Violin & Orchestra

SKU: SU.29110030

For Violin & Orchestra. Composed by Wynton Marsalis. Strings, Violin, Orchestra. Study Score. Subito Music Corporation #29110030. Published by Subito Music Corporation (SU.29110030).

Study Score (9x12). Also available: Full Size conductor's score (11x17) - cat #29110031solo vn; 3(1) 3(1) 3(2eb, bcl) 3(1); 4331; timp, 4perc, hp; stgs Duration: 40' Composed: 2015 Published by: Skayne's Music Performance materials available on rental only:.

Violin & Orchestra

SKU: SU.28100040

For Violin & Orchestra. Composed by Alan Fletcher. Strings, Violin. Accompanied by orchestra, Concerto. Study Score. Subito Music Corporation #28100040. Published by Subito Music Corporation (SU.28100040).

Commissioned by Daniel Hope, the Zurich Chamber Orchestra, New Century Chamber Orchestra, and Savannah FestivalViolin & Orchestra [solo vn; 0100; 2000; stgs] Duration: 26' Composed: 2017 Published by: Distributed Composer Also available: Solo part with piano reduction (Cat #28100041) Performance materials available on rental only:.

By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

For Solo Violin and Orchestra. Composed by Grigoras Dinicu / Jascha Heifetz. Arranged by Adolf Schmid. Full score (large). With Standard notation. Carl Fischer #CY00212F. Published by Carl Fischer (CF.CY212F).

Composed by Antonin Dvorak (1841-1904). Edited by Iacopo Cividini. This edition: Urtext edition. Score. Published by Baerenreiter Verlag (BA.BA10422).

Concertos for Violin Study Score. By Pietro Antonio Locatelli. Study Score. 178 pages. Published by Eulenburg.

Concertos for Violin Study Score. By Pietro Antonio Locatelli. Study Score. 97 pages. Published by Eulenburg.

Solo Violin and Orchestra (V-solo,2Fl,2Ob,2Clar-iA, 2bassoon,2Hn,2Trp,Timp,2V ,Va,Vc,Db)

SKU: BA.TP00394

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Late version 1845. Study score. Opus 64. Duration 00:26:00. Baerenreiter Verlag #TP00394_00. Published by Baerenreiter Verlag (BA.TP00394).

ISBN 9790006203086. 22.5 x 16.5 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive / Sutcliffe, Richard.

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition ofSong without Words.

This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani.

The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding