You Raise Me Up Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-140-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-140-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2011. 20 pages.
Music Sales #1891-12-140
MS. Published by Music
Sales
(BT.1891-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story nannte,
nach der Melodie des
irischen Traditionals
Danny Boy und bat
den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
You Raise Me Up Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-010-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-010-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Set (Score &
Parts). Composed 2011.
Music Sales #1891-12-010
MS. Published by Music
Sales
(BT.1891-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story
nannte, nach der
Melodie des irischen
Traditionals Danny Boy
und bat den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4003293 Composed by Mic...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4003293
Composed
by Michael Oare.
MusicWorks Grade 3.
Contest, Festival.
Softcover. 32 pages.
Duration 210 seconds.
Published by Hal Leonard
(HL.4003293).
UPC:
884088864217.
9.0x12.0x0.096
inches.
Written in
a driving fast tempo,
this exciting work by
Michael Oare incorporates
the metric grouping of
3+3+2 as a recurring
motif. At times
superimposing layers of
simple meter feel along
with more complex
patterns, Uproar
generates energy and
excitement while using a
variety of textures and
colors within the wind
and percussion sections.
An impressive-sounding
work for young players.
Dur: 3:30.
Concert Band - Grade 3 SKU: AP.WBCB9416C Composed by George Gershwin and ...(+)
Concert Band - Grade 3
SKU: AP.WBCB9416C
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Jerry Brubaker. Concert
Band; Masterworks;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Form: March. 20th
Century; Broadway; Great
American Songbook;
Standard. Score. 24
pages. Duration 2:30.
Belwin Music
#00-WBCB9416C. Published
by Belwin Music
(AP.WBCB9416C).
UPC:
029156084597.
English.
There's
something inside us that
'loves a parade,' and
George Gershwin's Strike
Up The Band moves the
pulse a bit quicker in
everyone. Jerry Brubaker
presents this playable,
yet sparkling version for
today's concert band or
wind ensemble. Rousing,
it is! (2:30).
Selections from Up Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Selections from Up by Michael Giacchino. Arranged by Michael Brown. Score and Pa...(+)
Selections from Up by
Michael Giacchino.
Arranged by Michael
Brown. Score and Parts.
Young Band (Concert
Band). Grade 3.
Softcover. Published by
Hal Leonard
Concert Band (Score) - Grade 2 SKU: HL.4007365 By Rick Astley. Arranged b...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4007365
By Rick
Astley. Arranged by Matt
Conaway. Discovery Plus
Concert Band. Pop.
Softcover. Duration 120
seconds. Published by Hal
Leonard (HL.4007365).
UPC: 196288015543.
9.0x12.0x0.025
inches.
Recorded by
Rick Astley in 1987, this
familiar rock hit has
remained popular due in
part to its prank value!
Whether you choose to
Rick-Roll your audience
or just play it for fun,
this is guaranteed to
bring a smile.
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score &
Parts)
SKU:
HL.4008643
Score
and Parts. Composed
by Franco Cesarini.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Concert Band,
Tuning, Warm-Up.
Softcover. Hal Leonard
#EFC003-CBHA. Published
by Hal Leonard
(HL.4008643).
ISBN
9798350114997. UPC:
196288189664.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Concert Band (Full Score) SKU: HL.4007483 Score. Composed by Franc...(+)
Concert Band (Full Score)
SKU: HL.4007483
Score. Composed by
Franco Cesarini. Arranged
by Franco Cesarini.
Editions Franco Cesarini.
Concert Band, Tuning,
Warm-Up. Softcover. Hal
Leonard #EFC003-SC.
Published by Hal Leonard
(HL.4007483).
UPC:
196288058175.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
and/Orchestra. Published by Alfred Publishing. Your percussionists will love bei...(+)
and/Orchestra. Published
by Alfred Publishing.
Your percussionists will
love being the center of
attention in
Drums-up-Front March.
This great section
feature allows for
interaction between the
drums and the band. Great
for teaching rests!
Correlated with Yamaha
Band Student, Book 1,
page 10.
