3-part canon for voices with piano SKU: CA.3319900 A collection of Son...(+)
3-part canon for voices
with piano
SKU:
CA.3319900
A
collection of Songs for
Voice and Keyboard.
Composed by Carl Philipp
Emanuel Bach. Edited by
Christoph Wolff. Lieder;
Stuttgart Editions
(Urtext): Stuttgart Bach
Edition - Bach vocal.
Stuttgart Urtext Edition:
Bach vocal. Lieder. Full
score. Carus Verlag #CV
33.199/00. Published by
Carus Verlag
(CA.3319900).
ISBN
9790007188641. Language:
German.
Carl
Philipp Emanuel Bach is
rightly regarded as the
most important composer
of the German art song
before Schubert. He set
new standards in the
interplay of cantabile
melodies and expressive
piano accompaniment. He
was also in personal
contact with the great
poets of his time -
including Gleim, Kleist
and Lessing - and shared
their interest in the
close relationship
between literary and
musical poesy. In his
late years Bach planned a
comprehensive selection
of his songs, but the
project was not
completed. This edition
follows the original
manuscript of his
Polyhymnia
collection.
Composed by
Joseph Compello. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 40 pages. Carl
Fischer Music #CPS88F.
Published by Carl Fischer
Music (CF.CPS88F).
ISBN 9780825870439.
UPC: 798408070434. 9X12
inches. Key: G
minor.
El Palomino
Noble is written in the
Spanish march style known
as the Paso Doble. Its
standard characterics
include a brisk tempo,
interplay between
melodies and soaring
countermelodies, as well
as the use of varying
modes (particularly the
Phrygian mode), all
giving the music an
unmistakable Spanish
signature.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002705
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Choral Score. 8 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/05.
Published by Carus Verlag
(CA.1002705).
ISBN
9790007181338. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score available
separately - see item
CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002711
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 1. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/11. Published by
Carus Verlag
(CA.1002711).
ISBN
9790007189327. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002709
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext. 1x
10.027/31 trombone 1, 1x
10.027/32 2 trombones, 1x
10.027/33 trombone 3, 1x
10.027/34 trombone 4.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/09.
Published by Carus Verlag
(CA.1002709).
ISBN
9790007189310. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002905
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred concertos, Sacred
vocal music, Praise and
thanks. Full score. 8
pages. Duration 5
minutes. Carus Verlag #CV
10.029/05. Published by
Carus Verlag
(CA.1002905).
ISBN
9790007181369. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts. Score
available separately -
see item CA.1002900.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002849
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
concertos, Sacred vocal
music, Advent. Single
Part, Organ. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 10.028/49.
Published by Carus Verlag
(CA.1002849).
ISBN
9790007189389. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and part
available separately -
see item CA.1002800.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002719
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/19.
Published by Carus Verlag
(CA.1002719).
ISBN
9790007181413. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002714
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 4. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/14. Published by
Carus Verlag
(CA.1002714).
ISBN
9790007189358. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002715
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, basso
continuo. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/15.
Published by Carus Verlag
(CA.1002715).
ISBN
9790007189365. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002800
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Full
score. 12 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/00. Published
by Carus Verlag
(CA.1002800).
ISBN
9790007171735. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002706
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Choral Score. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/06.
Published by Carus Verlag
(CA.1002706).
ISBN
9790007181345. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score available
separately - see item
CA.1002700.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002919
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Complete orchestral
parts. Sacred concertos,
Sacred vocal music,
Praise and thanks. Set of
Orchestra Parts. Duration
5 minutes. Carus Verlag
#CV 10.029/19. Published
by Carus Verlag
(CA.1002919).
ISBN
9790007189396. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts. Score
and parts available
separately - see item
CA.1002900.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002805
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Choral
Score. 8 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/05. Published
by Carus Verlag
(CA.1002805).
ISBN
9790007181352. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score
available separately -
see item CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002819
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Separate
instruments. Sacred
concertos, Sacred vocal
music, Advent. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 10.028/19. Published
by Carus Verlag
(CA.1002819).
