Cello and piano - Medium-easy / medium-easy acc. SKU: JK.09178 Composed b...(+)
Cello and piano -
Medium-easy / medium-easy
acc.
SKU: JK.09178
Composed by William J.
Kirkpatrick. Arranged by
Joseph Hoffman.
Difficulty Easy Medium,
Instrumental Cello,
Seasonal Music Christmas,
Christmas. Christian,
Inspirational. Duration
2:45. Jackman Music
Corporation #09178.
Published by Jackman
Music Corporation
(JK.09178).
Luke 2:7,
Luke
18:15-17.
Christmas
carol arranged for cello
and piano accompaniment,
moving arpeggios tie
beautifully to the simple
melody and spirit of the
carol. Composer:
William J.
Kirkpatrick Arranger:
Joseph Hoffman
Difficulty: Medium-easy /
medium-easy acc.
Performance time:
2:45 References: Luke
2:7, Luke 18:15-17.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2013.
Anglo Music Press
#AMP358010. Published by
Anglo Music Press
(HL.44012270).
UPC:
888680057657.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in 2011. The
timeless message of
thismoving work is the
belief in the tremendous
capacity of humankind to
recover from such
disasters and look
optimistically to the
future.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in
2011.
The timeless
message of this moving
work is the belief in the
tremendous capacity of
humankind to recover from
such disasters and look
optimistically to the
future.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regios
werden bezocht die waren
verwoest doorde
aardbeving en tsunami van
2011. Het tijdloze thema
van dit treffende werk is
het buitengewone vermogen
van de mens om dergelijke
rampen te boven te komen
en de toekomst met
optimisme tegemoet te
zien.
Looking
Up, Moving Down wurde
vom Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, die
auch viele Gebiete
einschloss, die vom
Erdbeben und Tsunami im
Jahr 2011 zerstort worden
waren. Diezeitlose
Botschaft dieses
bewegenden Werkes ist der
Glaube an die gewaltige
Fahigkeit des Menschen,
uber solche Katastrophen
hinwegzukommen und
optimistisch in die
Zukunft zu
blicken.
Lookin
g Up, Moving On est
une commande du Tokyo
Kosei Wind Orchestra.
Cette piece faisait
partie du programme de la
tournee effectuee par
l'orchestre en mai 2012,
qui s'est produit dans de
nombreuses regions
devastees par le
tremblement deterre et le
tsunami de 2011. La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon
positive.
Looki
ng Up, Moving On e
stata commissionata dalla
Tokyo Kosei Wind
Orchestra e faceva parte
del programma del
concerto di un tour del
maggio 2012 che
comprendeva diverse zone
colpite nel 2011 dal
terremoto e dallo
tsunami. Il messaggio
sempreattuale di questa
toccante opera e il
credere nella grandiosa
capacita dell'uomo di
superare tali catastrofi
e di guardare al futuro
con ottimismo.
Guitar (fingerpicking) SKU: MB.30844M An Autobiography of Nehemiah Ski...(+)
Guitar (fingerpicking)
SKU: MB.30844M
An Autobiography of
Nehemiah Skip James.
Composed by Nehemiah Skip
James. Theory and
Reference, Squareback
saddle stitch. Style.
Book and online audio.
132 pages. Mel Bay
Publications, Inc
#30844M. Published by Mel
Bay Publications, Inc
(MB.30844M).
ISBN
9781513464268. 8.75 x
11.75
inches.
Skip James was one
of the most influential
early Bluesmen, but his
importance as a stylist
remained undiscovered
until he was brought out
of a long retirement by
the Folk/Blues revival of
the early 1960â??s. Born
in 1902 and raised in
Bentonia, Nehemiah Curtis
James was brought up in a
religious family: his
father was a bootlegger
who reformed and became a
Baptist preacher. Skip
learned piano in school
but picked up guitar from
his friend Henry Stuckey.
