Arranged by Kirby Shaw.
Choir Sacred. 3-Part
Mixed
Choir (SAB). Choral
Octavo.
Choral Designs.
Christmas;
Jazz; Sacred;
Traditional;
Winter. 12 pages.
Published
by Alfred Music
SAB Choir - Moderately Easy SKU: WD.080689051494 A Cowboy Christmas(+)
SAB Choir - Moderately
Easy
SKU:
WD.080689051494
A
Cowboy Christmas.
Composed by Robert
Sterling. Choral,
cantatas. Christmas.
Book. Duration 45'00.
Word Music #080689051494.
Published by Word Music
(WD.080689051494).
UPC:
080689051494.
From
the days of the Old West
comes this modernized
version of the Christmas
story, set in the little
town of Bethlehem in the
Wyoming Territory. In
this unconventional
telling of the ageless
story of Jesus' birth,
old Doctor Lucas
Trotter--or just plain
Doc to his
friends--introduces the
angel Gabriel, a six-gun
totin' masked man dressed
in white, as Gabriel
tells Mary and Joseph the
good news. From there,
the stable becomes a
livery stable, the
shepherds become a rowdy
bunch of lonesome cowboys
working their herd on the
plains, and the angels
become a heavenly posse.
For Unto
Y'all obviously
uses a great deal of
humor, but it doesn't
exist just for
laughs--the message of
Christmas comes through
loud and
clear.
Featuring
timeless music arranged
in a fresh country style
for youth or young adults
by the innovative Robert
Sterling, For Unto
Y'all offers a
chance for youth groups
to don their western duds
and drawl and dive into
something fresh and
different, delivering a
taste of the Old West and
a touch of the Old but
Ageless story of
Christmas.
Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. 3-Part ...(+)
Composed by Alice Jean
Cleator, music by Donald
Moore. Choir Sacred.
3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Sacred;
Winter. 8
pages. Published by
Alfred
Music
Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. Women...(+)
Composed by Alice Jean
Cleator, music by Donald
Moore. Choir Sacred.
Women's
Choir. Choral Octavo.
Choral
Designs. Christmas;
Sacred;
Winter. 8 pages.
Published
by Alfred Music
Choral SSA choir, piano SKU: CF.CM9772 Composed by Greg Gilpin. Duration ...(+)
Choral SSA choir, piano
SKU: CF.CM9772
Composed by Greg Gilpin.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CM9772. Published
by Carl Fischer Music
(CF.CM9772).
ISBN
9781491164433. UPC:
680160923335. Key: G
major. English. Words
adapted from Angels from
the Realms of Glory by
JAMES MONTGOMERY
(1771-1854).
I've
always enjoyed
celebratory and rhythmic
singing. I also know
there's a need for this
style in treble voices.
The holiday season is a
perfect time to create
such a work.The text of
The Angels' Gloria is
based on the familiar
Montgomery hymn with
original music. This work
can be easily be done as
a call and answer or
antiphonal setting. Try
using it as a
processional, too.
Hearing the voices
surround the audience is
always exciting for
everyone and a superb
teaching and learning
experience.The
accompaniment is
intentionally simple and
bell-like, supporting the
three-part harmonies.
I've also created a
B-section that is a
cappella in full
three-part singing, rich
and full giving lots of
contrast to the
piece.There is so much
good teaching throughout
the piece, making for
interesting rehearsals
and a terrific
performance piece. I hope
this adds just the right
sparkle for your
Christmas or holiday
program.—Greg
Gilpin.
SAB choir, cantor, assembly, presider with keyboard accompaniment SKU: GI.G-7...(+)
SAB choir, cantor,
assembly, presider with
keyboard accompaniment
SKU: GI.G-7846CD
Revised Order of Mass
2010. Composed by
Steven R. Janco. Mass.
Sacred. CD. GIA
Publications #7846CD.
Published by GIA
Publications
(GI.G-7846CD).
UPC:
785147784623. English.
Text Source: Revised
Order of Mass 2010,
Lectionary for
Mass
One of
GIA's best-selling
liturgical settings, Mass
of the Angels and Saints
provides the ultimate in
flexibility, while
retaining a wonderful
musical unity that will
enable your assembly to
sing it with ease. Many
options are provided to
encourage your creativity
in adapting the setting,
yet the writing is
straightforward and
accessible. Written for
SAB choir and optional
descant, these settings
provide both a
substantial choral sound
and greater accessibility
to smaller parish choirs
and ensembles.
Chorale 3 parties SSA A Cappella [Partition] Alfred Publishing
Joy: A Carol Collection (20 A Cappella Christmas Favorites). Arranged by Jay Alt...(+)
Joy: A Carol Collection
(20 A Cappella Christmas
Favorites). Arranged by
Jay Althouse. Choir
Secular. For SSA, a
cappella choir (Women's
Choir). Choral
Collection. Choral
Designs. Choral,
Christmas, Sacred and
Secular. Collection. 24
pages. Published by
Alfred Music Publishing
Composed by Michael and Angela Souders. Choir Secular. 3-Part Mixed Choir (SAB)....(+)
Composed by Michael and
Angela Souders. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Choral Designs.
