 years later, it is
now being published in a
practical Urtext edition.
Score and parts available
separately - see item
CA.3115200.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8837 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8837
Arranged by Joel Raney.
Christmas, Sacred.
Voice-dominant sa/tb
rehearsal CDs (set of 2)
reproducible. Hope
Publishing Company #8837.
Published by Hope
Publishing Company
(HP.8837).
UPC:
763628188375.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8838 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8838
Arranged by Joel Raney.
Christmas, Sacred.
Split-track accompaniment
CD. Hope Publishing
Company #8838. Published
by Hope Publishing
Company (HP.8838).
UPC:
763628188382.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8832 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8832
Arranged by Joel Raney.
Christmas, Sacred.
Listening CD. Hope
Publishing Company #8832.
Published by Hope
Publishing Company
(HP.8832).
UPC:
763628188320.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8833 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8833
Arranged by Joel Raney.
Christmas, Sacred.
Accompaniment CD. Hope
Publishing Company #8833.
Published by Hope
Publishing Company
(HP.8833).
UPC:
763628188337.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8835 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8835
Arranged by Joel Raney.
Christmas, Sacred. Value
Pack (10 Listening CDs).
Hope Publishing Company
#8835. Published by Hope
Publishing Company
(HP.8835).
UPC:
763628188351.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
(Guitar, Hand Drum, Keyboard, Percussion) SKU: HP.8834 Arranged by Joel R...(+)
(Guitar, Hand Drum,
Keyboard, Percussion)
SKU: HP.8834
Arranged by Joel Raney.
Christmas, Sacred. Set of
Instrumental Parts. Hope
Publishing Company #8834.
Published by Hope
Publishing Company
(HP.8834).
UPC:
763628188344.
Chris
tmas Musical
Following up on the
success of last year's
gospel Christmas cantata,
Joy!, Joel Raney once
again brings his
masterful ability to
compose new and creative
rhythms that showcase his
grasp of the gospel style
to Hope! The Christmas
story unfolds through six
compelling choral
settings for SATB voices.
Scripture readings guide
us to the manger and
reflect on the promise of
hope we find in Christ's
birth. Accompaniment can
be provided by just
piano, or Ed Hogan's
lively orchestration, or
a smaller set of rhythm
parts. Performance time
is 25-minutes, making
this ideal for fitting
into a Christmas worship
service or as a separate
musical program.
Rhythm parts: Conductor's
Score, Percussion, Piano,
Synth, Guitar/Bass, Capo
Guitar (3 songs), Drums
and String Reduction for
Keyboard.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax* or
Clarinet*), Clarinet, 2
Trumpets (or Alto Sax*),
Alto Sax, Tenor Sax, 2
Trombones (or Tenor Sax*
or Baritone T. C. *),
Percussion, Piano, Synth,
Guitar/Bass (Capo Guitar
on 3 songs*), Drums,
Violins 1 & 2, Viola,
Cello/Bassoon (or Bass
Clarinet*)and String
Reduction for Keyboard.
*Parts are included on
the CD-ROM. The publisher
grants permission to the
purchaser to print parts
from the CD-ROM for use
in your church's
performance.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 2. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/12. Published by
Carus Verlag
(CA.3106212).
ISBN
9790007043629. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Study score.
Composed 1724. BWV 62. 56
pages. Duration 23
minutes. Carus Verlag #CV
31.062/07. Published by
Carus Verlag
(CA.3106207).
ISBN
9790007043599. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Organ. Composed 1724. BWV
62. 20 pages. Duration 23
minutes. Carus Verlag #CV
31.062/49. Published by
Carus Verlag
(CA.3106249).
ISBN
9790007043650. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 62. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.062/14. Published by
Carus Verlag
(CA.3106214).
ISBN
9790007043643. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 1. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/11. Published by
Carus Verlag
(CA.3106211).
ISBN
9790007043612. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Choral Score.
Composed 1724. BWV 62. 4
pages. Duration 23
minutes. Carus Verlag #CV
31.062/05. Published by
Carus Verlag
(CA.3106205).
ISBN
9790007043582. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200.
Clarinet Choir SKU: IS.CC6340EM Composed by Johann Sebastian Bach. Arrang...(+)
Clarinet Choir
SKU:
IS.CC6340EM
Composed
by Johann Sebastian Bach.
Arranged by Hideaki Iwai.
Woodwinds - Clarinet.
Kansai Clarinet Society.
Metropolis Music
Publishers #CC6340EM.
Published by Metropolis
Music Publishers
(IS.CC6340EM).
ISBN
9790365063406.
Jesu
, Joy of Man's Desiring
is the most common
English title of the 10th
and last movement of the
cantata 'Herz und Mund
und Tat und Leben', BWV
147 (Heart and Mouth and
Deed and Life), composed
by Johann Sebastian Bach
in 1716 and 1723. Today,
it is often performed at
wedding ceremonies as
well as during Christian
festive seasons like
Christmas and Easter,
slowly and reverently.
This is, however, in
contrast to the effect
suggested by Bach in his
original scoring for
voices with trumpet,
oboes, strings, and
continuo. The music's
wide popularity has led
to numerous arrangements
and transcriptions such
as the present one for
clarinet octet or choir
by Prof. Hideaki
Iwai.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Viola. Composed 1724. BWV
62. 12 pages. Duration 23
minutes. Carus Verlag #CV
31.062/13. Published by
Carus Verlag
(CA.3106213).
ISBN
9790007043636. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.