Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
Marching band - Grade 1 SKU: RM.MORG02965-BA Composed by C Morgan. Arrang...(+)
Marching band - Grade 1
SKU:
RM.MORG02965-BA
Composed by C Morgan.
Arranged by Bernard
Defond. Marching band.
Orchestra. Full set.
Editions Robert Martin
#MORG02965-BA. Published
by Editions Robert Martin
(RM.MORG02965-BA).
Marching band - Grade 1 SKU: RM.MORG02965-CO Composed by C Morgan. Arrang...(+)
Marching band - Grade 1
SKU:
RM.MORG02965-CO
Composed by C Morgan.
Arranged by Bernard
Defond. Marching band.
Orchestra. Conductor's
score. Editions Robert
Martin #MORG02965-CO.
Published by Editions
Robert Martin
(RM.MORG02965-CO).
Edition Eulenburg No.
1529. Composed by
Camille Saint-Saens. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1886.
Op. 78. 192 pages.
Duration 36'. Eulenburg
Edition #ETP1529.
Published by Eulenburg
Edition (HL.49046125).
ISBN 9783795712679.
UPC: 888680938956. 6.25x9
inches. Edition Eulenburg
No. 1529.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: BP.2142B Composed by Ryan Murphy. Arranged by Ryan Murphy....(+)
Orchestra
SKU:
BP.2142B
Composed by
Ryan Murphy. Arranged by
Ryan Murphy. Band &
orchestra. Orchestration.
Beckenhorst Press #2142B.
Published by Beckenhorst
Press (BP.2142B).
Full score and
parts for piccolo; flute
1 and 2; oboe 1 and 2;
clarinet in B-flat 1 and
2; bassoon 1 and 2; horn
in F 1, 2, 3 and 4;
trumpet in C 1 and 2;
trumpet in C 3 and 4
(optional); trombone 1, 2
and 3; tuba; timpani;
bass drum; suspended
cymbal; crash cymbal;
harp; optional organ;
violin 1 and 2; viola;
cello; double bass.
SKU: SU.00120043 Orchestra. CD Set (PDF Scores). CD Sheet Music #00120043...(+)
SKU: SU.00120043
Orchestra. CD Set (PDF
Scores). CD Sheet Music
#00120043. Published by
CD Sheet Music
(SU.00120043).
AVAILABLE FOR
SALE TO U.S. CUSTOMERS
ONLY Complete set of
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts for
The Orchestra Musician's
CD-ROM Libraryâ?¢,
Volumes 1-5, 7-12 [11
CD-ROMs]. Parts for over
700 orchestral works in
thestandard repertoire
from the 18th through
early 20th centuries. If
these parts were
purchased separately,
this collection could
cost several thousand
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 78,
No. 3. Baerenreiter
Verlag #BA07896.
Published by Baerenreiter
Verlag (BA.BA07896).
Composed by Munster
Gesangbuch. Arranged by
David S. Winkler. Large
Ensemble for Orchestra.
Easter. Psalm 150
#SA7005. Published by
Psalm 150 (DS.SA7005).
Standard
orchestral
instrumentation unlike
SA7004 where organ is a
necessity).
Full orchestra SKU: LO.30-3468H Composed by Mark Hayes. Major Work, Chris...(+)
Full orchestra
SKU:
LO.30-3468H
Composed
by Mark Hayes. Major
Work, Christmas, General.
Orchestral score.
Heritage Music Press
#30/3468H. Published by
Heritage Music Press
(LO.30-3468H).
UPC:
000308148558.
Inter
national Carol Suites
weaves together familiar
and lesser-known carols
in a thrilling and
multicultural celebration
of the season. Sing one
medley for a ten-minute
burst of Christmas joy,
or perform several for an
extended presentation of
carols from around the
world. This item includes
the conductor's score
only. Parts are available
separately, in print or
digital formats. (2 Fl
(Picc), Ob, Cl, Bsn, 2
Hn, Tpt, Timp, 2 Perc,
Harp, Pno, 2 Vln, Vla,
Cello, Bass, opt.
Organ).
Orchestra (Study Score) SKU: HL.51489053 (La Reine) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489053
(La Reine) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 51
pages. G. Henle #HN9053.
Published by G. Henle
(HL.51489053).
ISBN
9790201890531. UPC:
888680950651.
6.5x9.0x0.131 inches.
Preface: Ullrich
Schneidler.
Greeting Prelude for
String Orchestra.
Composed by Paul Basler.
Arranged by Kirk Moss.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Symphonic String
Orchestra. Light Concert;
Multicultural. Score and
Part(s). 128 pages.
Duration 4:12. Belwin
Music #00-47438.
Published by Belwin Music
(AP.47438).
UPC:
038081545387.
English.
Inspired
by the joyous optimism of
the Kenyan people, this
energetic greeting
prelude for string
orchestra will delight
performers and audiences
alike with its rhythmic
drive and
call-and-response echoes.
Paul Basler's
Kenyan-influenced
compositions use
call-and-response and
motivic manipulation as
organizational methods.
