By Don Besig and Nancy Price. For Opt. Flute. (SSA). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Patrick M. Liebergen. For Flute. Sheet Music. Published by Shawnee Press.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By Daniel Kallman. Words by Sara Teasdale. For SSA Choir and Flute. Sheet Music. Published by Mark Foster Music.

By Henry Purcell. Arranged by Patrick M. Liebergen. For Opt. 2 Flutes. (SSA). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Chester L Alwes. For SSA choir and flute. Janet Galvan Roots and Wings. Christmas, Sacred. Octavo

3-Part Mixed Choral (3-Part Mixed choir)

SKU: HL.1113576

Composed by Andrew Parr. Shawnee Press. Concert, Poetry. Octavo. Duration 135 seconds. Published by Shawnee Press (HL.1113576).

ISBN 9781705179420. UPC: 196288104889. 6.75x10.5x0.029 inches.

This Wilcox poem mysteriously describes, like a riddle, a locomotive as if it's a living being of flesh and blood. Parr's setting is perfect to create and hold interest of young singers using a minor key, dynamic contrast, and interesting, rhythmic writing. A solid teaching and performance piece for any time of year.

By Mark Patterson. For SAB choir, keyboard and optional flute. Thanksgiving. Augsburg Choral Library. Anthem. Published by Augsburg Fortress.

Arranged by Patrick M. Liebergen. For Opt. Flutes. (SAB). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 16 pages. Published by Alfred Publishing.

By Michael John Trotta. For SSA choir, Optional Flute. Octavo. 16 pages. Published by Carl Fischer

Composed by Ola Gjeilo. For Choral, Flute (SSA). Walton Choral. 16 pages. Walton Music #WW1551. Published by Walton Music

By Hal H. Hopson. Arranged by Emily Lund. For SAB choir with optional flute. Choral music. Advent, Hymntune, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

By Anthony Petti. For SAB Choir. Sacred, Renaissance. Sheet Music. 48 pages. Published by Chester Music.

By Andrew Miller. For SAB choir, piano, violin (flute). Concert. Octavo. Published by Santa Barbara Music Publishing

By Various. Edited by Kircher, Armin. Hymns, Mass Sections, Psalms, German; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Easter and Eastertide, Christmas. Choral collection. 128 pages. Published by Carus Verlag (German import).

By Don Besig, Kupferschmid. For Flute. General Repertory, Secular, Graduation. Sheet Music. Published by Shawnee Press.

By Andy Beck and Ben Cohn. For Opt. Flute. (SAB). Choral Octavo. Jewish Heritage, Jewish. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Don Besig and Nancy Price. For Opt. Flute. (3-Part Mixed). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

White waves on the water by Bob Chilcott. For double SSA choir, piano and flute. Upper Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 3'. Published by Oxford University Press

3-part mixed choir

SKU: LO.15-1836H

Composed by Ruth Elaine Schram. Arranged by Linda Marcus. Choral. General, Secular Christmas. Octavo. Heritage Music Press #15/1836H. Published by Heritage Music Press (LO.15-1836H).

UPC: 000308069785.

The quiet, reflective aspects of winter and all its beauty are described both musically and textually.

SSA Choral (SSA/FLUTE)

SKU: HL.1312745

Arranged by Cristi Cary Miller. Choral Exploration. Octavo. Duration 135 seconds. Published by Hal Leonard (HL.1312745).

ISBN 9798350109610. UPC: 196288177845.

Arran ging a beloved traditional song can be a difficult task, as one must walk a delicate tightrope - add fresh appeal, but not to the point of obscuring the song's simplicity and raw, authentic humanity. Cristi Cary Miller passes this test with flying colors, turning out a delightful rendition of the Tyneside folk song â??The Keel Row.â? Alive with dancing rhythms and frolicking counterpoint, with an optional flute part to add sparkle.

Adeste Fideles by Greg Gilpin. For 3-part mixed, descant, piano, flute, orchestral bells, hand drum. Christmas. Octavo. Published by Heritage Music Press