20 Adagios for Trumpet. By Allen Vizzutti. This edition: 1074469. De Haske Play-...(+)
20 Adagios for Trumpet.
By Allen Vizzutti. This
edition: 1074469. De
Haske Play-Along Book.
Softcover with CD. 48
pages. Published by De
Haske Publications.
Musica Helvetica Ensemble de cuivres - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1125266-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1125266-030
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2012. De Haske
Publications #DHP
1125266-030. Published by
De Haske Publications
(BT.DHP-1125266-030).
9x12 inches.
English-German-French-Dut
ch.
Every year a
competition for wind
orchestras and brass
bands takes place in
Wallberg, Switzerland.
Apart from a hymn and a
solo piece, all
orchestras also have a
compulsory piece to play.
The commission to create
a compulsory piece for
the 2012 competition fell
to Jan de Haan. The
composition is entitled
Musica Helvetica.
It takes the form of a
three-part concert work,
in which the last two
parts flow directly from
one to the other. The
first part, Musica
Prima, is a brisk
virtuoso opening with
jazz flavours woven in.
The following section,
Musica Sacra,
offers a contrast with an
extraordinarily colourful
instrumentation for the
gorgeous main theme.
Thefinal part, Musica
Alpina, is inspired
by the great variety of
scenery in Switzerland.
With its witty humour it
makes a worthy conclusion
to this beautiful
tryptich.
In het
Zwitserse Wallberg wordt
ieder jaar een concours
voor harmonieorkesten en
brassbands georganiseerd.
Naast een hymne en een
solowerk dienen alle
orkesten een verplicht
werk uit te voeren. Voor
het concours van 2012
werd eenopdracht
verstrekt aan Jan de
Haan. De compositie kreeg
Musica Helvetica
als titel mee. Het gaat
om een driedelig
concertwerk waarvan de
laatste twee delen
onafgebroken in elkaar
overgaan. Het eerste
deel, Musica
Prima,is een virtuoze
en flitsende opening met
hier en daar jazzy
invloeden. In contrast
daarmee staat het
expressieve volgende
deel, Musica
Sacra, waarin het
gedragen hoofdthema
prachtig wordt uitgewerkt
- de instrumentatieis
hier buitengewoon
kleurrijk. Het
afsluitende deel,
Musica Alpina, is
ge nspireerd op het
afwisselende landschap
van Zwitserland. Het is
grillig van structuur en
vormt een waardige
afsluiting van dit fraaie
drieluik.
Im
schweizerischen Wallberg
wird jedes Jahr ein
Wettbewerb für
Blasorchester und Brass
Bands ausgerichtet. Neben
einer Hymne und einem
Solowerk müssen alle
Orchester ein
Pfllichtstück spielen.
Vor dem Wettbewerb im
Jahr 2012 wurde der
Auftrag zu diesem
Pflichtstück an Jan de
Haan vergeben. Die
Komposition erhielt den
Titel Musica
Helvetica. Es handelt
sich dabei um ein
dreiteiliges Konzertwerk,
dessen letzten zwei Teile
direkt ineinander
übergehen. Der erste
Teil, Musica
Prima, ist eine
virtuose, flotte
Eröffnung mit
eingestreuten jazzigen
Einflüssen. Einen
Kontrast hierzu bildet
der folgende Teil,
Musica Sacra,
worin das Hauptthema
wunderschönausgearbeit
et wird - die
Instrumentierung ist hier
außergewöhnlich
farbig. Der letzte Teil,
Musica Alpina, ist
inspiriert vom
abwechslungsreichen
Landschaftsbild der
Schweiz. Mit seiner
launigen Struktur bildet
er einen würdigen
Abschluss dieses
schönen Triptychons.
(Baroque, Classical &
Romantic Favorites,
Wedding Music). By
Various. Arranged by
Daniel Kelley. String
quartet, mixed quartet.
For Flute/Oboe/Violin,
Viola, Cello, Bassoon.
Quartets. Baroque /
Classical.
Intermediate/Advanced.
Set of 4 parts. Published
by Last Resort Music
Publishing
Swedish
polka. Composed by
Hugo Alfven. Arranged by
Floyd E Werle. Score and
parts. Duration 3
minutes. Gehrmans
Musikforlag #CG 6044.
