Soprano voice and piano (GSG/KL) - difficult SKU: HL.49033271 Fragment...(+)
Soprano voice and piano
(GSG/KL) - difficult
SKU: HL.49033271
Fragment from Das
Urteil (The Judgement) by
Franz Kafka. Composed
by Ekkehard Jost. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
2004. 20 pages. Duration
7'. Schott Music #ED
9750. Published by Schott
Music (HL.49033271).
ISBN 9790001136877.
9.0x12.0x0.088 inches.
German.
Kafka's
ouvre is interspersed
with moments of utter
anxiety. Moments in
which, induced by
adrenalin, the blood
pressure rises. Blood
vessels which seem to
constrict, pump enormous
quantities of blood the
pressure of which might
make one believe that the
head is going to explode.
In The Judgment, an
innocent opening story
leads to one of the most
unusual showdowns in
world literature: The
beloved father sentences
his son to death by
drowning; the son
immediately obeys since
his life, his existence
almost explodes, becomes
blurred, dissolves at the
moment the judgment is
pronounced. For me, the
'self' driving him - I
imagine this as a high
sound in the inner ear -
could only be a soprano.
This is why the actual
'fall' has turned out to
be clear, almost friendly
and why Georg only seems
to want to breathe a soft
and quiet 'Dear parents,
I have always loved you'
during the fall while no
longer keeping the
singing tone, shortly
before death, almost
casually, takes hold of
him. Christian Jost.
Concert Band - Grade 3 SKU: AP.50067S Featuring Let's Dance, Space Odd...(+)
Concert Band - Grade 3
SKU: AP.50067S
Featuring Let's Dance,
Space Oddity, and Under
Pressure. Composed by
Various. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band. Pop;
Pop/Rock; Radio. Score.
Duration 6:45. Alfred
Music #00-50067S.
Published by Alfred Music
(AP.50067S).
ISBN
9781470662233. UPC:
038081579436.
English.
Bowie.
Some artists only need to
be known and recalled by
one name. This fantastic
medley contains three of
his biggest hits. The
jazzy and funky Let's
Dance, the ethereal Space
Oddity, and the
ever-grooving hit, with
rock group Queen, Under
Pressure. (6:45).
Featuring Let's Dance,
Space Oddity, and Under
Pressure. Arranged by
Patrick Roszell. Full
Orchestra; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Pop; Radio.
Score and Part(s).
Duration 6:45. Alfred
Music #00-50768.
Published by Alfred Music
(AP.50768).
ISBN
9781470667443. UPC:
038081586328.
English.
Bowie.
Some artists only need to
be known and recalled by
one name. This medley,
arranged by Patrick
Roszell, contains three
of his biggest hits. The
jazzy and funky Let's
Dance, the ethereal Space
Oddity, and the
ever-grooving hit with
rock group Queen Under
Pressure. This fantastic
arrangement will be a hit
with your audience!
(6:45).
High
Wire Act for
Orchestra. Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340. Published by
Merion Music
(PR.446413400).
UPC:
680160667406. 9 x 12
inches.
Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end.
Featuring Let's Dance,
Space Oddity, and Under
Pressure. Arranged by
Patrick Roszell. Full
Orchestra; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Pop; Radio.
Score. Duration 6:45.
Alfred Music #00-50768S.
Published by Alfred Music
(AP.50768S).
ISBN
9781470667450. UPC:
038081586335.
English.
Bowie.
Some artists only need to
be known and recalled by
one name. This medley,
arranged by Patrick
Roszell, contains three
of his biggest hits. The
jazzy and funky Let's
Dance, the ethereal Space
Oddity, and the
ever-grooving hit with
rock group Queen Under
Pressure. This fantastic
arrangement will be a hit
with your audience!
(6:45).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-26.
Published by Breitkopf
and Haertel
(BR.OB-15148-26).
ISBN
9790004342206. 10 x 12.5
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
Woodwinds (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.OB-15148-30
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Set of parts. 72 pages.
Duration 28'. Breitkopf
and Haertel #OB 15148-30.
Published by Breitkopf
and Haertel
(BR.OB-15148-30).
ISBN
9790004342213. 10 x 12.5
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 ...(+)
Piano duets (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.EB-10787
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Solo
instruments; Softcover.
Edition Breitkopf.
In
Cooperation with G. Henle
VerlagEB 10787 is printed
in score form; two copies
are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Piano reduction. 68
pages. Duration 28'.
Breitkopf and Haertel #EB
10787. Published by
Breitkopf and Haertel
(BR.EB-10787).
ISBN
9790201807874. 9.5 x 12
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-16.
Published by Breitkopf
and Haertel
(BR.OB-15148-16).
