Per Oboe, Fagotto, Pianoforte E Piccola Orchestra - Partitura. Par FERRERO LORENZO. / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Orchestre

Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre

Symphony. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Tuba, Timbal, Strings/ Répertoire / Orchestre

Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Englisch-horn, Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Strings/ Répertoire / Orchestre

Für Oboe Oder Fagott, Streichorchester Und Harfe. Par TAKACS JENO. Fg (Ob) Strorch Hf / Niveau : Assez Facile / Répertoire / Orchestre

Par MOZART WOLFGANG AMADEUS. Study Score format 22. 5cm x 16. 5cm. The Symphony No. 26 In E-Flat, K. 184 (166a) was probably written in Salzburg in March 1773. Scored for Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Strings. Available for sale full score & performance material (BA4744) and study score (TP72). The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding aswell as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices./ Répertoire / Orchestre

Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), English-horn, Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Harp, Strings/ Répertoire / Orchestre

Für Oboe Oder Fagott, Streichorchester Und Harfe. Par TAKACS JENO. Fg (Ob) Strorch Hf / Niveau : Assez Facile / Répertoire / Orchestre

Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Joseph Haydn. Edited by Hubert Unverricht. For Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum. Score; Urtext Edition (paperbound). Hob. I:104. Duration 40'. Published by Baerenreiter-Ausgaben (German import). (BA4668 01) ISBN M006498253./ Répertoire / Orchestre

Cello, Oboe, Viola, Violin and Orchestra. Par BACRI NICOLAS. / Répertoire / Orchestre

F major. Par DVORAK ANTONIN. Flute (2), Oboe (2), Clarinet in b-minor (2) (bass clarinet), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Strings/ Répertoire / Orchestre

FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre

Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. Par TELEMANN GEORG PHILIPP. Following the principles of the edition, the volume contains a segment of 12 contiguous pieces of church music from a single cycle. They are excerpted from the so-called 'Sicilian Cycle” and consist of the compositions for the 7th - 18th Sundays after Trinity (except the 11th Sunday), the music for which is no longer extant) plus the feast of Michaelmas. The pieces in the cycle reveal elements attributed to the music of southern Italy, which occur in at least one movement of each work. Among these elements are pastoral instrumentation, with oboes and occasionally recorders, and the melodious writing of the arias, all embedded in a translucent texture. The cycle was written for the ducal court in Eisenach, where Telemann was titular chapel-master. It cannot be precisely dated, but the period of composition can be narrowed down between 1717 and 1721. The underlying words, printed as an annual cycle in 1720, stem from the singer, instrumentalist and later Eisenach court secretary Johann Friedrich Helbig. A Foreword and Critical Commentary provide information on the genesis, sources and reception of this very widely disseminated cycle. Also included are facsimiles from the musical and textual sources and an edition of the underlying texts./ Répertoire / Orchestre

Telemann, Georg Philipp Gott der Hoffnung erfülle euch TVWV 1:634 Cantata for Whit Sunday In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch' for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang', also known as 'Das Harmonische Zion' or 'Italienischer Jahrgang' where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. ' Urtext edition based on 'Georg Philipp Telemann, Musical Works' ' Cantata for the first day of Whitsun ' Ideal for church services and concerts ' An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) Edition no.: BA 5898-90 ISMN: 9790006562688 Editor: Richter, Maik Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: VI, 21 S. - 27,0 x 19,0 cm