Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912005
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Choral Score.
TVWV 1:531a. 2 pages.
Duration 12 minutes.
Carus Verlag #CV
39.120/05. Published by
Carus Verlag
(CA.3912005).
ISBN
9790007055622. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score available
separately - see item
CA.3912000.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912013
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Single Part,
Cello/Double Bass. TVWV
1:531a. 4 pages. Duration
12 minutes. Carus Verlag
#CV 39.120/13. Published
by Carus Verlag
(CA.3912013).
ISBN
9790007055653. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and part available
separately - see item
CA.3912000.
Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR....(+)
Chorus and piano (solos:
SSATB - 0.0.0.1 -
2(corn).0.3.0 - str - bc)
SKU: BR.EB-32091
Cantata based on Psalm
103 - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Edition Breitkopf.
Cantata; Baroque.
Piano/Vocal Score. 20
pages. Duration 15'.
Breitkopf and Haertel #EB
32091. Published by
Breitkopf and Haertel
(BR.EB-32091).
ISBN
9790004186695. 7.5 x 10.5
inches.
The date of
composition of the
cantata Lobe den Herren,
meine Seele can only be
conjectured. However,
several indications
suggest an early
composition, possibly
during Kuhnau's stay in
Zittau. The work is one
of only two known
cantatas by Kuhnau in
which cornetti are scored
- the second work is the
cantata Christ lag in
Todes-Banden (PB 32034)
-, even so in combination
with three trombones as
an early baroque wind
section. In addition, the
musical texture of the
introductory Sonata can
certainly be understood
as a reminiscence of the
polychorality known from
the Renaissance and early
Baroque as well as their
connection with the basso
continuo era, since four
strings and bassoon on
the one side and five
wind instruments on the
other side face each
other over a continuous
continuo part. The text
of the cantata is a
selection of a few verses
from Psalm 103. This is
the larger scored cantata
with this textual basis;
parallel to it exists a
smaller scored one for
alto, bass, violin, oboe
d'amore and continuo.
Cantata based on Psalm
103 - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score. 52
pages. Duration 15'.
Breitkopf and Haertel #PB
32091. Published by
Breitkopf and Haertel
(BR.PB-32091).
ISBN
9790004215777. 9.5 x 12
inches.
The date of
composition of the
cantata Lobe den Herren,
meine Seele can only be
conjectured. However,
several indications
suggest an early
composition, possibly
during Kuhnau's stay in
Zittau. The work is one
of only two known
cantatas by Kuhnau in
which cornetti are scored
- the second work is the
cantata Christ lag in
Todes-Banden (PB 32034)
-, even so in combination
with three trombones as
an early baroque wind
section. In addition, the
musical texture of the
introductory Sonata can
certainly be understood
as a reminiscence of the
polychorality known from
the Renaissance and early
Baroque as well as their
connection with the basso
continuo era, since four
strings and bassoon on
the one side and five
wind instruments on the
other side face each
other over a continuous
continuo part. The text
of the cantata is a
selection of a few verses
from Psalm 103. This is
the larger scored cantata
with this textual basis;
parallel to it exists a
smaller scored one for
alto, bass, violin, oboe
d'amore and continuo.