ISBN
9790004342183. 10 x 12.5
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
EB 10787
is printed in score form;
two copies are needed for
performance. Our edition
EB 8579 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 491.
High
Wire Act for
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340L. Published by
Merion Music
(PR.44641340L).
UPC:
680160667413. 11 x 17
inches.
Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end.
By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A compr...(+)
By Martin Wulfhorst. This
edition: 1st printing
2012 edition. Paperback.
A comprehensive guidebook
with hundreds of
excerpts. Book. Language:
English. 483 pages.
Published by Baerenreiter
Verlag
Choral (SSAB choir) SKU: HL.1312748 From the Apple TV Series Central ...(+)
Choral (SSAB choir)
SKU: HL.1312748
From the Apple TV
Series Central Park.
Composed by Elyssa Samsel
and Kate Anderson.
Arranged by Roger
Emerson. Pop Choral
Series. Musicals, Pop,
Tv. Octavo. Duration 190
seconds. Published by Hal
Leonard (HL.1312748).
UPC: 196288212034.
6.75x10.5
inches.
Central
Park is an animated
musical sitcom on Apple
TV , telling the story of
the Tillerman-Hunter
family who live in the
famed NY park. Daughter
Molly, who likes to draw
comic books about herself
as a superhero, sings
this upbeat and
multi-layered song,
complete with themes
about the pressures of
living up to high
expectations and the
journey of
self-discovery.
Flute and piano SKU: P2.10004 Composed by Ryan Woodhouse. Chamber music, ...(+)
Flute and piano
SKU:
P2.10004
Composed by
Ryan Woodhouse. Chamber
music, 20th century.
Published by Potenza
Music (P2.10004).
Music possesses
the amazing ability of
transporting its listener
to a beautiful world of
sound where the pressures
of everyday life can be
momentarily forgotten.
The escape that music can
provide is the
inspiration of this
piece. Escape was
composed for performance
at the 2011 Cortona
Sessions for New Music in
Cortona, Italy.
Choral (SSATB) SKU: HL.1312746 From the Apple TV Series Central Park<...(+)
Choral (SSATB)
SKU:
HL.1312746
From
the Apple TV Series
Central Park.
Composed by Elyssa Samsel
and Kate Anderson.
Arranged by Roger
Emerson. Pop Choral
Series. Musicals, Pop,
Tv. Octavo. 20 pages.
Duration 190 seconds.
Published by Hal Leonard
(HL.1312746).
UPC:
196288212010. 6.75x10.5
inches.
Central
Park is an animated
musical sitcom on Apple
TV , telling the story of
the Tillerman-Hunter
family who live in the
famed NY park. Daughter
Molly, who likes to draw
comic books about herself
as a superhero, sings
this upbeat and
multi-layered song,
complete with themes
about the pressures of
living up to high
expectations and the
journey of
self-discovery.
Alto Saxophone SKU: HL.48180543 For Alto Saxophone and Piano. Comp...(+)
Alto Saxophone
SKU:
HL.48180543
For
Alto Saxophone and
Piano. Composed by
Henri Tomasi. Leduc.
Classical. Softcover. 3
pages. Alphonse Leduc
#AL18122. Published by
Alphonse Leduc
(HL.48180543).
UPC:
888680796044. 9x12
inches.
French
composer and conductor,
Henri Tomasi (1901-1971)
published his Corsican
Song for alto
saxophone and piano in
1932. As with his other
wind compositions,
Corsican Song was
well-received by
audiences. Tomasi was
born in Marseille, but
his father and mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his grandmother in to his
compositions, as is the
case with Corsican
Song. This Tomasi
work is unusual in
composition through its
exploitation of tonality,
rhythm and structure
amongst other aspects.
However, this Tomasi
piece, suitable for
advanced saxophonists,
provides an exciting,
alternative addition to
the repertoire.
(Music from the Motion Picture Soundtrack). Composed by Johann Johannsson. Ar...(+)
(Music from the Motion
Picture Soundtrack).
Composed by Johann
Johannsson. Arranged by
Anthony Weeden. For
Piano/Keyboard. Piano
Solo
Songbook. Softcover. 48
pages. Published by Hal
Leonard
A Hymn for Communion. Composed by Robert Sterling. Arranged by Robert Sterling...(+)
A Hymn for Communion.
Composed by Robert
Sterling.
Arranged by Robert
Sterling.
Glory Sound. Communion,
Sacred. Octavo. 8 pages.
Published by Glory Sound
SATB choir, piano accompaniment, violin - Early intermediate SKU: GI.WW1981(+)
SATB choir, piano
accompaniment, violin -
Early intermediate
SKU: GI.WW1981
Composed by Kyle
Pederson. Classical.
Octavo. 20 pages. Walton
Music #WW1981. Published
by Walton Music
(GI.WW1981).
