Composed by Robert Lamm [Chicago]. Arranged by Eric Van Cleave. Choir Secular. S...(+)
Composed by Robert Lamm
[Chicago]. Arranged by
Eric Van Cleave. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Rock; Secular. 16
pages. Published by
Alfred Music
(Featuring: Theme from New York, New York / Walking to New Orleans / My K...(+)
(Featuring: Theme from
New York, New York
/ Walking to New Orleans
/ My Kind of Town
(Chicago Is) / Hooray for
Hollywood). Arranged by
Greg Gilpin. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Choral Octavo. 24
pages
(Featuring: Theme from New York, New York / Walking to New Orleans / My K...(+)
(Featuring: Theme from
New York, New York
/ Walking to New Orleans
/ My Kind of Town
(Chicago Is) / Hooray for
Hollywood). Arranged by
Greg Gilpin. Choir
Secular. 2-Part Choir;
Women's Choir. Choral
Octavo. Pop Choral.
Choral Octavo. 24 pages
By Fred Ebb, music by John Kander. Arranged by Larry Shackley. Choir Secular. SA...(+)
By Fred Ebb, music by
John Kander. Arranged by
Larry Shackley. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Broadway. 12
pages. Published by
Alfred Music Publishing
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Sonnet 73 Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312418720 For SATB Chorus, a cappella...(+)
Choral SATB choir, piano
SKU: PR.312418720
For SATB Chorus, a
cappella. Composed by
Shulamit Ran. Sws.
Premiered by University
of Chicago Rockefeller
Chapel Choir, James
Kallembach, Music
Director; original male
choir version premiered
by Cornell University
Glee Club, Scott Tucker,
Music Director. Choral.
Performance Score. With
Standard notation.
Composed 2011. 12 pages.
Duration 5 minutes.
Theodore Presser Company
#312-41872. Published by
Theodore Presser Company
(PR.312418720).
ISBN
9781598066708. UPC:
680160619337. Letter
inches. English. Text:
William Shakespeare.
William Shakespeare. Text
by William
Shakespeare.
In
2011, the Cornell
University Glee Club
premiered Shulamit
Ran’s SONNET 73 in
its original voicing for
men’s chorus,
which they commissioned.
The following year, Ran
made this S.A.T.B.
adaptation of her tender
choral setting of
Shakespeare’s 73rd
sonnet, commissioned and
premiered by the
University of Chicago
Rockefeller Chapel Choir,
presented here in a
full-size open score plus
rehearsal piano
reduction.
SATB choir, assembly, organ accompaniment, 2 trumpets in B-flat, 2 trombones, ti...(+)
SATB choir, assembly,
organ accompaniment, 2
trumpets in B-flat, 2
trombones, timpani,
cymbal
SKU:
GI.G-008623
Composed
by Ralph Vaughan
Williams. Arranged by
Steven R. Janco. Easter,
OT 5 Year B, OT 29 Year
A, OT 8 Year B, OT 28
Year A, OT 26 Year B, OT
23 Year B, OT 21 Year A,
OT 20 Year A, easter 4
Year C, OT 11 Year A.
Sacred. Octavo. 24 pages.
GIA Publications #008623.
Published by GIA
Publications
(GI.G-008623).
UPC:
641151086231. Text by
Herman G. Stuempfle,
Jr.
This fine piece
couples the stately tune
SINE NOMINE with a new
text. This text,
commissioned for the
sesquicentennial year of
the Archdiocese of
Chicago, speaks
eloquently of the nature
of the church and its
mission. The setting was
first used for the
Archdiocese's Liturgy by
the Lake celebrated in
Chicago's Grant Park in
August of 1994. This
setting is suitable for
festive celebrations:
Chrism Masses,
ordinations or
commisionings, parish
anniversaries, church or
altar dedications,
diocesan celebrations,
etc. Since the tune is
traditionally coupled
with William Walsham
How's For All the Saints,
six verses of that hymn
have been provided
throughout the score as
an alternate text.
Amen/Alleluia Chorale SATB SATB divisi, A Cappella [Octavo] Novello & Co Ltd.
(SATB divisi a cappella). By John McCabe (1939-). For Choral (SATB DV A Cappella...(+)
(SATB divisi a cappella).
By John McCabe (1939-).
For Choral (SATB DV A
Cappella). Music Sales
America. Octavo. 26
pages. Novello and Co
Ltd. #NOV293128.
Published by Novello and
Co Ltd.
Revelation 19 Chorale SATB SATB [Octavo] Hope Publishing Company
By Lavalley. Arranged by Jack Schrader. For Choir. (Satb). Blues/Gospel, Genera...(+)
By Lavalley. Arranged by
Jack Schrader. For Choir.
(Satb). Blues/Gospel,
General Worship, God's
Attributes/Character,
Gospel, Praise,
Blues-Gospel-Spirituals,
Contemporary and Sacred.
Print Music Single
(SATB). Published by Hope
Publishing Company.
Arranged by Gary Fry. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; ...(+)
Arranged by Gary Fry.
Choir Sacred. SATB choir.
Choral (Sacred); Choral
Octavo; Worship
Resources. Gary Fry
Choral Series. Christmas;
Sacred; Winter. 24 pages.
Published by Alfred Music
Publishing
By John Kander, lyrics by Fred Ebb. Arranged by Teena Chinn. For Choir. (SATB)....(+)
By John Kander, lyrics by
Fred Ebb. Arranged by
Teena Chinn. For Choir.
(SATB). Choral Octavo.