Published by Gehrmans
Musikforlag (GH.CG-6044).
In arrangement
for symphonic wind band
by Floyd E Werle.
Complete edition with
score and parts.
Techno-Pop Ensemble de Percussions C. Alan Publications
Composed by Nathan Daughtrey. Percussion Ensemble. For Percussion Ensemble (Bell...(+)
Composed by Nathan
Daughtrey. Percussion
Ensemble. For Percussion
Ensemble (Bells and
Xylophone, Vibraphone
(3-octave), Marimba 1
(4-octave), Marimba 2
(4.3-octave), Percussion
1 (4 Concert Toms),
Percussion 2 (Vibraslap,
Suspended Cymbal, Wind
Chimes, Cowbell,
Tambourine), Drum Set,
*The two marimba parts
may be played on the
same). Percussion Music.
Medium. Score only.
Duration 3:20. Published
by C. Alan Publications
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 19,
No. 2. 6/6/6/6/6/7/7
pages. Baerenreiter
Verlag #BA09022-65.
Published by Baerenreiter
Verlag (BA.BA09022-65).
Orchestra SKU: HL.49032150 Set of Wind Parts. Composed by Wolfgang...(+)
Orchestra
SKU:
HL.49032150
Set of
Wind Parts. Composed
by Wolfgang Amadeus
Mozart. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score. 54
pages. Schott Music #ED
6621. Published by Schott
Music (HL.49032150).
From the Highlands Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score) - Grade 4 SKU: HL.44011187 Composed by Marco Putz. D...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44011187
Composed
by Marco Putz. De Haske
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications
#1104894010. Published by
De Haske Publications
(HL.44011187).
Enjoying his
travels in Scotland,
Marco Pütz decided
to compose a piece for
wind band, based on
Scottish folk songs. The
resulting composition,
utilizing the composer's
unique style of rhythmic
and harmonic alterations,
is an educational work
that is both enjoyable
and appealing to players
of all ages, although it
was written with young
bands in mind. Duration:
7:45 (Grade 4).
Concert Miniature Orchestre d'harmonie - Intermédiaire/avancé Edward B. Marks Music Company
Concert Band SKU: SU.80602890 For Concert Band. Composed by Rex Mi...(+)
Concert Band
SKU:
SU.80602890
For
Concert Band.
Composed by Rex Mitchell.
Concert Band/Wind
Ensemble. Full Score.
Edward B. Marks Music
#80602890. Published by
Edward B. Marks Music
(SU.80602890).
Grade 4; Full
score Concert Band
Composed: 1974 Published
by: E.B. Marks Parts
available for sale on
request. Contact
sales@subitomusic.com.
By Various. Piano/Vocal/Guitar Songbook. Christian, Contemporary Christian, G...(+)
By Various.
Piano/Vocal/Guitar
Songbook. Christian,
Contemporary Christian,
General Worship.
Softcover.
136 pages. Duration 310
seconds. Published by Hal
Leonard
Composed by Pepper Choplin. For SATB choir, piano. Sacred Anthem, Baptism, Easte...(+)
Composed by Pepper
Choplin. For SATB choir,
piano. Sacred Anthem,
Baptism, Easter,
Pentecost. Octavo. Lorenz
Publishing Company
#10/4703L. Published by
Lorenz Publishing Company
Wind Quintet No. 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] Schott
(Music for Fleeting Birds Flute, Oboe, Clarinet, Horn, and Bassoon). By Peteris ...(+)
(Music for Fleeting Birds
Flute, Oboe, Clarinet,
Horn, and Bassoon). By
Peteris Vasks (1946-).
Score and Parts. Woodwind
Ensemble. Softcover. 60
pages. Schott Music
#ED20856. Published by
Schott Music
Grade 3 SKU: CL.RWS-2234-01 Arranged by Newton. Concert Band. Extra full ...(+)
Grade 3
SKU:
CL.RWS-2234-01
Arranged by Newton.
Concert Band. Extra full
score. Composed 2022. RWS
Music Company
#RWS-2234-01. Published
by RWS Music Company
(CL.RWS-2234-01).