Start Up the Band Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Mitropa Music
Start Up the Band by Gilbert Tinner. For Concert Band (Score and Parts). De Hask...(+)
Start Up the Band by
Gilbert Tinner. For
Concert Band (Score and
Parts). De Haske Concert
Band. Grade 3. Mitropa
Music #123005. Published
by Mitropa Music
Concert Band (Score) - Grade 4 SKU: HL.48024503 Windependence Series -...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.48024503
Windependence Series -
Master Level (Grade
4). Composed by Dana
Wilson. Windependence
Master Level. Concert.
Softcover. 40 pages.
Boosey & Hawkes
#M051663965. Published by
Boosey & Hawkes
(HL.48024503).
UPC:
888680896713.
9.0x12.0x0.108
inches.
Providing a
unique concert
experience, this
programmatic work depicts
the story of what
newspapers in 1916
described as “the
poison soup plotâ€!
At a Chicago banquet for
dignitaries and
politicians, a mass
murder plot involving
poison soup was hatched
and nearly successful.
However, thanks to a
large number of
unexpected guests, the
dilution of the soup to
feed everyone, and a
quick thinking doctor
with an antidote, tragedy
was averted with no loss
of life. Musical cues
follow the events, and
detailed program notes
are included with the
suggestion of including
dancers to help tell the
story. Imaginative and
entertaining! Recorded by
the University of Kansas
Symphonic Band (Lawrence,
KS) – Matthew O.
Smith, conductor. Dur:
ca. 7:45.
Jupiter Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074346-010 Grand March(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074346-010
Grand March.
Composed by Jan Van der
Roost. Brilliant Marches.
Concert March. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074346-010.
Published by De Haske
Publications
(BT.DHP-1074346-010).
9x12 inches.
English-German-French-Dut
ch.
This concert
march does not begin with
flourishing trumpets
orloud tutti sounds:
Jupiter opens
refreshingly with
percussioninstruments and
the “high
woodwindsâ€. This
original introductionis
followed by a broad
melodic theme and
gradually features
otherinstrumental groups.
Thus section by section
the entire band
ispresented. A fantastic
entrance to the concert
for all players!
Jupiter
opent verrassend met
slagwerk en het
‘hoge hout’.
Op deze originele
inleiding volgt een breed
melodisch thema in het
middenregister en
langzamerhand zetten ook
andere instrumentale
groepen in: zo komt het
hele orkestuiteindelijk
aan bod. Zoals in
vergelijkbare marsen van
Jan Van der Roost
(bijvoorbeeld Arsenal,
Mercury, Minerva,
Helios en
Artemis) is de
triomelodie in
Jupiter melodisch
en lyrisch van karakter.
In harmonischopzicht
gebeuren bijzondere
dingen - een handelsmerk
van de
componist.
Dieser
Konzertmarsch beginnt
nicht mit strahlenden
Trompeten oder lauten
Tutti-Klängen:
Jupiter
eröffnet mit
Schlaginstrumenten und
den hohen
Holzbläsern“.
Diese originelle
Einleitung wird von einem
breiten melodischen Thema
im mittleren Register
abgelöst und bringt
nach und nach auch andere
Instrumentengruppen zum
Vorschein: So wird
schließlich das
gesamte Blasorchester
präsentiert. Ein
schöner Einstieg ins
Konzert für alle!
Jupiter Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074346-140 Grand March(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074346-140
Grand March.
Composed by Jan Van der
Roost. Brilliant Marches.
Concert March. Score
Only. Composed 2007. 36
pages. De Haske
Publications #DHP
1074346-140. Published by
De Haske Publications
(BT.DHP-1074346-140).
9x12 inches.
English-German-French-Dut
ch.
This concert
march does not begin with
flourishing trumpets
orloud tutti sounds:
Jupiter opens
refreshingly with
percussioninstruments and
the “high
woodwindsâ€. This
original introductionis
followed by a broad
melodic theme and
gradually features
otherinstrumental groups.
Thus section by section
the entire band
ispresented. A fantastic
entrance to the concert
for all players!