Graduation; Patriotic;
Secular. 8 pages.
Published by Alfred Music
By Jester Hairston. Arranged by Joel Raney. For SAB choir or 3-part choir. Chora...(+)
By Jester Hairston.
Arranged by Joel Raney.
For SAB choir or 3-part
choir. Choral music.
Christmas, Devotion,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
Choral SSA Voices & Piano SKU: XC.SSA2302A Composed by Traditional Englis...(+)
Choral SSA Voices & Piano
SKU: XC.SSA2302A
Composed by Traditional
English Melody. Arranged
by Steve Parsons. Octavo.
Excelcia Music Publishing
#SSA2302A. Published by
Excelcia Music Publishing
(XC.SSA2302A).
6.75 x
10.5 inches.
A
sparkling setting of the
traditional text, but
with the alternate tune
predominantly used in the
British Isles, this
beautiful SSA arrangement
highlights the image of
soaring angels bending
near the earth to bring
their wondrous Christmas
message.
SAB choir and piano SKU: LO.10-5272S Composed by Jane Marshall. Arranged ...(+)
SAB choir and piano
SKU: LO.10-5272S
Composed by Jane
Marshall. Arranged by
Geoffrey Edwards. Choral.
Sacred Anthem. Octavo.
Sacred Music Press
#10/5272S. Published by
Sacred Music Press
(LO.10-5272S).
ISBN
9780787765217.
Jane
Marshall’s classic
setting of
Michelangelo’s
prayer has been arranged
by Geoffrey Edwards for
SAB voices and
accompaniment, making
this beloved anthem
accessible to smaller
choirs or those with
limited rehearsal
time.
A Winter Night Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
By David Waggoner. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Chora...(+)
By David Waggoner. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Winter. 8
pages. Published by
Alfred Music Publishing
Missa Angelica Chorale 3 parties SAB - Débutant GIA Publications
SAB choir - Beginning SKU: GI.G-RP26 With plainsong Creed, Gloria....(+)
SAB choir - Beginning
SKU: GI.G-RP26
With plainsong Creed,
Gloria. Composed by
Various. Royal School of
Church Music. Sacred.
Octavo. 12 pages. GIA
Publications #RP26.
Published by GIA
Publications (GI.G-RP26).
SAB choir, assembly, keyboard accompaniment, violin, cello, guitar - Early inter...(+)
SAB choir, assembly,
keyboard accompaniment,
violin, cello, guitar -
Early intermediate
SKU: GI.G-10431
Arranged by Tony Alonso
S.J. Christmastide,
Chirstmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day. Christmas. Tune
name: Gloria. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #10431.
Published by GIA
Publications
(GI.G-10431).
English,
Latin. Text Source:
Les anges dans nos
campagnes, French
carol, ca. 18th c., tr.
from Crown of Jesus
Music, London,
1862.
Composed by David Zippel and Cy Coleman. Arranged by Paris Rutherford. Jazz Ch...(+)
Composed by David Zippel
and
Cy Coleman. Arranged by
Paris
Rutherford. Jazz Chorals.
Broadway, Musicals, Vocal
Jazz. Octavo. 8 pages.
Published by Hal Leonard
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Everlasting Light Chorale 3 parties SAB, Piano Lorenz Publishing Company
SAB choir and piano SKU: LO.65-2103L Composed by Jay Rouse, Larry Shackle...(+)
SAB choir and piano
SKU: LO.65-2103L
Composed by Jay Rouse,
Larry Shackley, Lloyd
Larson, and Mary
McDonald. Choral,
cantatas. Advent,
Christmas, Sacred. Choral
score. Lorenz Publishing
Company #65/2103L.
Published by Lorenz
Publishing Company
(LO.65-2103L).
ISBN
9780787767044.
From
the collaborative efforts
of Lloyd Larson, Mary
McDonald, Jay Rouse, and
Larry Shackley,
Everlasting Light
showcases the profound
significance of the light
of Christ come to earth.
An insightful narration
by Rose Aspinall
incorporates scripture
and personal reflection
to tie together the
compelling combination of
powerful original music
and beloved carols. Mary
McDonald’s
celebratory opener,
Everlasting Light, acts
as the cornerstone of the
work. Larry
Shackley’s Longing
for the Light beautifully
portrays a yearning for
restoration; Jay Rouse
offers a stirring
original song with words
inspired by Mary’s
Songs of Praise found in
Luke 1:44-56; and Lloyd
Larson’s Shepherds
and Angels adds rhythmic
and joyful energy. The
work concludes with a
robust medley of carols
that points back to the
opening song: He is the
Light, Everlasting Light;
born a Savior, born this
night. He is the One, the
Everlasting Son; Child of
heaven, He is the
Light!.
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.