By Antonio Vivaldi (1678-1741). For SATB Choir, 2 Violins, Viola, Basso continuo...(+)
By Antonio Vivaldi
(1678-1741). For SATB
Choir, 2 Violins, Viola,
Basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4000400. Mass
sections. Level 3. Vocal
score. Language:
Latin/English. RV 591. 24
pages. Duration 10 min.
Published by Carus Verlag
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Single Part,
Violin 2. RV 591. 8
pages. Duration 10
minutes. Carus Verlag #CV
40.004/12. Published by
Carus Verlag
(CA.4000412).
ISBN
9790007057398. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score and part
available separately -
see item CA.4000400.
Composed
by Antonio Vivaldi. This
edition: urtext.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Credo. Innovative
practice aids, Sacred
vocal music, Mass
sections. Single Part,
Violin 1. RV 591. 8
pages. Duration 10
minutes. Carus Verlag #CV
40.004/11. Published by
Carus Verlag
(CA.4000411).
ISBN
9790007057381. Key: E
minor. Language:
Latin/English.
The
Credo belongs to that
large group of church
works which Vivaldi
composed in Venice
between 1713 and 1717 for
the Ospedale della Pieta,
then his primary place of
employment. The
composition, conceived
solely for choir and
strings, is characterized
by a two-layered formal
design: a continuous,
basic motivic idea, i.e.,
a constant rhythmic
impulse with rapid tone
repetition builds an
instrumental layer, while
on the other hand the
writing for choir renders
the text in a blocklike
structure in chordal
declamation. This
structure will only be
abandoned briefly in the
concluding section of
work, where the text Et
vitam venturi saeculi is
embedded in a concise
fugue. Score and part
available separately -
see item CA.4000400.
Guitar - very easy to easy SKU: M7.MF-3705 Der schnelle & leichte Eins...(+)
Guitar - very easy to
easy
SKU:
M7.MF-3705
Der
schnelle & leichte
Einstieg für
Alle!. This edition:
Saddle-wire stitching.
Sheet music with CD.
Music Factory. 48 pages.
Music Factory #MF 3705.
Published by Music
Factory (M7.MF-3705).
ISBN 9783795789541.
German.
Jeder kann
gute Musik machen! Dieser
neue Grundkurs ist der
optimale (Wieder-)
Einstieg in das Spielen
Ihres
Lieblingsinstrumentes
Gitarre. Alle wichtigen
Techniken werden anhand
bekannter Melodien und
Songs Schritt für
Schritt erklärt, so
dass Sie schon nach
kurzer Zeit erste
Stücke spielen
können. Auf der
beiliegenden CD sind alle
Titel in einem gut
spielbaren Tempo
aufgenommen. Musik machen
ist einfach und macht
Spaß - probieren Sie
es aus!
Saxophone Alto [Partition + Accès audio] - Débutant Hal Leonard
Written by Blake Neely. Instructional Softcover Audio Online for alto saxophone....(+)
Written by Blake Neely.
Instructional Softcover
Audio Online for alto
saxophone. Series: Hal
Leonard Fasttrack Music
Instruction. 48 pages.
Published by Hal Leonard.
By Jerry Silverman. For Guitar (Flatpicking and Fingerpicking). Songbook. Folk. ...(+)
By Jerry Silverman. For
Guitar (Flatpicking and
Fingerpicking). Songbook.
Folk. Level:
Beginning-Intermediate.
Book. Size 5.5x8. 128
pages. Published by Mel
Bay Publications, Inc.
arranged by Lily Afshar. For Guitar (Classical). solos. Editiones Classicae. Wor...(+)
arranged by Lily Afshar.
For Guitar (Classical).
solos. Editiones
Classicae. World Music.
Level:
Intermediate-Advanced.
Book. Size 8.5x11. 16
pages. Published by Mel
Bay Publications, Inc.
by Dewitt Scott. For pedal steel guitar. All styles, E9 tuning. Level: Multiple ...(+)
by Dewitt Scott. For
pedal steel guitar. All
styles, E9 tuning. Level:
Multiple Levels. Chart.
Chord book. Size
8.75x11.75. 4 pages.
Published by Mel Bay
Pub., Inc.
(First Movement, K. 550). Composed by Wolfgang Amadeus Mozart (1756-1791). Arr...(+)
(First Movement, K. 550).
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Arranged
by John Caponegro. For
string
orchestra (88555) with
optional 3rd violin/viola
TC
(3 copies) and piano.
Cadet
String Orchestra Series.
Grade
2. Score and set of
parts.
Duration 1 minute, 50
seconds.
Published by Kendor Music
Inc
Piano seul [Partition] - Facile Faber Music Limited
Written by Nancy Faber, Randall Faber. Instructional book for piano. Level 2A-2B...(+)
Written by Nancy Faber,
Randall Faber.
Instructional book for
piano. Level 2A-2B. With
musical examples and
illustrations. 95 pages.
Published by The FJH
Music Company Inc..
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Piano seul [Partition] - Facile Kjos Music Company
By Keith Snell. Edited by Diane Hidy. (Piano Town). Snell Piano. Piano Town. Lev...(+)
By Keith Snell. Edited by
Diane Hidy. (Piano Town).
Snell Piano. Piano Town.
Level: Level 2. Music
Book. Size 232. Published
by Neil A. Kjos Music
Company.
Piano seul [Partition] - Facile Faber Music Limited
(Theory Book 2). By Nancy Faber and Randall Faber. For Piano. Faber Piano Advent...(+)
(Theory Book 2). By Nancy
Faber and Randall Faber.
For Piano. Faber Piano
Adventures®. Methods.