ISBN
9790007181420. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and
parts available
separately - see item
CA.1002800.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002712
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 2. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/12. Published by
Carus Verlag
(CA.1002712).
ISBN
9790007189334. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002749
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Organ. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.027/49. Published by
Carus Verlag
(CA.1002749).
ISBN
9790007189372. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002900
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred concertos, Sacred
vocal music, Praise and
thanks. Full score. 12
pages. Duration 5
minutes. Carus Verlag #CV
10.029/00. Published by
Carus Verlag
(CA.1002900).
ISBN
9790007171742. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002713
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 3. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/13. Published by
Carus Verlag
(CA.1002713).
ISBN
9790007189341. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002700
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Full score. 24 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/00.
Published by Carus Verlag
(CA.1002700).
ISBN
9790007171728. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002949
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Organ. Sacred concertos,
Sacred vocal music,
Praise and thanks. Single
Part, Organ. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 10.029/49.
Published by Carus Verlag
(CA.1002949).
ISBN
9790007181437. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts. Score
and part available
separately - see item
CA.1002900.
Solo Voices/Choir SAB, Bc, ad lib: 3 Instr SKU: CA.103400 A 2 & a 3 in...(+)
Solo Voices/Choir SAB,
Bc, ad lib: 3 Instr
SKU: CA.103400
A 2 & a 3 in quartam.
Chorale concerto.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. Sacred vocal music,
Psalms, German. Sacred
vocal music, Psalms,
German. Full score.
Composed 1619. Duration 3
minutes. Carus Verlag #CV
01.034/00. Published by
Carus Verlag (CA.103400).
ISBN 9790007188825.
Language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
Even in the small-scale
form of the chorale
arrangement for two to
three voices and basso
continuo, Praetorius
gives hints of the range
of sound textures he is
to use: the alternation
between contrapuntal and
homophonic styles of
setting, duple and triple
meter, and different
dynamic. Nun lob, mein
Seel, den Herren is
available on the CD
Praetorius: Gloria sei
dir gesungen.
Choralkonzerte (Carus
83.482).
(Cello and Piano Reduction). Composed by Mikis Theodorakis (1925-). For Cello, P...(+)
(Cello and Piano
Reduction). Composed by
Mikis Theodorakis
(1925-). For Cello, Piano
Accompaniment. String.
Softcover. Schott Music
#CB262. Published by
Schott Music
SATB choir SKU: ST.EM26 Composed by Francis Pilkington. Edited by Edmund ...(+)
SATB choir
SKU:
ST.EM26
Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM26. Published by
Stainer & Bell Ltd.
(ST.EM26).
ISBN
9790220212598.
CONT
ENTS Care for thy
soul (SSATB) Chaste
Daphne fled (SST (or A)
B) Chaste Syrinx fled
(SSA (or T) TB) Come
shepherds' weeds (SSA (or
T) TB) Coy Daphne
fled (SST (or A) B)
Crowned with flowers
(SSAAB) Cruel
Pabrilla (SSAT (or A)
TB) Dear shepherdess
(SSAATB) Drown not
with tears (SSATB)
Fancy for the Viols
(SSAATB and Viol
Sextet) Go, you
skipping kids and fawns
(SSATB) If she
neglect me (SSA (or T)
B) Maenalas in an
evening (SSAB) O
gracious God (SSATB)
O praise the Lord
(SSATTB) O
softly-singing lute
(SSAATB) Palaemon and
his Sylvia (SSTB)
Sovereign of my delight
(SST) Stay, heart,
run not so fast (SST)
Surcrease, you faithful
shepherdess (SSATB/Viol
quintet/Lute) Wake,
sleepy Thyrsis (SST)
Weep, sad Urania (SS and
string accompt.) Ye
bubbling springs
(SST) Yond hilltops
Phoebus kissed (SST)
You gentle Nymphs (SSA
(or T) B) Your fond
preferments (SST).