Jupiter
opent verrassend met
slagwerk en het
‘hoge hout’.
Op deze originele
inleiding volgt een breed
melodisch thema in het
middenregister en
langzamerhand zetten ook
andere instrumentale
groepen in: zo komt het
hele orkestuiteindelijk
aan bod. Zoals in
vergelijkbare marsen van
Jan Van der Roost
(bijvoorbeeld Arsenal,
Mercury, Minerva,
Helios en
Artemis) is de
triomelodie in
Jupiter melodisch
en lyrisch van karakter.
In harmonischopzicht
gebeuren bijzondere
dingen - een handelsmerk
van de
componist
Dieser
Konzertmarsch beginnt
nicht mit strahlenden
Trompeten oder lauten
Tutti-Klängen:
Jupiter
eröffnet mit
Schlaginstrumenten und
den hohen
Holzbläsern“.
Diese originelle
Einleitung wird von einem
breiten melodischen Thema
im mittleren Register
abgelöst und bringt
nach und nach auch andere
Instrumentengruppen zum
Vorschein: So wird
schließlich das
gesamte Blasorchester
präsentiert. Ein
schöner Einstieg ins
Konzert für alle!
DC Comics Superheroes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Featuring themes from The Flash, DC's Legends of Tomorrow, Arrow, and ...(+)
Featuring themes from The
Flash, DC's Legends
of
Tomorrow, Arrow, and
Supergirl. Composed by
Blake
Neeley. Arranged by
Douglas
E. Wagner. Concert Band;
Performance Music
Ensemble;
Single Titles. Pop
Concert
Band. Pop; TV. Score and
Parts. 240 pages.
Duration
3:30. Alfred Music
#00-47405.
Published by Alfred Music
Cupid Shuffle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
By Cupid. By Bryson Bernard. Arranged by Johnnie Vinson. For Concert Band (Score...(+)
By Cupid. By Bryson
Bernard. Arranged by
Johnnie Vinson. For
Concert Band (Score and
Parts). Discovery Plus
Concert Band. Grade 2.
Published by Hal Leonard
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed ...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and
Rhythm. Composed by
Peter Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Score. 232
pages. Alfred Music
#00-40709. Published by
Alfred Music (AP.40709).
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Rhythmic Warm-ups Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - early intermediate SKU: BT.DHP-1084339-0...(+)
Concert
Band/Harmonie/Fanfare
Band - early intermediate
SKU:
BT.DHP-1084339-015
Composed by Peter Kleine
Schaars. Flexible 5
Series. Educational Tool.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084339-015. Published by
De Haske Publications
(BT.DHP-1084339-015).
9x12 inches.
English-German-French-Dut
ch.
Veel dirigenten
hebben de uitstekende
gewoonte elke repetitie
te beginnen met een
klankstudie. Het is
echter net zo belangrijk
om regelmatig de
ritmische vaardigheden
van de muzikanten te
bevorderen. Hiervoor is
Rhythmic
Warp-upsideaal.Met
Rhythmic Warm-ups
hebt u voor elk orkest op
elk niveau een groot
aantal efficiënte
oefeningen. U kunt de 10
moderne vijfstemmige
harmonisaties (A t/m J)
combineren met de 36
ritmische patronen - zo
hebt u360 oefeningen tot
uw beschikking.
Uitbreiding is mogelijk
door de verschillende
stemmen (1-5)
verschillende ritmische
patronen te laten spelen.
