Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-15. Published by
Breitkopf and Haertel
(BR.OB-5252-15).
ISBN
9790004334027. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
(Concerto for Flute and Strings). By Carl Vine (1954-). Orchestra. For Flute, St...(+)
(Concerto for Flute and
Strings). By Carl Vine
(1954-). Orchestra. For
Flute, String Orchestra.
Masterworks; Score;
String Orchestra. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano M...(+)
By Christine H. Barden,
Gayle Kowalchyk, and E.
L. Lancaster. For Piano.
Piano Method. Music for
Little Mozarts. Book. 48
pages. Published by
Alfred Publishing.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5383-15. Published by
Breitkopf and Haertel
(BR.OB-5383-15).
ISBN
9790004335352. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
High voice and piano - Late Intermediate SKU: EC.9278 Composed by Joseph ...(+)
High voice and piano -
Late Intermediate
SKU:
EC.9278
Composed by
Joseph Stillwell. E.C.
Schirmer Publishing
#9278. Published by E.C.
Schirmer Publishing
(EC.9278).
UPC:
600313311185.
English.
Songs of
Love and Solace traces a
young man's journey of
love and heartbreak. The
cycle of four texts by
Irish poet William Butler
Yeats begins with Brown
Penny. This short poem
depicts a young man
infatuated with the idea
of falling in love, and
then becoming awestruck
as he contemplates the
depths of love’s power.
In the second poem, He
Wishes for the Cloths of
Heaven, the poet,
speaking to his beloved,
realizes he has nothing
of value to offer but his
dreams. Tread softly, he
implores, because you
tread on my dreams.” In
When You Are Old, we find
our poet heartbroken. In
his grief he peers into
the future and foresees
his beloved, in old age,
remembering the depth and
purity of their forsaken
love: “But one man love
the pilgrim soul in you,
And loved the sorrows of
your changing face.” In
the final song, The Lake
Isle of Innisfree,” the
poet, saddened but wiser,
wistfully resolves to
escape the struggles and
heartbreaks of his modern
existence, and seek
solace in the beauty and
calm of nature. Songs may
be performed separately.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
18'. Breitkopf and
Haertel #OB 5212-19.
Published by Breitkopf
and Haertel
(BR.OB-5212-19).
ISBN
9790004330937. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 8'.
Breitkopf and Haertel #OB
5385-15. Published by
Breitkopf and Haertel
(BR.OB-5385-15).
ISBN
9790004336717. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Choir Secular SKU: AP.47578 Pachelbel's Canon in D. Arranged by Da...(+)
Choir Secular
SKU:
AP.47578
Pachelbel's Canon in
D. Arranged by David
Waggoner. This edition:
SoundTrax CD. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular; Traditional. CD.
Alfred Music #00-47578.
Published by Alfred Music
(AP.47578).
UPC:
038081542713. English.
Words from a Traditional
Nursery Rhyme.
A
simple yet elegant
adaptation of Pachelbel's
Canon in D, this
arrangement introduces a
new melody that
beautifully complements
the beloved original.
Incorporates twinkling
text from the nursery
rhyme Star light, star
bright as well as some
new words about making
wishes. A delicate
balance of unison- and
partner-singing makes
this an ideal selection
for younger groups.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 13'.
Breitkopf and Haertel #OB
5251-16. Published by
Breitkopf and Haertel
(BR.OB-5251-16).
ISBN
9790004332955. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Vocal Selections. By Leslie Bricusse. Piano/Vocal/Chords Vocal Selections (Arran...(+)
Vocal Selections. By
Leslie Bricusse.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 90 pages.
Published by Cherry Lane
Music.
Voice and piano SKU: BR.EB-9398 16 Selected Chinese Art Songs - Urtext...(+)
Voice and piano
SKU:
BR.EB-9398
16
Selected Chinese Art
Songs - Urtext.
Composed by Hartmut
(Hrsg.) Liao und Holl
Changyong. Edited by
Hartmut Liao and Holl
Changyong. Voice;
Softbound. Edition
Breitkopf. Score. 80
pages. Breitkopf and
Haertel #EB 9398.
Published by Breitkopf
and Haertel (BR.EB-9398).
ISBN 9790004188729. 9
x 12 inches.
Chinese.
