| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Play the Tuba with the Philharmonic Wind Orchestra (with CD) Tuba [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
Romantic Moods. By Various. For Tuba. Swiss import. Level: Grade 3-5. Songbook a...(+)
Romantic Moods. By
Various. For Tuba. Swiss
import. Level: Grade 3-5.
Songbook and Play-Along
CD. Published by Editions
Marc Reift. (EMR 13135)
$38.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantica Violoncelle, Piano Music Sales
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano SKU:
HL.14006097 Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097). ISBN
9788759872222.
Danish. Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997). $16.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stravinsky, Bartok and More - Vol. 8 (Trombone / Tuba / Euphonium) [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Low Brass. By Bela Bartok, Igor Stravi...(+)
The Orchestra Musician's
CD-ROM Library - Low
Brass. By Bela Bartok,
Igor Stravinsky. CD Sheet
Music. 8 pages. Published
by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Test Pieces for Orchestral Auditions (Horn Wagner Tuba) Cor Peters
By Various. Edited by Ritzkowsky, Spach. For Horn (Wagner Tuba). Published by C....(+)
By Various. Edited by
Ritzkowsky, Spach. For
Horn (Wagner Tuba).
Published by C.F. Peters.
$37.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Toccata-Gloria Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Cimarron Music Press
(From Symphony No. 5 ). Composed by Charles Marie Widor (1844-1937). Arranged b...(+)
(From Symphony No. 5 ).
Composed by Charles Marie
Widor (1844-1937).
Arranged by Robert
Wallace. For Brass
Quintet (with Organ).
Published by Cimarron
Music Press
$22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beethoven, Schubert and More - Volume I (Low Brass) [CD Sheet Music] Hal Leonard
(Complete Low Brass Parts to 90 Orchestral Masterworks on CD-ROM) For trombone, ...(+)
(Complete Low Brass Parts
to 90 Orchestral
Masterworks on CD-ROM)
For trombone, tuba and
low brass. Includes
CD-ROM (Windows and Mac).
With standard notation.
Classical. Series: The
Orchestra Musician's
CD-ROM Library. 9x12
inches. Published by Hal
Leonard.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Play the Tuba with the Philharmonic Wind Orchestra [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
Romantic Moods. By Various. For Tuba. Swiss import. Level: Grade 3-5. Published ...(+)
Romantic Moods. By
Various. For Tuba. Swiss
import. Level: Grade 3-5.
Published by Editions
Marc Reift. (EMR 13134)
$28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 Theodore Presser Co.
Orchestra 2 Bassoons, 2 Bb Clarinets, 2 Oboes, 2 tenor Trombones, 3 Flutes, 4 C ...(+)
Orchestra 2 Bassoons, 2
Bb Clarinets, 2 Oboes, 2
tenor Trombones, 3
Flutes, 4 C Trumpets, 4 F
Horns, Bass Clarinet,
Bass Trombone, Bass drum,
Contrabassoon, English
Horn, Large Suspended Cy,
Roto-toms, Snare drum,
Timpani, Tuba, Tubular
Bells, Xylophone, tenor
drum SKU:
PR.41641158L Composed
by George Rochberg.
Contemporary. Large
Score. With Standard
notation. Composed
November 28 1984. 152
pages. Duration 23
minutes. Theodore Presser
Company #416-41158L.
Published by Theodore
Presser Company
(PR.41641158L). UPC:
680160610075. $190.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Debussy, Mahler and More - Volume II (Low Brass) [CD Sheet Music] Hal Leonard
(Complete Low Brass Parts to 61 Orchestral Masterworks on CD-ROM) For trombone, ...(+)
(Complete Low Brass Parts
to 61 Orchestral
Masterworks on CD-ROM)
For trombone, tuba and
low brass. Includes
CD-ROM (Windows and Mac).
With standard notation.