Sommige oefeningen worden
bijna kleine songs op
zich. Verder is het
uiteraard mogelijkde
harmonisaties te
combineren met specifieke
ritmische patronen (die u
bijvoorbeeld selecteert
uit het repertoire waar u
aan werkt). Door het
gebruik van patronen met
straight eighths en in
swing (rechte achtsten en
swing-achtsten)kunt u het
orkest trainen in alle
ritmische facetten van de
lichte muziek. Door de
notatie van hetzelfde
ritmische swingpatroon in
zowel de 4/4- als
12/8-maatsoort bieden
deze Rhythmic
Warm-ups u de
mogelijkheid om zelfshet
meest klassiek
georiënteerde orkest
binnen enkele repetities
enig swinggevoel bij te
brengen en meer thuis te
laten raken in
Latijns-Amerikaanse
ritmes. Met Rhythmic
Warm-ups krijgt u uw
orkest ritmisch in
conditie!Ook
leverbaar voor
brassband
Viele
Dirigenten haben es sich
zur löblichen Routine
gemacht, jede Probe mit
einer Tonübung zu
beginnen. Genauso wichtig
ist auch die Förderung
der rhythmischen
Fähigkeiten der
Musiker. Rhyhmic
Warm-ups ist hier
eine gute Ergänzung
der wöchentlichen
Ãœberoutine.Rhyhmic
Warm-ups bietet
effziente Ãœbungen
für jedes
Blasorchester,
unabhängig vom
Spielniveau. Kombiniert
mit 36 rhythmischen
Mustern, ergeben die zehn
modernen
fünfstimmigen
Harmoniefolgen ein
Repertoire von 360
Ãœbungen, die teilweise
wie kleine Lieder
klingen. Auch andere
Rhythmusmuster können
Sie mit den
Harmoniefolgen
kombinieren, z. B. aus
dem Repertoire, das Sie
geradeeinstudieren.Mithil
fe von Rhythmusmustern,
die mit straight
eights und in
swing bezeichnet
sind, werden alle
rhythmischen Facetten
populärer Musik
abgedeckt. Durch die
Notierung der gleichen
Swing-Muster sowohl im
4/4- als auch im
12/8-Takt eröffnen die
Rhyhmic Warm-ups
die Möglichkeit, sogar
einem absolut klassisch
ausgerichteten
Blasorchester innerhalb
von ein paar Proben etwas
Swing-Feel zu vermitteln.
Auch lateinamerikanische
Rhythmen können
geübt werden.Mit
Rhyhmic Warm-ups
kriegen Sie ihr
Blasorchester rhythmisch
fit!
Concert Band - Grade 3.5 SKU: AP.81-CB224483 Composed by Frank McKinney. ...(+)
Concert Band - Grade 3.5
SKU:
AP.81-CB224483
Composed by Frank
McKinney. Concert Band.
Folk; Spiritual. Score
and Part(s). Duration
3:50. Eighth Note
Publications
#81-CB224483. Published
by Eighth Note
Publications
(AP.81-CB224483).
ISBN
9781778930492. UPC:
685462030507.
English.
Behold a
Ladder Set Up on the
Earth by Frank McKinney
is a composition that
touches upon both the
thoughtful meditation and
the emotional response to
the lyrics of the African
American slave spiritual
We Are Climbing Jacob's
Ladder. There are
abundant opportunities
for both sensitive and
robust musical moments. A
variation of the
well-known theme is
stated in the opening
Adagio trumpet solo and
then repeated several
times throughout the
piece. A more upbeat
Allegro variation then
enters before the
familiar tune is finally
introduced calmly by the
bassoon. The climactic
Religioso section
presents the main theme
in all of its call and
response glory.
(3:50).
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-465-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-465-010
Composed by Philip
Sparke. Debut Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2018. Anglo Music Press
#AMP 465-010. Published
by Anglo Music Press
(BT.AMP-465-010).
English-German-French-
Dutch.
These 30
Original Chorales and
Warm-Ups have been
designed to develop the
most important aspects of
band playing, by
providing material that
can be used at the start
of a rehearsal to test
balance, dynamics,
tuning, flexibility and
articulation. Band
directors are encouraged
to adapt them to address
the specific needs and
challenges of their
ensembles. Dynamics and
tempo indications are not
given and should be
chosen by the director as
required. All the
chorales are strictly
four-part. This
multi-purpose collection
is an essential purchase
for every ambitious band!
30 Original
Chorales and Warm-Ups
is ontwikkeld om
belangrijke vaardigheden
van het spelen in een
blaasorkest te
ontwikkelen door middel
van materiaal dat kan
worden gebruikt om bij de
start van een repetitie
aan de balans, dynamiek,
zuiverheid, flexibiliteit
en articulatie te werken.