SMP Level 2 (Late
Elementary). Softcover.
64 pages. Faber Music
#FF1474. Published by
Faber Music
You
will find in the scores
indications of nuances,
timbre, attack and
fingerings which
constitute suggestions
for work and not
prescriptions. Teachers
and students are
therefore invited to make
interpretation choices
different from those
proposed or to try to
convincingly render those
already
written.
The
pieces were composed or
arranged by UQAM music
education students as
part of a course aimed at
equipping musicians for
teaching guitar in the
school system. Many of
them are musicians from
different backgrounds
(composition,
performance, world music,
etc.), which explains the
creativity found in the
pieces. All the pieces
have been the subject of
an audio recording
available on the
Productions
d’Oz website
and on YouTube. Search
for À vos
guitares, prêt,
joue! Vol.
4.
Piano SKU: HL.14040983 Piano. Composed by Theodor Grigoriu. Music ...(+)
Piano
SKU:
HL.14040983
Piano. Composed by
Theodor Grigoriu. Music
Sales America. Classical.
Book [Softcover].
Editions Musicales
Transatlantiques
#ETR001822. Published by
Editions Musicales
Transatlantiques
(HL.14040983).
French.
The
Modal Column is a cycle
of paired pieces for
piano, starting from the
classical structure-
prelude-fugue - used by
Bach in Das
wohltemperierte Klavier.
The modes that are being
used have a relatively
simple octavizing
structure, hence an
almost infinite variety
of combinations that can
generate a large number
of pieces, impossible to
exhaust by a composer.
Therein lies the idea of
a column, in the sense
given by Brancusi, i.e.
an endless succession of
modules.
In the
vision of the author, the
mechanism of the mode is
a secondary (ancillary)
aspect, the primary goal
is deciphering the ethos
incorporated in it.
The prelude-fugue
structure hypostatizesthe
musical discourse at the
two possible extremes.
free-constructed. While
Romanian music rules in
free areas, like any old
music with an (especially
oral) tradition, the
constructed pieces start
from Dutch (Flemish) or
Venetian polyphony, which
precedes the idea of
fugue, understood as a
technology of the
movement (dynamics) of
sound, after the models
of Giovanni Gabrieli or
Ockeghem.
The
Modal Column is first of
all the presentation of a
melodic world but, as the
subtitle indicates, also
an investigation into the
ethos of Romanian music.
The forms in which the
pieces are thought are
simple, non-ostentatious,
the whole cycle being in
fact a musical workshop,
whose better parts may be
worth including in ampler
works. Before the
succinct description of
the six couples in Books
I and II, a few
observations, necessary
from a musicological
point of view:
1. The modes are rich
in nostalgia, with even
graver nuances in the
livelier movements.
2. It is well-known,
that all the columns -
Egyptian obelisks,
ancient ornamental
columns - have scenarios
engraved on them.
Trajan's Column describes
the wars against the
Dacians and their defeat.
George Calinescu says,
'Trajan's Column is
beautiful, but let us not
forget that the Dacians
are in chains on it.' The
Romanian melos is
millennia-old and was but
little influenced by
historical.
Voice and piano SKU: M7.CP-13353900 Opera Completa per Canto e Pianofo...(+)
Voice and piano
SKU:
M7.CP-13353900
Opera Completa per
Canto e Pianoforte, In
Brochure. Composed by
Giuseppe Verdi. Edited by
Martin Chusid. This
edition:
Paperback/Softcover.
Sheet music. Vocal score,
Vocal Score based on the
Critical Edition. 357
pages. MDS (Music
Distribution Services)
#CP 13353900. Published
by MDS (Music
Distribution Services)
(M7.CP-13353900).
ISBN
9788875920135.
Cons
idered to be one of
Verdi's operatic
masterpieces,
Rigolettotells the story
of three primary
characters, the
Rigoletto, his daughter
Gilda and the Duke of
Mantua. A curse is laid
upon Rigoletto and the
Duke, and their enmity
deepens as Gilda falls
further in love with the
latter. This edition
contains the Vocal score
with an arrangement for
Vocals and Piano
accompaniment.
Composed by Robert Schumann. Edited by Charles Timbrell. Book; Masterworks; Pian...(+)
Composed by Robert
Schumann. Edited by
Charles Timbrell. Book;
Masterworks; Piano
Collection; Piano
Supplemental. Alfred
Masterwork Edition. Form:
Suite. Masterwork;
Romantic. 56 pages.
Published by Alfred Music
(AP.45955).
Volume
2:
oboe/clarinet/bassoon/sax
. Composed by Hermann
Haug. Softbound. Musica
Rara. The bibliography on
Solo Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed. Music pedagogy.
Book. 480 pages.
Breitkopf and Haertel #MR
2286. Published by
Breitkopf and Haertel
(BR.MR-2286).
ISBN
9783765103797. 8.5 x 11.5
inches. German /
English.
The
bibliography on Solo
Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed. The primary
sources were the specific
bibliographies on the
particular instrument,
then the listings of
music in print,
biographic-bibliographic
dictionaries, catalogues
of libraries and music
information centres as
well as the German
Bielefelder Katalog
Klassik, the British
R.E.D. Catalogue and the
US Schwann Opus. In
addition, a number of
works were communicated
by musicians and
collectors of
manuscripts, printed and
the recorded music
itself. The information
on the works contain
along with the key of the
composition, the title,
the instrumentation and
the duration, information
on libraries and
publishing houses as well
as the sources of
manuscripts with
reference to RISM-Library
Sigla. An additional
CD-listing makes it
easier to find the
recording.
The
bibliography on Solo
Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed.