Two
Singspiels (D 190, D 220)
each in one act.
Composed by Franz
Schubert. Edited by Han
Theill. This edition:
complete edition, urtext
edition. Linen. New
Schubert Edition (Neue
Ausgabe samtlicher Werke)
Series II, Volume 2.
Complete edition, Score,
anthology. Composed 1815.
Baerenreiter Verlag
#BA05533_00. Published by
Baerenreiter Verlag
(BA.BA05533).
ISBN
9790006472437. 33.1 x
26.1 cm inches. Language:
German. Text: Theodor
Korner/ Albert
Stadler.
About
Barenreiter
Urtext
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Urtext
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Band jazz ensemble - Grade 1 SKU: KJ.ZB379F Composed by Dean Sorenson. St...(+)
Band jazz ensemble -
Grade 1
SKU:
KJ.ZB379F
Composed by
Dean Sorenson. Standard
of Excellence Jazz
Ensemble Method. Jazz.
Score. Neil A. Kjos Music
Company #ZB379F.
Published by Neil A. Kjos
Music Company
(KJ.ZB379F).
UPC:
8402701953.
About Standard
of Excellence Jazz
Ensemble
Method
The
Standard of Excellence
Jazz Ensemble Method is
designed to help both you
and your jazz ensemble
students explore the
world of jazz through
easy-to-use Rhythm
Studies, Improvisation
Studies, Instrument
Specific Exercises, and
full ensemble jazz
charts. The approach is
non-theoretical and
aurally based. Each part
book comes with an
accompaniment CD, so like
every great jazz player
throughout history,
students learn to play
jazz by listening!
The North Pole's New York Debut. By Andy Beck And Janet Gardner. Children's Musi...(+)
The North Pole's New York
Debut. By Andy Beck And
Janet Gardner. Children's
Musicals and Programs.
Christmas and Choral.
Level: Late Elementary.
Score. 68 pages.
Published by Alfred
Publishing.
New Collected Works of Dmitri Shostakovich - Volume 5. By Dmitri Shostakovich. ...(+)
New Collected Works of
Dmitri Shostakovich -
Volume 5. By Dmitri
Shostakovich. (Score).
DSCH. Book only. Size
8.75x11.75 inches. 176
pages. Published by DSCH.
Orchestra (Orchestra) SKU: BA.TP00066 Composed by George Frideric Handel....(+)
Orchestra (Orchestra)
SKU: BA.TP00066
Composed by George
Frideric Handel. Edited
by Frederik Hudson. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Study score. Opus
3/2, HWV 313.
Baerenreiter Verlag
#TP00066_00. Published by
Baerenreiter Verlag
(BA.TP00066).
ISBN
9790006200542. 18.5 x
13.6 cm inches. Key:
B-flat
major.
Urtext der
Hallischen
Handel-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Study score. Opus
78. Baerenreiter Verlag
#TP00789_00. Published by
Baerenreiter Verlag
(BA.TP00789).
ISBN
9790006203116. 22.5 x
16.5 cm inches. Key: C
minor. Preface: Michael
Stegemann.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext. 1x
51.626/21 basset horn 1,
1x 51.626/22 basset horn
2, 1x 51.626/23 bassoon
1, 1x 51.626/24 bassoon
2, 1x 51.626/31 clarino
1, 1x 51.626/32 clarino
2, 1x 51.626/33 trombone
1, 1x 51.626/34 trombone
2, 1x 51.626/35 trombone
3, 1x 51.626/41 timpani.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Set of
Orchestra Parts. Composed
1791. KV 626. 88 pages.
Carus Verlag #CV
51.626/09. Published by
Carus Verlag
(CA.5162609).
ISBN
9790007225216. Key: D
minor. Language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.5162600.
Version
Hellmann/Glockner.
Composed by Johann
Sebastian Bach. Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Markuspassion Glockner.
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide, Holy
Week. Set of Orchestra
Parts. Composed
1731/1964/2001. BWV 247.
Duration 75 minutes.
Carus Verlag #CV
31.247/19. Published by
Carus Verlag
(CA.3124719).
ISBN
9790007134259. Language:
German.
This is a
revised edition of
Diethard Hellmann's
reconstruction of the St.
Mark Passion of 1723
based on parodies. It
contains a new foreword
by Andreas Glockner which
deals with the present
state of research on the
Passion. The edition now
includes all 16 chorales
which have been handed
down and which appear in
facsimile in this
edition. This new edition
serves the needs of
practical performance as
well as the interest in
the history of the
Passion as it has been
handed down to the
present day. Score and
parts available
separately - see item
CA.3124700.
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ruth Siegler. Orchestra. For...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Ruth Siegler.
Orchestra. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement. 2
(grade 2). Conductor
Score. 8 pages. Published
by Alfred Music
Publishing
Learn to Play Flamenco Guitar with Step-by-Step Lessons and Authentic Pieces to ...(+)
Learn to Play Flamenco
Guitar with Step-by-Step
Lessons and Authentic
Pieces to Study and Play.
Guitar Method.
Instruction, Method,
Flamenco. Softcover Audio
Online. With guitar
tablature. 64 pages.
Published by Hal Leonard
Motette. Composed
by Johann Hermann Schein.
Edited by Adam Adrio.
This edition: urtext
edition. Stapled. Aus
Israelsbrünnlein.
Sacred. Choral score.
Composed 1623. No. 8. 7
pages. Baerenreiter
Verlag #BA02558_00.
Published by Baerenreiter
Verlag (BA.BA02558).
ISBN 9790006422975. 27
x 19 cm
inches.
Motet no. 8
from
Israelsbrunnlein.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soloists, Choir, Orchestra (Sg-S-solo,Sg-T-solo,mixe d choir-SATB,Orch) SKU: ...(+)
Soloists, Choir,
Orchestra
(Sg-S-solo,Sg-T-solo,mixe
d choir-SATB,Orch)
SKU: BA.BA10722-01
Composed by George
Frideric Handel. Edited
by Stephan Blaut. This
edition: complete
edition, urtext edition.
Linen. Hallische
Handel-Ausgabe (HHA)
I/15. London 1739.
Complete edition, Score.
HWV 76. Baerenreiter
Verlag #BA10722_01.
Published by Baerenreiter
Verlag (BA.BA10722-01).
ISBN 9790006550319. 33
x 26 cm inches. Text
Language: English.
Preface: Stephan Blaut.
John Dryden.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II
Band 20. Complete
edition, Score. HWV 23.
Duration 3 hours.
Baerenreiter Verlag
#BA04081_00. Published by
Baerenreiter Verlag
(BA.BA04081).
ISBN
9790006497782. 33 x 25.8
cm inches.
In his
libretto for “
Riccardo primoâ€,
Paolo Rolli drew on
Antonio Lotti’s
opera “ Isacio
tiranno †which had
been performed in Venice
in 1710. Handel needed a
text with two great
women’s roles, for
the two best female
singers of the day were
members of his troupe
– Francesca
Cuzzoni and Faustina
Bordoni . He had already
written the operas
“Alessandroâ€
and “ Admeto
†for them. He
began composing “
Riccardo †in
spring 1727, completing
the first version on 16
May. However,
following the death of
King George I on 11 June
1727, the theatres
remained closed. For
Handel, who had become a
British citizen in
February 1727, the
accession of George II to
the throne offered new
possibilities, and he
embarked on a revision of
the opera. With this, he
was able to offer a new
opera for the coronation
festivities, the hero of
which was one of King
George’s
charismatic
forebears. From May
onwards, Handel
thoroughly revised the
present score, wrote some
parts anew and expanded
it with particularly
splendid music. Handel
and Rolli also improved
the plot and introduced
patriotic elements to
honour the British
monarchy.
The
historic background is
the third crusade against
Saladin, the Sultan of
Egypt and Syria , who had
recaptured Jerusalem in
1187. Although King
Richard I captured Cyprus
and together with French
crusaders stormed the
fortress of Akko in the
Holy Land, the crusade
ended with a ceasefire
and Jerusalem remained in
Saladin’s hands.
Richard was given the
title
‘Coeur-de-lionâ€
¹â€™ by the English
for his great military
ability and bravery,
although the Sicilians
had first given him this
name because of his
relentless cruelty in
clashes around Messina
.
The vocal
score is based on the
Halle Handel Edition
volume published in 2005,
edited by Terence Best,
and contains the second
version of the opera
which was premiered in
November 1727.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
14 Formula 602 Sound Edge Hi-Hat Bottom SKU: HL.3710140 14-inches....(+)
14 Formula 602 Sound Edge
Hi-Hat Bottom
SKU:
HL.3710140
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1043314. Published by
Hal Leonard (HL.3710140).
UPC: 697643109261.
14.0x14.0x1.25
inches.
One of the
world's most referred and
legendary cymbal lines in
history. Renowned and
loved for its fine, pure,
soft, delicate musical
tone that requires
precise playing. Alloy:
CuSn20, also known as
“Traditional
Bronze†or
“602 Bronzeâ€
Applications: Low to
medium loud settings,
especially well-suited
for recording, live;
jazz, fusion, blues,
moderate pop and rock,
country folk, acoustic
music Sound: Warm,
silvery, mellow, cool,
light, fine, precise and
controlled; Cymbals with
clarity and retro vintage
character combined with a
velvety, sensitive, very
responsive feel. Size:
14-inches Weight: medium
bottom Volume: medium low
to medium loud Stick
Sound: soft, fairly dry
Intensity: lively
Sustain: medium Chick
Sound: airy, light,
papery Sound character:
Rich, silvery, bright,
somewhat mellow. Wide
range, fairly complex
mix. Quick and responsive
feel with a soft and warm
touch. Very controllable.