Dirigenten kunnen de
koralen en warming-ups
naar wens aanpassen door
zich te richten op
specifieke muzikale
aspecten. Er worden geen
aanwijzingen voor
dynamiek en tempo
gegeven, die bepaalt de
dirigent naar eigen
inzicht. Alle koralen
zijn vierstemmig. Een
veelzijdig toepasbare
bundel die onmisbaar is
voor elk ambitieus
blaasorkest!
Die
30 Original Chorales
and Warm-Ups wurden
konzipiert, um die
wichtigsten Aspekte des
Blasorchesterspiels zu
erarbeiten. Mithilfe des
umfangreichen Materials
kann man zu Beginn einer
Probe Balance, Dynamik,
Stimmung, Flexibilität
und Artikulation üben.
Orchesterleiter können
das Material an die
Bedürfnisse ihres
jeweiligen Orchesters
anpassen, indem sie sich
auf bestimmte
musikalische
Herausforderung
konzentrieren. Es gibt
keine Angaben zu Dynamik
und Tempo, da dies vom
Orchesterleiter
entsprechend gewählt
werden soll. Die
Choräle sind alle
vierstimmig. Eine
vielseitige Sammlung, die
unverzichtbar für
jedes anspruchsvolle
Orchester
ist!
Questi 30
Original Chorales and
Warm-Ups (30
corali originali e pezzi
di riscaldamento)
sono stati pensati per
sviluppare gli aspetti
più importanti del
suonare in banda, quali
equilibrio, dinamiche,
intonazione, flessibilit
e articolazione. Tutti i
corali sono rigorosamente
a quattro parti. Questa
collezione è un
acquisto essenziale per
ogni banda che vuole
migliorare!
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2013.
Anglo Music Press
#AMP358010. Published by
Anglo Music Press
(HL.44012270).
UPC:
888680057657.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in 2011. The
timeless message of
thismoving work is the
belief in the tremendous
capacity of humankind to
recover from such
disasters and look
optimistically to the
future.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in
2011.
The timeless
message of this moving
work is the belief in the
tremendous capacity of
humankind to recover from
such disasters and look
optimistically to the
future.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regios
werden bezocht die waren
verwoest doorde
aardbeving en tsunami van
2011. Het tijdloze thema
van dit treffende werk is
het buitengewone vermogen
van de mens om dergelijke
rampen te boven te komen
en de toekomst met
optimisme tegemoet te
zien.
Looking
Up, Moving Down wurde
vom Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, die
auch viele Gebiete
einschloss, die vom
Erdbeben und Tsunami im
Jahr 2011 zerstort worden
waren. Diezeitlose
Botschaft dieses
bewegenden Werkes ist der
Glaube an die gewaltige
Fahigkeit des Menschen,
uber solche Katastrophen
hinwegzukommen und
optimistisch in die
Zukunft zu
blicken.
Lookin
g Up, Moving On est
une commande du Tokyo
Kosei Wind Orchestra.
Cette piece faisait
partie du programme de la
tournee effectuee par
l'orchestre en mai 2012,
qui s'est produit dans de
nombreuses regions
devastees par le
tremblement deterre et le
tsunami de 2011. La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon
positive.
Looki
ng Up, Moving On e
stata commissionata dalla
Tokyo Kosei Wind
Orchestra e faceva parte
del programma del
concerto di un tour del
maggio 2012 che
comprendeva diverse zone
colpite nel 2011 dal
terremoto e dallo
tsunami. Il messaggio
sempreattuale di questa
toccante opera e il
credere nella grandiosa
capacita dell'uomo di
superare tali catastrofi
e di guardare al futuro
con ottimismo.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Pump It Up! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1145567-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1145567-010
Composed by Jacob De
Haan. Applause Series.
Set (Score & Parts).
Composed 2014. De Haske
Publications #DHP
1145567-010. Published by
De Haske Publications
(BT.DHP-1145567-010).
English-German-French-
Dutch.