In 1931 Skip was picked
up by a scout for
Paramount Records and he
cut 26 tracks, of which
18 were released, in a
two day session at their
Grafton, Wisconsin
studios. These recordings
presented a unique and
haunting genius that
influenced legendary
bluesmen as Robert
Johnson, Kansas Joe McCoy
and Johnny Temple. But
the recordings sold
poorly, having been
released during the Great
Depression, and he
drifted into
obscurity.
<
span style=font-family:
Arial;> We have included
as online downloads
Skipâ??s 1931
recordings. The crackling
sound of these rare
recordings cannot obscure
the brilliance of this
seminal Blues
master.
After over 30
yearâ??s retirement from
music, Skip was
rediscovered by Blues
enthusiasts Bill Barth,
John Fahey and Henry
Vestine. They persuaded
Skip to appear at the
Newport Folk Festival in
1964, where his
renditions of his old
songs were still powerful
and moving. His
performances as well as
his old and new
recordings influenced a
generation of new
musicians: Eric Clapton,
Alan Wilson of Canned
Heat, Cream, Deep Purple,
Chris Thomas King, Alvin
Youngblood Hart, Derek
Trucks, Beck, Big Sugar,
John Martyn, Lucinda
Williams and Rory Block
to name a
few.
Books on
legendary Blues musicians
written by white
musicologists tend to
offer a subjective
perspective on how the
artists felt, thought or
reacted. A tainted
picture is captured that
has more to do with the
writerâ??s social and
musical experiences. This
autobiography is
different. The words,
thoughts and feelings
come directly from the
artistâ??s lips. This is
the story of Nehemiah
â??Skipâ? James told
by Nehemiah â??Skipâ?
James.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Stories of Jesus Medley Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len...(+)
By F.A. Challinor / Leah
Ashton Lloyd / Joseph
Ballantyne. Arranged by
David Len Allen. Text:
W.H. Parker/Jemima
Luke/James R. Murray. For
SATB Choir. Level: Medium
/ Medium-Difficult
(accompaniment). Duration
3:00. Published by
Jackman Music
Corporation.
By A. Laurence Lyon. Arranged by A. Laurence Lyon. Text: Douglas W. Stott. For S...(+)
By A. Laurence Lyon.
Arranged by A. Laurence
Lyon. Text: Douglas W.
Stott. For SATB Choir.
Level: Medium Easy /
Medium (accompaniment).
Duration 2:00. Published
by Jackman Music
Corporation.
This product
includes the score and
the parts (A4 sized).
American-Finn
ish composer Alex Freeman
(b.1972) has established
himself among the
foremost composers of
choral music in Finland.
A dedicated citizen of
his musical community, a
teacher, and a choral
singer himself, he
composes music that
reflects an appreciation
for a wide range of
aesthetics and a passion
for communicating with
listeners and performers.
In his choral works, in
particular, we find music
that aims to be sonorous,
melodic, and resonant,
but is always crafted to
carefully avoid the
cliches that can burden
conventional tonality.
His instrumental
works run the gamut: a
cantata with orchestra
based on poetry of
Whitman; a significant
body of solo piano works
that reveal deep roots in
everything from austere
absolute music to soaring
elegaic rhetoric (see
Albany Records, Inner
Voice); his chamber work
Blueshift (Navona
Records), which is a kind
of paean to Reich and
Adams in miniature;
open-ended modular works,
like various iterations
of his Slow All Clocks
for electronic media,
solo clarinet, and mixed
choirs of kanteles; and,
recently, some new
directions in microtonal
music.
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For
acoustic instruments.
Songbook. Celtic/Irish.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
128 pages. Published by
Mel Bay Publications,
Inc.
SATB chorus and piano - Medium SKU: JK.01931 Arranged by George Manwaring...(+)
SATB chorus and piano -
Medium
SKU:
JK.01931
Arranged by
George Manwaring, Jackie
Frost Halversen, and
Sylvanus Billings Pond.
Choral SATB, Difficulty
Medium, Faith, God the
Father, Prayer,
Restoration. Christian,
Inspirational. Duration
6:00. Jackman Music
Corporation #01931.