Poetry
from a thousand years -
First time in Urtext The
legacy of Chinese poetry
includes thousands of
songs and poems spanning
over more than three
millennia. Gustav Mahler
himself was inspired by
seven of these poems for
his Lied von der Erde.
The 16 Selected Chinese
Art Songs presented here
are shaped in structure
and musical grammar by
the famous European Lied
compositions and yet the
Chinese idiom is
unmistakable. The songs
represent poetry from a
thousand years, set into
music by composers of the
20th
century.
first
Urtext edition of 16 of
the most famous Chinese
art songsedited by Liao
Changyong and Hartmut
Hollphonetic translation
in the musical text
includedcomprehensive
text part in three
languages (Chin/Ger/Eng)
with complete English
translation of the used
poemsfacsimile pages.
By Howard Skempton (1947-). For SATB choir (with divisions), a cappella. Mixed V...(+)
By Howard Skempton
(1947-). For SATB choir
(with divisions), a
cappella. Mixed Voices.
New Horizons. Secular,
Choral Leaflet. Vocal
score. 16 pages. Duration
5'. Published by Oxford
University Press
Written Activities and Rhythm Patterns to Reinforce Rhythm- Reading. Composed...(+)
Written Activities and
Rhythm
Patterns to Reinforce
Rhythm-
Reading. Composed by
Christine H. Barden,
Gayle
Kowalchyk, and E. L.
Lancaster.
Method/Instruction; Piano
-
Music for Little Mozarts;
Rhythm/Activity. Music
for
Little Mozarts. Children.
Book. 24 pages. Alfred
Music
#00-47170. Published by
Alfred Music
By Christine H. Barden, Donna Brink Fox, Karen Farnum Surmani, Gayle Kowalchyk, ...(+)
By Christine H. Barden,
Donna Brink Fox, Karen
Farnum Surmani, Gayle
Kowalchyk, and E. L.
Lancaster. General Music
and Classroom
Publications. Book and
CD. 136 pages. Published
by Alfred Publishing.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Arranged by
Walter Heinz Bernstein.
Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
8 pages. Duration 17'.
Breitkopf and Haertel #OB
5384-12. Published by
Breitkopf and Haertel
(BR.OB-5384-12).
ISBN
9790004335499. 12.5 x 10
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-16. Published by
Breitkopf and Haertel
(BR.OB-5386-16).
ISBN
9790004334584. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-26. Published by
Breitkopf and Haertel
(BR.OB-5386-26).
ISBN
9790004334607. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
(A Natural Method for Developing Control of Accents and Dynamics). By Jeff W. Jo...(+)
(A Natural Method for
Developing Control of
Accents and Dynamics). By
Jeff W. Johnson. For
Snare Drum. Book;
Method/Instruction;
Percussion - Snare Drum
Method. 52 pages.
Published by Alfred Music
Publishing
2 Trumpets, Horn in F/Flugelhorn, Trombone, Tuba SKU: AP.1-ADV20003 Fo...(+)
2 Trumpets, Horn in
F/Flugelhorn, Trombone,
Tuba
SKU:
AP.1-ADV20003
For
Brass Quintet.
Arranged by Edgar Herzog.
5 or More; Brass Ensemble
- Quintet; Solo Small
Ensembles. Advance Music:
Holiday Celebration
Series. Christmas;
Holiday Pops; Latin;
Secular; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV20003. Published
by Advance Music
(AP.1-ADV20003).
UPC:
805095200034. English.
Traditional.
This
arrangement of We Wish
You a Merry Christmas by
Edgar Herzog has a
soothing effect on
everybody suffering from
Christmas stress. Saint
Nicholas wishes for a
relaxed and swinging
Christmas season with
Rudolph swaying his
antlers to the rhythm of
the samba. Arranged for
two trumpets, horn in F /
flugelhorn, trombone, and
tuba.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
15'. Breitkopf and
Haertel #OB 5215-17.
Published by Breitkopf
and Haertel
(BR.OB-5215-17).
ISBN
9790004331996. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Arranged by
Walter Heinz Bernstein.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5383-12. Published by
Breitkopf and Haertel
(BR.OB-5383-12).
ISBN
9790004335345. 12 x 9
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
20'. Breitkopf and
Haertel #OB 5214-24.
Published by Breitkopf
and Haertel
(BR.OB-5214-24).
ISBN
9790004331118. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel