SKU: SU.00220263 Composed by Alexander Glazunov, Antonin Dvorak, and Pete...(+)
SKU: SU.00220263
Composed by Alexander
Glazunov, Antonin Dvorak,
and Peter Ilyich
Tchaikovsky. Chamber
Music, String
Trio/Quartet/Quintet. CD
(PDF Scores). CD Sheet
Music #00220263.
Published by CD Sheet
Music (SU.00220263).
This CD Sheet
Musicâ„¢ collection
makes available full
scores and parts for
string quartets by 19th C
Slavic masters Dvorák,
Glazunov and Tchaikovsky.
DVORÃK: String
Quartets No. 2 in B-flat
major (parts only); No. 5
in F minor, Op. 9 (parts
only); No. 7 in A minor,
Op. 16 (parts only); No.
8 in E major, Op. 80; No.
9, Op. 34; No. 10 in
E-flat major, Op. 51
Slavonic; No. 11 in C
major, Op. 61; No. 12 in
F major, Op. 96 American;
No. 13 in G major, Op.
106; No. 14 in A-flat
major, Op. 105 GLAZUNOV:
String Quartets No. 1 in
D Major, Op. 1; No. 2 in
F Major, Op. 10; No. 3 in
G major, Op. 26, Quartet
Slave; No. 4 in A Minor,
Op. 64; No. 5 in D Minor,
Op. 70; No. 6 in Bb
Major, Op. 106; Suite in
C Major for String
Quartet, Op. 35; 5
Novelettes for String
Quartet, Op. 15
TCHAIKOVSKY: String
Quartet, No 1 in D major;
Op. 11; No. 2 in F major,
Op. 22; No. 3 in E-flat
minor, Op. 30 Also
includes composer bios
and relevant articles
from the 1911 edition of
Grove's Dictionary of
Music and Musicians 2000+
pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Collection for guitar solo. With guitar tablature, guitar tab glossary and intro...(+)
Collection for guitar
solo. With guitar
tablature, guitar tab
glossary and introductory
text. Series: Basix. 143
pages. Published by
Alfred Publishing.
(Classical Instrumental Play-Along Book/CD Pack). By Wolfgang Amadeus Mozart (17...(+)
(Classical Instrumental
Play-Along Book/CD Pack).
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Terry
Cathrine. For Recorder.
Fentone Instrumental
Books. Play Along. Book
with CD. 16 pages.
Fentone Music #F880.
Published by Fentone
Music (HL.4400549. Sheet
music CD. Play Along.
85 Early / Late Intermediate Selections in Their Original Form - Baroque to Mode...(+)
85 Early / Late
Intermediate Selections
in Their Original Form -
Baroque to Modern. Edited
by Maurice Hinson. For
Piano. Piano Collection.
Essential Keyboard
Repertoire. Masterwork.
Level: Early Intermediate
/ Late Intermediate.
Book. 128 pages.
Published by Alfred
Publishing.
Itâ
s a beautiful journey
through the tones that I
offer you with these two
pieces.
The first
The Stations of the Cross
express the 14 scenes of
the Passion of Christ
through a simple arpeggio
and 14 different tones.
The 12 minor keys which
begin the work in a
perfectly natural way (D,
A, E, B, F#, C#, G#, D#,
Bb, F, C, G) are followed
by two major keys (D and
the) who come conclude
the work as a triumphant
deliverance.
The
second piece Labyrinthe
uses the same principle,
but in a different way.
With another arpeggio and
major and minor tones
which follow one another
alternating in a natural
way through a slight
mutation, leading us
astray in the meanders of
the tones, to finally
find ourselves in the
original tone, we thus
delivering from this
great labyrinth (do, lam,
re, sim, mi, do#m, fa#,
re#m, ab, fam and
do).
I hope that
the discoverers of these
pieces will have the same
pleasure that I had in
composing them for
them.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Edited by Denes Agay. For piano. Music For Millions: Volume 27. Format: piano so...(+)
Edited by Denes Agay. For
piano. Music For
Millions: Volume 27.
Format: piano solo book.
With fingerings. Baroque,
Classical Period,
Romantic Period and 20th
Century. 160 pages. 9x12
inches. Published by
Music Sales.
AMA Flute 2000 Flûte traversière [Partition + CD] - Facile AMA Verlag
By Robert Winn. For Flute. Method. AMA Verlag. All Styles. Level: Beginning. Boo...(+)
By Robert Winn. For
Flute. Method. AMA
Verlag. All Styles.
Level: Beginning. Book/CD
Set. Size 9x12. 88 pages.
Published by AMA Verlag.
ISBN 3932587316.
Score and Parts Clarinet; Piano Trio SKU: HL.50490502 Violin (Clarinet...(+)
Score and Parts Clarinet;
Piano Trio
SKU:
HL.50490502
Violin
(Clarinet), Violoncello,
and Piano Score and
Parts. Composed by
Felix Bartholdy
Mendelssohn. Arranged by
Cord Garben. String.
Classical. Sikorski
#SIK1740. Published by
Sikorski (HL.50490502).
UPC: 196288199533.
8.25x11.75x0.217
inches.
Trio
arrangements from
Mendelssohn's beloved
piano works Songs Without
Words. Includes: No. 1 in
E Major, Op. 19, No. 1;
No. 2 in E-flat Major,
Op. 30, No. 1; No. 3 in C
minor, Op. 38, No. 2; No.
4 Duetto in A-flat Major,
Op. 38, No. 6; No. 5 in G
Major, Op. 62, No. 1; and
No. 6 in B Major, Op. 67,
No. 3.
Orgelkompositionen von acht nordamerikanischen Komponisten des 18. Bis 20. Jahrh...(+)
Orgelkompositionen von
acht nordamerikanischen
Komponisten des 18. Bis
20. Jahrhunderts. Edited
by Bonn, Juergen. For
Organ. Collection.
Published by
Baerenreiter-Ausgaben
(German import).