UPC:
785147046561.
English.
Take my
hand, don't let go...
This inspirational
selection about the
pressures the world
throws at us is an
empowering and lyrical
work that will inspire
singers and audiences. An
optional, soaring violin
part provides nice
texture and balance
with the flowing,
rhythmic piano
accompaniment. Click
below for a free SEL
guide. Printer-friendly
black & white version
Lyric video and Score
video: .
Choral (Preview CD) SKU: HL.144495 A Holiday Musical for Young Voices<...(+)
Choral (Preview CD)
SKU: HL.144495
A Holiday Musical for
Young Voices.
Composed by John Higgins
and John Jacobson.
ExpressiveArts.
Christmas, Elementary,
Holiday, Musicals,
Winter. CD only.
Published by Hal Leonard
(HL.144495).
ISBN
9781495017704. UPC:
888680062392. 5x5 inches.
By John Jacobson and John
Higgins.
The bells
of ol' Ring-A-Ding Town
have stopped ringing!
Why? Because everyone who
lives there has
completely lost their
holiday spirit. With all
the pressures of the
season, they have become
so comically grumpy that
even the bells refuse to
ring. When a severe
winter storm pounds the
village with ice, wind
and snow, the grumpy
citizens are reminded how
much they need each
other. They also
rediscover how rewarding
it can be to share and
care for one another in
the true spirit of the
season. When peace, love
and joy returns to warm
their hearts, the bells
of Ring-A-Ding Town ring
in a new season of Peace
on Earth Goodwill for
all! This comical
25-minute holiday musical
features five original
songs and easy-to-learn
rhyming dialog with over
30 speaking parts. The
enhanced Teacher Edition
includes piano/vocal
arrangements with
choreography, helpful
production guide with
staging and costume
suggestions, PLUS an
enclosed CD-ROM with
reproducible singer and
speaking parts.
SSAA choir, piano accompaniment, violin - Early intermediate SKU: GI.WW1936(+)
SSAA choir, piano
accompaniment, violin -
Early intermediate
SKU: GI.WW1936
Composed by Kyle
Pederson. Walton Choral.
Classical. Octavo. 20
pages. Walton Music
#WW1936. Published by
Walton Music (GI.WW1936).
UPC: 785147040767.
English. Text by Kyle
Pederson.
Take my
hand, don't let go...
This inspirational
selection about the
pressures the world
throws at us is an
empowering and lyrical
work that will inspire
singers and audiences.
With flexible voicing,
this piece is ideal for
treble choirs of various
voices and sizes. An
optional, soaring violin
part provides nice
texture and balance
with the flowing,
rhythmic piano
accompaniment. Click
below for a free SEL
guide. Printer-friendly
black & white version
Lyric video and Score
video: .
SKU: HL.48182001 Composed by Henri Tomasi. Leduc. Classical. Softcover. 1...(+)
SKU: HL.48182001
Composed by Henri Tomasi.
Leduc. Classical.
Softcover. 15 pages.
Alphonse Leduc #AL22798.
Published by Alphonse
Leduc (HL.48182001).
UPC: 888680847227.
9x12
inches.
“Fren
ch composer and
conductor, Henri Tomasi
(1901-1971) published
Mireille's Tomb in 1959.
As with his other
compositions, Mireille's
Tomb for Galoubet (Pipe),
Piccolo or Oboe, with
Tambourine, Toneless
Snare Drum or Piano was
well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his Grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother in to his
compositions. Mireille's
Tomb is a highly unusual
and modern work, not only
in instrumentation, but
in its use of varying
time signatures, complex
rhythms and a range of
performance directions.
The composition exploits
tonality, rhythm and
structure amongst other
aspects. However, this
Tomasi piece, suitable
for advanced
instrumentalists,
provides an exciting,
alternative addition to
the ensemble
repertoire.&rdquo.
SKU: HL.48182297 Composed by Henri Tomasi. Leduc. Classical. 9 pages. Alp...(+)
SKU: HL.48182297
Composed by Henri Tomasi.
Leduc. Classical. 9
pages. Alphonse Leduc
#AL23411. Published by
Alphonse Leduc
(HL.48182297).
UPC:
888680839994.
9.0x12.0x0.183
inches.
â??French
composer and conductor,
Henri Tomasi (1901-1971)
published Three
Divertissements for
Clarinet Quartet in 1964.
As with his other wind
compositions, Three
Divertissements was
well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his Grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother into his
compositions. The Three
Divertissements are
named; 1) Proceedings, 2)
Masquerade, and 3)
Rounds. This Tomasi piece
is suitable to an
advanced Clarinet
Quartet, providing an
exciting alternative
addition to the ensemble
repertoire.â?.