Hymn to the Spirit Chorale SATB SATB divisi [Octavo] - Intermédiaire MorningStar Music Publishers
Hymn to the Spirit. (From Christus: A Cycle of Hymns for Choir and Viola). By Jo...(+)
Hymn to the Spirit. (From
Christus: A Cycle of
Hymns for Choir and
Viola). By John Ferguson.
For SATB choir divisi,
viola, clarinet.
Pentecost. Moderately
Difficult. Octavo. 12
pages. Published by
MorningStar Music
Publishers
Beach Chorale SATB SATB divisi [Conducteur et Parties séparées] Oxford University Press
By Bob Chilcott. For SATB choir (with divisions) and viola obbligato. This editi...(+)
By Bob Chilcott. For SATB
choir (with divisions)
and viola obbligato. This
edition: BC111. Mixed
Voices. Secular Choral
Leaflet. Vocal (full)
score and viola part. 16
pages. Duration 6'
Flos campi Chorale SATB [Partie séparée] Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SA...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Julian Rushton.
For SATB choir
(wordless), viola solo,
and orchestra
(flute/piccolo, oboe,
clarinet, bassoon, horn,
trumpet, 2 percussion,
celeste, strings). Level
D (difficult). Viola
Part. 16 pages. Duration
18 minutes. Published by
Oxford University Press
By Hal H. Hopson. For organ or piano, optional violin, viola, or cello (SATB cho...(+)
By Hal H. Hopson. For
organ or piano, optional
violin, viola, or cello
(SATB choir). Choral.
Confirmation,
Commitment/Discipleship,
Lent, General. Moderately
Easy. Octavo. 11 pages.
Published by MorningStar
Music Publishers
Flos campi Chorale SATB [Vocal Score] Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SA...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Julian Rushton.
For SATB choir
(wordless), viola solo,
and orchestra
(flute/piccolo, oboe,
clarinet, bassoon, horn,
trumpet, 2 percussion,
celeste, strings). Level
D (difficult). Vocal
score. 52 pages. Duration
18 minutes. Published by
Oxford University Press
Arranged by Larry Shackley. For Clarinet. (SATB). Hymntune, Classics, Hymntune ...(+)
Arranged by Larry
Shackley. For Clarinet.
(SATB). Hymntune,
Classics, Hymntune and
Sacred. Print Music
Single (SATB with
optional Clarinet or
Viola). 12 pages.
Published by Hope
Publishing Company.
(He Never Said a Mumbalin' Word). Composed by Robert Rhein. For SATB choir a cap...(+)
(He Never Said a
Mumbalin' Word). Composed
by Robert Rhein. For SATB
choir a cappella, soprano
voice solo or Section,
optional keyboard, viola.
Catholic Year C Good
Friday; Year C Good
Friday. Good Friday,
Lent, Holy Week/Three
Days, Spiritual.
Moderately Easy to
Medium. Choral score.
Published by MorningStar
Music Publishers
This
edition: Loose-Leaf.
Songbook. Multicultural
and Sacred. Part book.
Published by Lillenas
Publishing Company
(LP.OR-5012).
UPC:
765762139305.
Excel
lent for use as
accompaniment to 100
contemporary and
traditional choruses
found in MASTER CHORUS
BOOK II. Includes viola
part (alto clef) and a
substitute part for
violin three. Useable
with any combination of
instruments or with any
size of group,.
Healer Divine Chorale SATB SATB, Orgue [Octavo] GIA Publications
Composed by Raymond H Haan. For SATB choir, organ accompaniment, viola. OT 13 B....(+)
Composed by Raymond H
Haan. For SATB choir,
organ accompaniment,
viola. OT 13 B. Sacred.
Easy. Octavo. Text
language: English. 8
pages. Published by GIA
Publications
Sky Song Chorale SATB SATB, Orgue [Octavo] Augsburg Fortress
By Russell Schulz-Widmar. For SATB choir, organ accompaniment, clarinet or viola...(+)
By Russell Schulz-Widmar.
