Orchestra String Orchestra - 3 (grade 3)

SKU: AP.31596S

Composed by Gustav Holst. Arranged by Deborah Baker Monday. String Orchestra. Highland/Etling String Orchestra. 20th Century; Masterwork Arrangement; Romantic. Score. 16 pages. Highland/Etling #00-31596S. Published by Highland/Etling (AP.31596S).

UPC: 038081343129. English.

This lively march comes to us from one of Holst's most popular works, the First Suite in E flat for Military Band written in 1909. Two contrasting themes-a crisp, marcato in D and a lyrical, legato theme in G-thrill listeners. The powerful finale of the march, back in D, uses both melodies layered on top of one another. The lyrical section features the cellos and violas and all parts are interesting.

Composed by Gustav Holst (1874-1934). Arranged by Deborah Baker Monday. Orchestra. Masterworks; SmartMusic; String Orchestra. Highland String Orchestra. 20th Century; Masterwork Arrangement; Romantic. Grade 3. Conductor Score and Parts. 124 pages. Published by Highland/Etling

By Ante Grgin. For Viola and String Orchestra. Swiss import. Level: Grade 3+. Published by Editions Marc Reift. (EMR 13094)

By Giulio Caccini (1545-1618). For Violin and Strings. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift

Arranged by Jerome Naulais. For string orchestra and optional piano (organ). Grade 2. Score and parts. Published by Editions Marc Reift

Composed by George Gershwin (1898-1937). Swiss import. Published by Editions Marc Reift (MA.EMR-4803).

By Vangelis. Arranged by John G. Mortimer. For symphony orchestra. Swiss import. Grade 3 . Score and parts. Published by Editions Marc Reift

From ballet The Bewitched Love . Composed by Manuel de Falla (1876-1946). Arranged by Kadlec. Score and parts. Duration 4'00. Published by Editions Marc Reift (MA.EMR-30757).

By Giulio Caccini (1545-1618). For Violoncello and Strings. Swiss import. Grade 3. Score and parts. Published by Editions Marc Reift

By Jean-Baptiste Arban. Arranged by Jerome Naulais. For Trumpet and Strings. Swiss import. Original Composition. Grade 5. Score and parts. Published by Editions Marc Reift . Score and Parts. Original Composition.

By Ante Grgin. For Clarinet and String Orchestra. Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 4722)

Composed by Dennis Armitage. For string orchestra. Grade 2+. Score and parts. Published by Editions Marc Reift

By George Gershwin (1898-1937). Arranged by Jerome Naulais. For String Orchestra. Swiss import. Original Composition. Grade 3. Score and parts. Published by Editions Marc Reift

By Peter Ilyich Tchaikovsky. For flugel horn and string orchestra. Swiss import. Level: 4 . Score and parts. Published by Editions Marc Reift. (EMR 4562)

Arranged by Jerome Naulais. For String Orchestra. Swiss import. Grade 3.5. Published by Editions Marc Reift

Arranged by Jerome Naulais. For String Orchestra. Swiss import. Grade 3.5. Published by Editions Marc Reift

By George Gershwin (1898-1937). For string orchestra. Grade 2+. Score and parts. Published by Editions Marc Reift

Composed by Richard Wagner (1813-1883). For string orchestra. Grade 3. Score and parts. Published by Editions Marc Reift

By Ante Grgin. For Clarinet and String Orchestra. Swiss import. Level: Grade 3+. Published by Editions Marc Reift. (EMR 4719)

By Jean Daetwyler. For strings orchestra & percussion. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 4663)

RV 397. Composed by Antonio Vivaldi (1678-1741). Arranged by Kabat. Published by Editions Marc Reift (MA.EMR-22827).

Arranged by Jerome Naulais. Score and parts. Published by Editions Marc Reift (MA.EMR-19701).

By Franz Shubert. Arranged by Robert D. Mccashin. FJH String Orchestra. Schubert's March Militaire in D Major was originally composed for piano, 4 hands. It, along with two other march militaires (G and E-flat), is believed to have been written in the late summer or fall of 1818. Little else is known about these works, except that they are full of spontaneity and zest. Level: Grade 3. Published by The FJH Music Company Inc.

Composed by George Frideric Handel (1685-1759). Edited by J. Cameron Law. Arranged by Ronald Wilcott. For string orchestra. Grade 2. Score and set of parts. Duration 2 minutes, 10 seconds. Published by Grand Mesa Music

By Susan H. Day. Orchestra. String Orchestra. Highland String Orchestra. Grade 1.5. Conductor Score and Parts. 62 pages

By Elliot Del Borgo. For string orchestra (88555) with optional 3rd violin/viola TC (3) and piano. Playground String Orchestra Series. Grade 1.5. Score and set of parts. Duration 2 minutes, 40 seconds. Published by Kendor Music Inc Score and Parts

Arranged by Jamin Hoffman. Music for String Orchestra. Book only. Size 9x12 inches. Published by Hal Leonard.

Orchestra String Orchestra - 3 (grade 3)

SKU: AP.29730S

Composed by Edvard Grieg. Arranged by Carrie Lane Gruselle. String Orchestra. Highland/Etling String Orchestra. Form: March. Masterwork Arrangement; Romantic. Score. 12 pages. Duration 6:00. Highland/Etling #00-29730S. Published by Highland/Etling (AP.29730S).

UPC: 038081321349. English.

Here's a march that is so much more than a march! This celebratory concert piece contains enthusiastic fanfare, stately march, lyric melodies, rich harmonies, prominent rhythms and gentle pastoral moments. Shifting is required for violin 1, cello and bass, and optional shifting for viola. Students in all sections will experience the full spectrum of expressiveness in dynamics and bowings and will be challenged with intonation and rhythmic clarity. This might be the time to give your traditional graduation march a break! (6:00).

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS12

Composed by Carl Strommen. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS12. Published by Carl Fischer Music (CF.FAS12).

ISBN 9780825845062. UPC: 798408045067. 8.5 X 11 inches. Key: D major.

The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.