Santa may be Up
on the Housetop, but
certainly not all is
calm! Bryce
Newton’s clever
arrangement takes the
familiar tune and adds
unique twists and turns
that your ensemble and
audiences will find
entertaining and just
plain fun. Lively
percussion writing and
interesting wind parts
that provide each
musician with something
exciting to play. This is
a sure-fire way to add
variety and depth to your
next holiday program!
Performed by Elton John. For voice and piano. Format: Easy piano/vocal songbook....(+)
Performed by Elton John.
For voice and piano.
Format: Easy piano/vocal
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Rock and pop
rock. 80 pages. 9x12
inches.
Oboe - early intermediate SKU: XC.WB2302 21 Quartets for Any Wind & Pe...(+)
Oboe - early intermediate
SKU: XC.WB2302
21 Quartets for Any
Wind & Percussion
Instruments. Composed
by Various. Arranged by
Tyler Arcari. Solo &
Ensemble. Ensemble,
Collection, Book.
Excelcia Music Publishing
#WB2302. Published by
Excelcia Music Publishing
(XC.WB2302).
ISBN
9781644021590.
All
Hands are on Deck for the
newest installment in the
popular Adaptable
Ensemble Series.
Adaptable Quartets; Sea
Shanties, by popular
composer and arranger
Tyler Arcari builds on
the success of the Sea
Shanty Trio book with 21
quartets for any
combination of
instrument. Expanding the
range, instrumentation
and length of the popular
works from the trio
collection as well as
adding new classics to
the list, this newest
addition to the Adaptable
Ensemble Series is a
unique collection for the
chamber-to-ensemble
library.
SKU: HL.48186455 Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5...(+)
SKU: HL.48186455
Composed by Eugene Bozza.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30697.
Published by Alphonse
Leduc (HL.48186455).
UPC: 888680828639.
9x12
inches.
“Born
to an Italian father and
a French mother,
Eugène Bozza
(1905-1991) divided his
music studies between the
Academia Santa Cecilia in
Rome and the
Conservatoire de Paris,
where he was taught by
Henri Büsser and
Henri Rabaud. His chamber
music compositions reveal
a marked predilection for
wind instruments, as
reflected in Fantaisie
pastorale for oboe and
piano (1939) and
New-Orléans for
bass saxhorn and piano
(1944). During his stay a
few years earlier at the
Villa Medici in Rome
(1936), Bozza had written
his Aria Pour Saxophone
Alto Et Piano ' a free
adaptation of the third
movement of Johann
Sebastian Bach's Organ
Pastorale in F major BWV
590. This expansive and
nostalgic melody, which
unfolds over a regular
meter, has become one of
the most widely played
SaxoEphone pieces in the
world. Having enjoyed
such success,
Éditions Leduc has
decided to supplement its
republication with an
audio version that will
enable saxoEphonists to
carry out 'full-scale'
practice.&rdquo.
A
Poem for Orchestra.
Composed by Samuel Adler.
This edition: Small
Score. Premiere: Las
Vegas Philharmonic,
conducted by David Itkin.
Contemporary. Full score.
With Standard notation.
Composed 2010. Duration 8
minutes. Theodore Presser
Company #416-41587.
Published by Theodore
Presser Company
(PR.416415870).
By William Owens. Intermediate Wind Band/Ensemble. FJH Developing Band. Score on...(+)
By William Owens.
Intermediate Wind
Band/Ensemble. FJH
Developing Band. Score
only. Full set (score and
parts) also available:
B1349. Concert Band.
Level: Grade 1.5. Score.
Composed 2007. Published
by The FJH Music Company
Inc.
Ross Roy Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0971085-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0971085-020
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-020. Published by
De Haske Publications
(BT.DHP-0971085-020).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy
is de naam van de
monumentale villa in
Brisbane (Australië)
waar in 1945 het St.
Peters Lutheran College
is gesticht. In opdracht
van het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen. De structuur
en discipline van de
school horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een schertsende,
humoristische versie van
het hoofdthema ontbreekt
niet: op school moet
immers ook tijd zijn voor
vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke apotheose.
Ross Roy
ist der Name einer
monumentalen Villa in
Brisbane, Australien, in
der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.