For SATB choir, organ
accompaniment, clarinet
or viola. Augsburg Choral
Library. Sacred,
Christmas. Octavo. 16
pages. Published by
Augsburg Fortress
By Johann Schop. Edited by David W. Music. Arranged by Johann Sebastian Bach. Fo...(+)
By Johann Schop. Edited
by David W. Music.
Arranged by Johann
Sebastian Bach. For
Voices: SATB.
Instruments: String
quartet (2 violins [or
oboe] viola, cello/bass),
B trumpet, continuo
(instruments optional).
Keyboard accompaniment.
Ars Antiqua Choralis
Series Sacred. Level:
easy. 7 pages. Published
by GIA Publications.
Mixed choir (SATB) and small orchestra (Viola) - intermediate SKU: HL.4900529...(+)
Mixed choir (SATB) and
small orchestra (Viola) -
intermediate
SKU:
HL.49005297
Nach
Spruchen aus 4
Jahrtausenden.
Composed by Diether De La
Motte. Sheet music.
Edition Schott.
Classical. Individual
part. Composed 1961. 4
pages. Duration 21'.
Schott Music #ED 4972-14.
Published by Schott Music
(HL.49005297).
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 3.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 3.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/13. Published by
Carus Verlag
(CA.3101813).
ISBN
9790007204860. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 4.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 4.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/14. Published by
Carus Verlag
(CA.3101814).
ISBN
9790007204877. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 2.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 2.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/12. Published by
Carus Verlag
(CA.3101812).
ISBN
9790007204853. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 1.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 1.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/11. Published by
Carus Verlag
(CA.3101811).
ISBN
9790007204846. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola solo 1-3.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Viola solo 1-3. Composed
1729. BWV 174. 16 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/14. Published by
Carus Verlag
(CA.3117414).
ISBN
9790007209674. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Viola. Composed 1729. BWV
174. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.174/16. Published by
Carus Verlag
(CA.3117416).
ISBN
9790007209698. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043714
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part, Viola
2. Composed 1640. SV. 2
pages. Duration 13
minutes. Carus Verlag #CV
40.437/14. Published by
Carus Verlag
(CA.4043714).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043715
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part, Viola
3. Composed 1640. SV. 2
pages. Duration 13
minutes. Carus Verlag #CV
40.437/15. Published by
Carus Verlag
(CA.4043715).
SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or ...(+)
SATB/SATB choir, 2
violins, 4 trombones (4
viola da gamba or 3
violas, cello or 2
violas, 2 violoncello),
basso continuo
SKU:
CA.4043713
Aus:
Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by David Blazey.
Arranged by Paul Horn.
German title: Magnificat
A 8 Voci Con 6
Istromenti. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part, Viola
1. Composed 1640. SV. 2
pages. Duration 13
minutes. Carus Verlag #CV
40.437/13. Published by
Carus Verlag
(CA.4043713).
Funeral
music. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Viola da
gamba 2. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
TVWV 4:17. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
39.139/13. Published by
Carus Verlag
(CA.3913913).
ISBN
9790007216184. Text
language:
German.
With the
final verse of the Book
of Daniel from the Old
Testament and a related
cantata text, Telemann
mourns the death of a
prominent, but until now
unknown dignitary in a
cantata marked by great
intimacy and with
exquisite
instrumentation. Jakob
Ditmar, the Kantor of the
Nikolaikirche in Berlin,
to whom we owe the
survival of this work,
contributed two beautiful
chorale settings for a
performance in 1757.
First critical edition of
this cantata. Score and
part available separately
- see item
CA.3913900.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. 1x
31.174/21 violin/oboe 1,
1x 31.174/22 violin/oboe
2, 1x 31.174/23 taille,
2x 31.174/31 horns 1 and
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/09. Published by
Carus Verlag
(CA.3117409).
ISBN
9790007209636. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/19. Published by
Carus Verlag
(CA.3117419).
ISBN
9790007187248. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Organ. Composed 1729. BWV
174. 16 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/49. Published
by Carus Verlag
(CA.3117449).
ISBN
9790007209711. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Praise and thanks. Full
score. Composed 1729. BWV
174. 68 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/00. Published
by Carus Verlag
(CA.3117400).
ISBN
9790007171643. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the
cantata.