Full, round and energetic
open sound, paired with a
light and airy chick
sound. Ideal for playing
at moderate volume level
and a wide range of
studio applications.
Band jazz ensemble - Grade 2.5 SKU: KJ.ZB393F Composed by Mike Kamuf. Sta...(+)
Band jazz ensemble -
Grade 2.5
SKU:
KJ.ZB393F
Composed by
Mike Kamuf. Standard of
Excellence Jazz Ensemble
Method. Jazz. Score. Neil
A. Kjos Music Company
#ZB393F. Published by
Neil A. Kjos Music
Company (KJ.ZB393F).
UPC:
8402702310.
Mike
Kamuf has composed
another winner with The
Goodness Box, a chart
that is correlated with
the Standard of
Excellence Advanced Jazz
Ensemble Method. A
riff-oriented melody over
a funky rhythm section
groove makes this a
perfect concert or
festival selection. -
Beginning Level Jazz
Charts - Flexibly
orchestrated so that they
can be played with as few
as 9 players. - Everyone
in the ensemble has an
opportunity to improvise
in the open solo section.
- Includes two suggested
solos and a CD with a
solo practice track, to
facilitate successful
improvisation.
About Standard
of Excellence Jazz
Ensemble
Method
The
Standard of Excellence
Jazz Ensemble Method is
designed to help both you
and your jazz ensemble
students explore the
world of jazz through
easy-to-use Rhythm
Studies, Improvisation
Studies, Instrument
Specific Exercises, and
full ensemble jazz
charts. The approach is
non-theoretical and
aurally based. Each part
book comes with an
accompaniment CD, so like
every great jazz player
throughout history,
students learn to play
jazz by listening!
Editio
Musica Budapest is
launching a new series
entitled 'Musica da
camera'. As its very
general title indicates,
the publishers' intention
is that the volumes in
this series, which is
designed specifically for
music school students,
will include works
composed for chamber
ensembles of every kind,
from the trio to the
sextet. The first two
volumes contain mostly
transcriptions for three
and four flutes
respectively, selected
from every period of
music history from the
late Renaissance to the
present day.
Unter
dem Titel ‚Musica
da camera' bringt Editio
Musica Budapest eine neue
Serie auf den Weg.
Bereits dieser sehr
allgemeine Titel zeigt
an, dass in die Bände
dieser neuen Serie den
Wünschen des Verlags
entsprechend Werke für
Kammerensembles der
unterschiedlichsten
Besetzung - vom Trio bis
zum Sextett - aufgenommen
werden. Die ersten beiden
Bände enthalten
grösstenteils
Bearbeitungen für drei
oder vier Flöten aus
allen
musikgeschichtlichen
Epochen von der
Spätrenaissance bis
zur Gegenwart.
By George Frideric Handel (1685-1759). Arranged by David Marlatt. For Brass Quin...(+)
By George Frideric Handel
(1685-1759). Arranged by
David Marlatt. For Brass
Quintet. Brass Ensemble -
Quintet; Masterworks.
Baroque, Christmas.
Duration 00:04:05
Classical Piano Style Arrangements. Composed by Various. Arranged by Animenz. ...(+)
Classical Piano Style
Arrangements. Composed by
Various. Arranged by
Animenz.
Animenz Popular Anime
Songs.
Japanese Anime; Game;
J-POP.
Book. Yamaha Music Media
#GTP01097836. Published
by
Yamaha Music Media
First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola,...(+)
First violin,second
violin,viola,cello,Perc.
adlib (1. Violin, 2.
Violin, Viola,
Violoncello, Drums ad
libitum) - Level 4
SKU: BA.BA11525
Composed by Pavel Haas.
Edited by Ondrej Pivoda.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. With
percussion ad libitum.
Set of parts. Opus 7.
16/15/13/12/3 pages.
Baerenreiter Verlag
#BA11525_00. Published by
Baerenreiter Verlag
(BA.BA11525).
ISBN
9790260108868. 31 x 24.3
cm inches.
Pavel
Haas was one of Leoš
Janácek’s most
gifted students. His
String Quartet No. 2
“From the Monkey
Mountains†is
considered to be one of
the first high points of
his oeuvre.
In
this work, Haas combined
elements of
Janácek’s
compositional technique
with jazz, particularly
in the fourth
movement’s
instrumentation for
string quartet and
percussion ad libitum.
This version was
premiered in Brno in
1926; later, the work was
revised for string
quartet only. For this
edition Ondrej Pivoda has
reconstructed the
original version,
bringing to light
passages that were never
published until
now.
This is the
first critical edition of
the work. It is based on
all relevant sources,
taking sketches of the
final version of the
score and contemporary
performance material into
account. It includes an
extensive Foreword
(Cz/Eng/Ger) as well as a
Critical Commentary
(Eng).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding