Composed by Manuel de
Falla/ Libretto by
Gregorio Martínez Sierra
and María Martínez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor Score
& Parts. Kalmus Ballet
Library. Score and
Part(s). LudwigMasters
Publications #36-A932890.
Published by
LudwigMasters
Publications
(AP.36-A932890).
UPC:
676737618148.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist María
Martínez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Manuel de
Falla/ Libretto by
Gregorio Martínez Sierra
and María Martínez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A932801.
Published by
LudwigMasters
Publications
(AP.36-A932801).
ISBN
9781638879886. UPC:
676737912154.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist María
Martínez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.