Concerto Elegia Flûte traversière et Piano [Reduction] Theodore Presser Co.
(For Flute And String Orchestra). Composed by Ellen Taaffe Zwilich (1939-). For ...(+)
(For Flute And String
Orchestra). Composed by
Ellen Taaffe Zwilich
(1939-). For flute with
piano reduction.
Contemporary. Solo Part
with Piano. Standard
Notation. Composed 2014.
Duration 16 minutes.
Theodore Presser Company
#144-40626. Published by
Theodore Presser Company
Version Pour Flute Et Piano (Solistes) Et Piano (Reduction D'Orchestre) (Vers...(+)
Version Pour Flute Et
Piano (Solistes) Et Piano
(Reduction D'Orchestre)
(Version for Flute and
Piano (Soloists) and
Piano (Orchestra
Reduction)). Composed
by Germaine Tailleferre
(1892-1983). Edited by
Philippe Bernold. This
edition: Originally for
Flute and Piano Soloists,
String Orchestra, Timpani
and Harp. The French
Flutists Propose
(collection Philippe
Bernold). Score and
part(s). With Standard
notation. 41 + 8 + 18
pages. Duration 14
minutes. Gerard Billaudot
Editeur #GB7342.
Published by Gerard
Billaudot Editeur
(PR.524085280).
(Pour Flute Et Orchestre A Cordes - (for Flute and String Orchestra)). By Pierre...(+)
(Pour Flute Et Orchestre
A Cordes - (for Flute and
String Orchestra)). By
Pierre-Philippe Bauzin.
For Flute, Piano. This
edition: reduction for
flute and piano.
Collection Association
Jean-Pierre Rampal.
Reduction for flute and
piano. Duration 20
minutes. Published by
Gerard Billaudot Editeur
Three Dances Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114419480 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114419480
For
Flute and Piano.
Composed by Gary
Schocker. Sws. Set of
Score and Parts. 20+8
pages. Duration 8:30.
Theodore Presser Company
#114-41948. Published by
Theodore Presser Company
(PR.114419480).
ISBN
9781491131428. UPC:
680160677313. 9 x 12
inches.
Gary
Schocker’s THREE
DANCES FOR TWO FLUTES has
long been a staple of the
flute repertoire –
in its original voicing
with piano, as well as in
transcriptions with
string orchestra or band
accompaniment, for alto
saxophone duo with piano,
and even in the
composer’s flute
quartet version of the
famous Coffee Nerves
movement. Schocker has
arranged THREE DANCES for
one solo flute with
piano, incorporating all
of the original
work’s
counterpoint, beauty, and
spice, into this
practical and concise
instrumentation.
Suite for Flute, Piano and String Orchestra Flute and Piano Reduc. Composed ...(+)
Suite for Flute, Piano
and
String Orchestra Flute
and
Piano Reduc. Composed by
Jon
Lord. Woodwind Solo.
Classical. Softcover. 88
pages. Duration 1740
seconds.
Schott Music #ED22755.
Published by Schott Music
Flute and piano reduction SKU: FG.55011-131-8 Composed by Paavo Heininen....(+)
Flute and piano reduction
SKU:
FG.55011-131-8
Composed by Paavo
Heininen. Score and part.
Published by Fennica
Gehrman (FG.55011-131-8).
ISBN
979-0-55011-131-8.
Small orchestra, strings,
some wind, and harp - in
no other work of mine is
a harp so central. No way
could I paint heavy
battle scenes. Pastoral
rather than aggressive,
writes Heininen about his
concerto.
Flute and piano SKU: FG.55011-240-7 Composed by Harri Wessman. Published ...(+)
Flute and piano
SKU:
FG.55011-240-7
Composed by Harri
Wessman. Published by
Fennica Gehrman
(FG.55011-240-7).
ISBN
9790550112407.
Easy
flute pieces. The
accompaniment is also
available as a string
orchestra arrangement by
the composer. 1.
Triplets, 2. Legato, 3.
Figuration, 4. The Flight
of the Mosquito, 5.
Double-tongue March.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
For Flute and Piano. Composed by James Galway. Arranged by David Overton. Sout...(+)
For Flute and Piano.
Composed
by James Galway. Arranged
by
David Overton. Southern
Music. Concert.
Softcover. 16
pages. Southern Music
Company
#B586. Published by
Southern
Music Company
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (F...(+)
Flute and Piano (Score)
SKU: HL.14008426
Strathclyde Concerto
No. 6 (Flute Part).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Classical.
Book [Softcover].
Composed 1999. 60 pages.
Chester Music #CH61024.
Published by Chester
Music (HL.14008426).
ISBN
9780711942042.
The
solo flute here is kept
in high profile by the
absence from the
orchestra not only of
other flutes, but also of
violins and oboes; in
addition, the trumpets
are used sparingly (they
do not, for instance,
play in the slow
movement), so that for
much of the time the
flute is playing against
a mellow ensemble of
clarinets, horns,
bassoons and low strings.
If this is, nevertheless,
one of Davies's most
open-spirited pieces,
that comes partly from
the ready flights of the
soloist, partly from its
glockenspiel
accompaniments in the
outer movements (replaced
by ticking claves in the
Adagio), partly from the
dancing character of so
much of the music, and
partly from the harmonic
clarity, in a light
region not far from C
minor. Flute part with
piano reduction of the
orchestral score.
Chamber Music flute, piano SKU: PR.144407330 Composed by Samuel Zyman. Sw...(+)
Chamber Music flute,
piano
SKU:
PR.144407330
Composed
by Samuel Zyman. Sws. Set
of Score and Parts. 24+12
pages. Duration 18
minutes. Merion Music
#144-40733. Published by
Merion Music
(PR.144407330).
ISBN
9781491134290. UPC:
680160684663. 9 x 12
inches.