Classical. Series: The
Orchestra Musician's
CD-ROM Library. 9x12
inches. Published by Hal
Leonard.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Symphony No. 5, Op. 50 Orchestre Music Sales
Orchestra (Parts) SKU: HL.14032247 Set of Parts. Composed by Carl ...(+)
Orchestra (Parts) SKU:
HL.14032247 Set of
Parts. Composed by
Carl August Nielsen.
Music Sales America.
Classical. Softcover.
Music Sales #CN00002A.
Published by Music Sales
(HL.14032247). UPC:
888680688790.
9.25x14.25x3.722
inches. Carl
Nielsen Collected Works
Section II: Vol. 5. 1998
edition. Instrumentation:
Flutes 1-3, Oboes 1-2,
Clarinets 1-2, Bassoons
1-2, Horns 1-4, Trumpets
1-2, Trombones 1-2, Bass
Trombone, Tuba, Timpani,
Percussion, Triangle,
Drum, 8 Violin 1, 7
Violin 2, 6 Viola, 5
Cello, 4 Double Bass. $775.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Modern School For Xylophone, Marimba and Vibraphone
Marimba ou Xylophone Hal Leonard
Modern School For Xylophone, Marimba and Vibraphone. For xylophone, marimba and ...(+)
Modern School For
Xylophone, Marimba and
Vibraphone. For
xylophone, marimba and
vibraphone. Percussion.
Instructional.
Instructional book.
Introductory text. 132
pages. Published by Hal
Leonard
(2)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tchaikovsky and More - Volume IV (Low Brass) [CD Sheet Music] Hal Leonard
(Complete Low Brass Parts to 42 Orchestral Masterworks on CD-ROM) CD-ROM (Window...(+)
(Complete Low Brass Parts
to 42 Orchestral
Masterworks on CD-ROM)
CD-ROM (Windows and Mac)
for trombone, tuba and
low brass. With standard
notation. Series: The
Orchestra Musician's
CD-ROM Library. Published
by Hal Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Id?e Fixe Orchestre d'harmonie [Partition] Mitropa Music
((First Movement from the Zeppelin Symphony - Symphony No. 1)). By Thomas Doss. ...(+)
((First Movement from the
Zeppelin Symphony -
Symphony No. 1)). By
Thomas Doss. Mitropa
Music Concert Band. Grade
5. Softcover. Published
by Mitropa Music
$98.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Seven (7) Gates Of Jerusalem - Symphony No. 7 for Narrator, Choir and Orchestra - Study Score Orchestre Schott
5 soloists (SSATB), speaker, 3 mixed choirs and orchestra SKU: HL.49045487(+)
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra SKU:
HL.49045487 For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487). ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German. Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1. $77.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flex-Ability Classics -- Solo-Duet-Trio-Quartet with Optional Accompaniment Instrumentation Flexible [Partition] Alfred Publishing
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor López. For Trombone/Bar...(+)
(Trombone/Baritone/Bassoo
n/Tuba). Arranged by
Victor López. For
Trombone/Baritone/Bassoon
/Tuba. Mixed Instruments
- Flexible
Instrumentation.
Flex-Ability Series.
Book. 24 pages
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Meet the Masters Orchestre d'harmonie [Conducteur] Carl Fischer
Symphony No. 5 by Beethoven / New World Symphony by Dvorak / 1812 Overture by Tc...(+)
Symphony No. 5 by
Beethoven / New World
Symphony by Dvorak / 1812
Overture by Tchaikovsky -
Full Score. By Antonin
Dvorak, Ludwig van
Beethoven. Arranged by
Joseph Compello. Concert
band/stage band. For
Flute, Oboe, Flute II,
Clarinet I, Clarinet II,
Bass Clarinet, Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn,
Euphonium, Tenor,
Bassoon, Tuba, Bells,
Timpani, Snare Drum, Bass
Drum. Carl Fischer
Performance Series: Very
Easy Band. Full Score -
Large. 14 pages.
Published by Carl
Fischer.
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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