He reinforces specific
pitches by using them
frequently and stressing
them metrically and
rhythmically---using
syncopation, regrouping
of beats, and changing
meter.
Orchestra (Study Score) SKU: HL.51489051 (La Poule) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489051
(La Poule) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 50
pages. G. Henle #HN9051.
Published by G. Henle
(HL.51489051).
ISBN
9790201890517. UPC:
888680950583.
6.5x9.5x0.202 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489055 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489055
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9055.
Published by G. Henle
(HL.51489055).
ISBN
9790201890555. UPC:
888680950590.
7.0x9.0x0.25 inches.
Preface: Ullrich
Schneidler.
Greeting Prelude for
String Orchestra.
Composed by Paul Basler.
Arranged by Kirk Moss.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Symphonic String
Orchestra. Light Concert;
Multicultural. Score. 24
pages. Duration 4:12.
Belwin Music #00-47438S.
Published by Belwin Music
(AP.47438S).
UPC:
038081545394.
English.
Inspired
by the joyous optimism of
the Kenyan people, this
energetic greeting
prelude for string
orchestra will delight
performers and audiences
alike with its rhythmic
drive and
call-and-response echoes.
Paul Basler's
Kenyan-influenced
compositions use
call-and-response and
motivic manipulation as
organizational methods.
He reinforces specific
pitches by using them
frequently and stressing
them metrically and
rhythmically---using
syncopation, regrouping
of beats, and changing
meter.
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489054
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9054. Published
by G. Henle
(HL.51489054).
ISBN
9790201890548. UPC:
888680950606.
7.0x9.0x0.287 inches.
Preface: Ullrich
Schneidler.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Fata Morgana Orchestre [Set de Parties séparées] Doblinger
Polka-Mazurka (I 21/1). By Johann Strauss, Jr. Various concert music. For grand ...(+)
Polka-Mazurka (I 21/1).
By Johann Strauss, Jr.
Various concert music.
For grand orchestra.
(Piccolo,1,2,2,2 -
4,3,3,0 - Harp - Drum,
Percussion - Strings).
Orchestra set i(ncluding
strings 4,3,2,2,1 and one
of each wind parts). Op.
330. 90 pages. Published
by Doblinger (Austrian
import).
Orchestra SKU: PO.UME17S Composed by Anthony Ritchie. Perfect. Full score...(+)
Orchestra
SKU:
PO.UME17S
Composed by
Anthony Ritchie. Perfect.
Full score. Promethean
Editions #UME17S.
Published by Promethean
Editions (PO.UME17S).
ISBN
9781877564857.
Ritc
hie's expansive and
concept-heavy Symphony
No.2 sees insistent
quaver and semiquaver
rhythms organised into
jagged patterns, with
playfully syncopated
rhythmic interplay.
Thunderous percussion and
powerful brass evoke
destructive warfare,
turning to optimism in
celebration of human
progress, while tightly
twisting canonic lines,
infused with metaphorical
meaning, display
Ritchie's mastery of
counterpoint.
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489052
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Clothbound. Henle
Study Scores. Classical.
Softcover. 60 pages. G.
Henle #HN9052. Published
by G. Henle
(HL.51489052).
ISBN
9790201890524. UPC:
888680950682.
7.0x9.0x0.238 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Scor...(+)
Orchestra (Study Score)
SKU: HL.51489050
(L'ours) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9050. Published
by G. Henle
(HL.51489050).
ISBN
9790201890500. UPC:
888680950699.
7.0x9.0x0.251 inches.
Preface: Ullrich
Schneidler.
Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258196
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Bass Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258196.
Published by
LudwigMasters
Publications
(AP.36-A258196).
ISBN
9798892701891. UPC:
659359762505.
English.
Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra SKU: BT.MUSM570364817 Composed by Elisabeth Lutyens. TV-Film-Mu...(+)
Orchestra
SKU:
BT.MUSM570364817
Composed by Elisabeth
Lutyens.
TV-Film-Musical-Show.
Study Score. 50 pages.
University of York Music
Press #MUSM570364817.
Published by University
of York Music Press
(BT.MUSM570364817).
English.
Elisabe
th Lutyens ' music from
the film ' The Skull '
(1965). A3 conductor's
score. Instrumentation: 2
Flutes (doubling Alto
flute and Piccolo), 2
Clarinets (doubling Bass
clarinet and Contrabass
clarinet), 3 Horns, 3
Trombones, 2 Percussion,
Timpani, Harp, Piano,
Cimbalom, Organ, Violas
(divisi), Cellos
(divisi), Double
bass.
Viola Orchestra SKU: HL.49004427 Viola Part. Composed by George Fr...(+)
Viola Orchestra
SKU:
HL.49004427
Viola
Part. Composed by
George Frideric Handel.
Edited by Helmuth Walcha.
Sheet music. Edition
Schott. Classical.
Individual part. Op. 7/5.
4 pages. Duration 13'.
Schott Music #ED 3836-17.
Published by Schott Music
(HL.49004427).