Pop Choral Series. Level:
Moderate (grade III).
Choral Octavo. 20 pages.
Published by Alfred
Publishing.
SATB choir, divisi, organ
accompaniment, oboe -
Advanced
SKU:
GI.G-6966
Commissioned for
Opening of AGO/2006
Convention. Composed
by Richard Proulx.
Choral. Choral. Sacred.
Octavo. 16 pages. GIA
Publications #6966.
Published by GIA
Publications (GI.G-6966).
English. Text Source:
From Native American
writings by Black Elk and
Chief Seattle, adapt.
RP.
Commissioned
for the Opening Service
of the Chicago AGO
National Conention, July
3, 2006.
Choir, Organ Accompaniment (SATB choir, Organ) SKU: HL.8752575 Composed b...(+)
Choir, Organ
Accompaniment (SATB
choir, Organ)
SKU:
HL.8752575
Composed
by William Bolcom.
Choral. Classical,
Sacred. Octavo. 44 pages.
Published by Edward B.
Marks Music (HL.8752575).
ISBN 9781458414380.
UPC: 884088545116. 8.5x11
inches.
Commissione
d by the University of
Chicago for the
rededication of its E.M.
Skinner organ in
Rockefeller Chapel in
2008, William Bolcom's
setting of the same
famous text set by Handel
in the 18th century
explores the many sounds
of the organ and responds
to the musical esprit
found in Dryden's poem.
Text by John Dryden. ca.
16 minutes.
SATB choir a cappella - Intermediate SKU: MN.50-6610 Composed by Robert A...(+)
SATB choir a cappella -
Intermediate
SKU:
MN.50-6610
Composed
by Robert A. Harris.
Washington National
Cathedral Series.
Benediction/Sending.
Octavo. MorningStar Music
Publishers #50-6610.
Published by MorningStar
Music Publishers
(MN.50-6610).
UPC:
688670566103.
Chica
go composer Robert A.
Harris composed this
short piece to honor the
legacy and retirement of
Dr. Frederick Swann, who
served for many years as
Director of Music at the
Crystal Cathedral in
Garden Grove, California.
Set in a straightforward
fashion, this setting
amplifies a beautiful and
well-known text.
Jonathan Miller: A Tickle Chorale SATB SATB A Cappella [Octavo] - Intermédiaire/avancé Hinshaw Music Inc.
By Jonathan Miller. Arranged by Jonathan Miller. Text: Jonathan Miller. For SATB...(+)
By Jonathan Miller.
Arranged by Jonathan
Miller. Text: Jonathan
Miller. For SATB Choir.
(A Cappella). Secular. 8
pages. Duration 1 min, 31
sec. Published by Hinshaw
Music Inc. Level:
Medium Advanced Adult.
SATB choir, piano accompaniment - Intermediate SKU: GI.G-9958 Composed by...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-9958
Composed by
Wayland Rogers. Children.
Global Encounters for
Young Choirs. Music
Education. Octavo. 12
pages. GIA Publications
#9958. Published by GIA
Publications (GI.G-9958).
UPC: 785147995807.
English. Text Source:
From I Loved You
First, Christina
Rossetti, 1830-1894, alt.
Text by Christina
Rossetti.
 The
English Romantic poet,
Christina Rossetti
(1830–1894), is
chiefly known for her
mystic religious lyrics.
Her limited number of
love poems are mostly of
an unhappy nature, rather
like objective
expressions of happiness
denied. A certain steely
stoicism within her
caused her to turn away
from love twice in her
lifetime with two
separate men. There is no
evidence of resolute
refusal of love in this
poem, however. Here she
profusely proclaims her
deep love for another.
Wayland Rogers has set
the last five lines of I
Loved You First to music.
The setting is an excerpt
from his song cycle,
I-Thou , which was
commissioned and
premiered by Fourth Coast
Ensemble in Chicago in
2018. About the
Series: Doreen
Rao, 2019 Robert Shaw
Award recipient, launches
her culturally inclusive
choral series, Global
Encounters for Young
Voices, featuring
accessible treble- and
mixed-voice works for
developing choirs.
SATB choir; rhythm SKU: HP.C5309R Composed by Lavalley. Arranged by Jack ...(+)
SATB choir; rhythm
SKU: HP.C5309R
Composed by Lavalley.
Arranged by Jack
Schrader. Spirituals &
Gospel, Contemporary
P&W, General Worship,
God's
Attributes/Character,
Gospel, Adoration &
Praise, Sacred. Rhythm
Parts. Hope Publishing
Company #C5309R.
Published by Hope
Publishing Company
(HP.C5309R).
UPC:
763628253097. By Jeffrey
LaValley.
African-A
merican gospel song by
Jeffrey LaValley
This popular Jeffrey
LaValley song grew out of
the African American
gospel traditions of
various local churches in
the Chicago and Detroit
areas. New for this year,
the improvisational piano
accompaniment has been
augmented with a newly
recorded rhythm track. A
best-seller in SATB, this
soulful worship
experience is now
available in SAB setting,
perfect for smaller
choirs. The Rhythm packet
contains parts for
Guitar, Bass, Drums &
Synth.
By Fred Ebb and John Kander. Arranged by Ed Lojeski. For SATB chorus and piano a...(+)
By Fred Ebb and John
Kander. Arranged by Ed
Lojeski. For SATB chorus
and piano accompaniment
(SATB). Hal Leonard
Broadway Choral.
Broadway. Octavo. Chord
names. 40 pages.
Published by Hal Leonard
. Octavo. Broadway.