Published by Jackman
Music Corporation
(JK.01931).
UPC:
093285019317.
T
his deeply moving
arrangement of Joseph
Smith's First Prayer is
set for SATB and Piano.
The song begins with
themes from The Spirit of
God and Praise to the
Man. Beautiful expression
is woven throughout this
inspired
arrangement. This
product includes access
to rehearsal tracks in
the Jackman Music app.
Click here to see how it
works. Click here if
you have copies of this
piece purchased previous
to the release of the
Jackman Music Rehearsal
Tracks. You can upgrade
your sheet
music. Arranger:
Jackie Frost
Halversen Text: George
Manwaring Music:
Sylvanus Billings
Pond Difficulty:
Medium Performance
time: approx.
6:00
Piano seul [Partition + CD] - Débutant Alfred Publishing
Alfred's Basic Adult Piano Course Lesson Book, Book 1 by Willard A. Palmer, Mort...(+)
Alfred's Basic Adult
Piano Course Lesson Book,
Book 1 by Willard A.
Palmer, Morton Manus, and
Amanda Vick Lethco. For
Piano.
Method/Instruction; Piano
- Alfred's Basic Adult
Piano Course. Alfred's
Basic Adult Piano Course.
Book and CD. 112 pages.
Published by Alfred Music
Publishing
A cello method for children age four and older. Composed by Egon Saßmannshaus...(+)
A cello method for
children
age four and older.
Composed
by Egon Saßmannshaus and
Kurt
Sassmannshaus. Stapled.
With a
Chinese text booklet.
Performance score.
Baerenreiter Verlag
#BA10756.
Published by Baerenreiter
Verlag
Orchestra, Piano SKU: HL.50601101 Composed by Yehudi Wyner. Full Score. C...(+)
Orchestra, Piano
SKU:
HL.50601101
Composed
by Yehudi Wyner. Full
Score. Classical.
Softcover. 80 pages.
Associated Music
Publishers, Inc #AMP8320.
Published by Associated
Music Publishers, Inc
(HL.50601101).
ISBN
9781540005540. UPC:
888680711443. 11x14
inches.
Composer
note: The idea for a
piano concerto for the
Boston Symphony was
instigated by Robert
Levin, the great Mozart
scholar and pianist. The
idea was evidently
embraced by BSO Artistic
Administrator Tony Fogg
and supported by Music
Director James Levine.
Much of the concerto was
composed during the
summer of 2004 at the
American Academy in Rome
in a secluded studio
hidden within the Academy
walls. While much of the
composing took place far
from home, the concerto
comes out as a
particularly
“American”
piece, shot through with
vernacular elements. As
in many of my
compositions, simple,
familiar musical ideas
are the starting point. A
shape, a melodic
fragment, a rhythm, a
chord, a texture, or a
sonority may ignite the
appetite for exploration.
How such simple
insignificant things can
be altered, elaborated,
extended, and combined
becomes the exciting
challenge of composition.
I also want the finished
work to breathe in a
natural way, to progress
spontaneously,
organically, moving
toward a transformation
of the musical substance
in ways unimaginable to
me when I began the
journey. Transformation
is the goal, with the
intention of achieving an
altered state of
perception and exposure
that I am otherwise
unable to achieve.
“Chiavi in
mano” – the
title of the concerto
– is the mantra
used by automobile
salesmen and realtors in
Italy: Buy the house or
the car and the keys are
yours. But the more
pertinent reason for the
title is the fact that
the piano writing is
designed to fall
“under the
hand” and no matter
how difficult it may be,
it remains physically
comfortable and devoid of
stress. In other words:
“Keys in
hand.”
–Yehudi Wyner,
December 13, 2004.
Piano seul [Partition + CD] - Débutant Alfred Publishing
The new, easy and fun way to teach yourself to play. Willard A. Palmer and Morto...(+)
The new, easy and fun way
to teach yourself to
play. Willard A. Palmer
and Morton Manus. For
Piano. Piano Method. Book
and CD. 192 pages.
Published by Alfred
Publishing.