Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
Vocal SKU: HL.49002642 Vocal Score. Composed by Sir Michael Tippet...(+)
Vocal
SKU:
HL.49002642
Vocal
Score. Composed by
Sir Michael Tippett. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed
1966-1970. 318 pages.
Duration 80'. Schott
Music #ED11075. Published
by Schott Music
(HL.49002642).
ISBN
9790220107672. UPC:
073999347685.
8.25x11.75x0.832 inches.
English.
A house,
too, can be a
battlefield, and a garden
a wilderness. The house
here belongs to Faber and
Thea: middle-class,
middle-aged, probably
more than middle-income
and in a mid-matrimonial
rut of mutual
laissez-faire. Also in
the house is their young
ward Flora, to whom Faber
has been making sexual
advances. And there are
visitors. Thea's sister
Denise is taking a break
from other distant
battlefields, where she
is engaged in the
struggle against
oppression. A black
writer, Mel, is here as
well with his white lover
Dov, a musician: the
first homosexual couple
to be 'out' on the
operatic stage.These
people's
entanglementswith each
other but also, and more
importantly, within
themselveshave to be
addressed, as in
Tippett's first opera.
But this time the Mozart
model is Cosi fan tutte,
and the lessons of myth
are clothed in the
language of psychiatry,
as practised by Mangus,
the Don Alfonso who may
not be as much in control
as he would hope. In the
last act he stages a
performance of The
Tempest, which comes
adrift. Perhaps more has
been achieved in the
middle act, a swirl of
short scenes ending in an
exchange of songs between
Flora and Dovan exchange,
too, of homages to
Schubert and the blues,
both held in the magic of
this lustrous score.(Paul
Griffiths)
2
(2pic).1.ca.Ebcl.2 (2:
bcl).1.cbn-4.4.2.1-timp.3
perc (s.d., t.d., b.d.,
jazz kit, cym., sus.cym.,
w.bl., t.bl., tamb.,
casts., wh., metal bar or
heavy triangle, tam-tam,
xyl., vib., glock.,
claves, small
rattle)-hp.cel.pno.egtr/e
hpd-str
Reduced
version: 1 (pic).1
(ca).1 (Ebcl, bcl).1
(cbn)-3.2.2.0-2perc
(timp., t.d., jazz kit,
cym., t.bl., tamb.,
casts., metal bar or
heavy tri., tam-tam,
vib., glock., tub.bells,
cl., rattle)-hp.pno
(cel).egtr-str: 3 vns (3:
va).va.vc.db.
Composed by Robert Ward. Full Length Opera. 20th Century. Libretto. Galaxy Music...(+)
Composed by Robert Ward.
Full Length Opera. 20th
Century. Libretto. Galaxy
Music Corporation
#7.0277. Published by
Galaxy Music Corporation
(EC.7.0277).
0.48
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Chorus (with soloists) and piano (solos: SSSAAABarBarB - choir: SATB - 1(picc).2...(+)
Chorus (with soloists)
and piano (solos:
SSSAAABarBarB - choir:
SATB - 1(picc).2.2.2. -
2.2.0.0. - timp - cow
horn - str)
SKU:
BR.EB-8911
Drama
in 3 Acts. Composed
by Andre-Ernest-Modeste
Gretry. Choir; Softbound.
Edition Breitkopf. Opera;
Music theatre; Classical.
Piano/Vocal Score. 160
pages. Breitkopf and
Haertel #EB 8911.
Published by Breitkopf
and Haertel (BR.EB-8911).
ISBN 9790004185773.
7.5 x 10.5
inches.
Duration:
full-length Persons:
Wilhelm Tell (T) his wife
(S) young Tell (S) Marie,
his sister (S) Melchtal
(Bar) Melchtal's son(T)
Gessler (Bar) 2 men of
the people, soldier (BBB)
tavellor (T) tavellor's
wife / tavellors' young
children / Surlemann /
old man / 2 officers/ 2
soldiers (speakers)
choir: SSATB/SSS/ATB
orchestra: 1(Picc).2.2.2.
2.3cornet.2.0.0.
timp.small drum str
Althoug Gretry cannot
escape the shadow of
Wagner and Verdi, there
is a clear trend favoring
a reevaluation of this
composer. The opera was
greeted with exceptional
enthusiasm in Paris in
1791, during the French
Revolution. The Swiss
freedom fighter was
already a well-known
character there nearly 15
years before Schillers
drama. A number of arias
from Gretrys opera even
survived the success of
Rossinis work of the same
name of 1829.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext. 1x
40.627/21 oboe 1, 1x
40.627/22 oboe 2, 1x
40.627/31 trumpet 1, 1x
40.627/32 trumpet 2, 1x
40.627/33 trombone 1, 1x
40.627/34 trombone 2, 1x
40.627/35 trombone 3, 1x
40.627/41 timpani.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
circa 1775-1777. KV 258.
50 pages. Duration 20
minutes. Carus Verlag #CV
40.627/09. Published by
Carus Verlag
(CA.4062709).
ISBN
9790007084691. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
parts available
separately - see item
CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Choral
Score. Composed circa
1775-1777. KV 258. 16
pages. Duration 20
minutes. Carus Verlag #CV
40.627/05. Published by
Carus Verlag
(CA.4062705).
ISBN
9790007084684. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score
available separately -
see item CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Full
score. Composed circa
1775-1777. KV 258. 64
pages. Duration 20
minutes. Carus Verlag #CV
40.627/00. Published by
Carus Verlag
(CA.4062700).
ISBN
9790007089764. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. Composed
circa 1775-1777. KV 258.
8 pages. Duration 20
minutes. Carus Verlag #CV
40.627/11. Published by
Carus Verlag
(CA.4062711).
ISBN
9790007084707. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
circa 1775-1777. KV 258.
12 pages. Duration 20
minutes. Carus Verlag #CV
40.627/49. Published by
Carus Verlag
(CA.4062749).
ISBN
9790007084738. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26).
ISBN
9790004789810. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
My Dearest Ruth Voix Mezzo-Soprano, Piano Theodore Presser Co.
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes...(+)
For Mezzo-soprano and
Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40297.
Published
by Theodore Presser
Company
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 ...(+)
For Baritone and Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40298.
Published
by Theodore Presser
Company