Energy, an
irrepressible call to the
dance floor and punchy
‘pumping’
basses are the perfect
mix of ingredients for
Pump It Up! Nimble
melodies and zestful
rhythms over a tight beat
supply the rest: this top
new title by Jacob de
Haan is asure-fire hit,
evoking memories of top
entertainment hits such
as Cornfield Rock,
Queen’s Park
Melody and
Discoduction.
Tomeloze energie,
dansplezier en
‘pompende’
bassen vormen de perfecte
combinatie van
ingrediënten voor de
titel Pump It Up!
Pakkende melodielijnen en
swingende ritmes op een
strakke beat doen de
rest. Succes verzekerd
met dezenieuwe topper van
Jacob de Haan, een nummer
dat herinneringen oproept
aan zijn vroegere hits
Cornfield Rock,
Queens’ Park
Melody en
Discoduction. <
br>Energie, unbändige
Tanzlust und druckvolle
pumpende“ Bässe
bilden die perfekte
Kombination von Zutaten
für den Titel Pump
It Up!. Spannende
Melodielinien und
schwungvolle Rhythmen
über einem straffen
Beat sorgen für den
Rest: Der Erfolg
istsicher mit diesem
neuen Spitzentitel von
Jacob de Haan, der
Erinnerungen an frühen
Top-Unterhaltungstitel
wie Cornfield Rock,
Queen’s Park
Melody und
Discoduction
weckt.
Una strepitosa
energia, unita ad
un’irrefrenabile
voglia di ballare al
suono di bassi
“roboantiâ€
rappresentano una
perfetta combinazione
degli ingredienti che
compongono il brano
Pump It Up!
Emozionanti melodie e
ritmi briosi sulla base
di unsemplice beat fanno
il resto: il successo
è assicurato con
questo nuovo brano di
Jacob de Haan, che
ricorda i suoi precedenti
brani di intrattenimento
come Cornfield Rock,
Queen’s Park
Melody e
Discoduction.
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1552S Score Only. C...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
FJ.B1552S
Score
Only. Composed by
Robert Sheldon. Concert
Band. FJH Concert Band.
Light Concert; Novelty.
Score. Duration 1:30. The
FJH Music Company Inc
#98-B1552S. Published by
The FJH Music Company Inc
(FJ.B1552S).
English.
Using
no eighth notes in the
winds, this relaxed work
reflects a light-hearted
stroll through the big
city. An air of calm,
cool confidence sets the
mood as people dress to
impress and hit the
streets. Brief musical
conversations are
interjected as they meet
others on their walk
around town in this
easy-to-play, yet tuneful
offering.
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Christmas Mash-Up Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS18F Composed by Larry Clark. Pre...(+)
Band concert band - Grade
0.5
SKU: CF.PPS18F
Composed by Larry Clark.
Premiere Performance
Series. Full score. With
Standard notation. 12
pages. Carl Fischer Music
#PPS18F. Published by
Carl Fischer Music
(CF.PPS18F).
ISBN
9780825892233. UPC:
798408092238. 9 x 12
inches.
Take lots
of familiar Christmas
tunes, mix them all
together in a march style
and you have Christmas
Mash-Up. It is set for
the youngest of players
using only the first six
notes and the most
difficult rhythm in the
winds is a quarter note.
This one is perfect for
featuring your band after
as little as ten weeks of
study and their very
first holiday concert.
Mash-ups are a pop
culture sensation and
Christmas Mash-Up will
turn your band into
exactly that!
Band concert band - Grade 0.5 SKU: CF.PPS18 Composed by Larry Clark. Chri...(+)
Band concert band - Grade
0.5
SKU: CF.PPS18
Composed by Larry Clark.
Christmas and Holiday.
Set of Score and Parts.
With Standard notation.
8+2+8+2+5+2+2+8+2+3+2+6+2
+3+1+1+2+3+12 pages.
Duration 2 minutes, 35
seconds. Carl Fischer
Music #PPS18. Published
by Carl Fischer Music
(CF.PPS18).
ISBN
9780825892226. UPC:
798408092221. 9 x 12
inches.
Take lots
of familiar Christmas
tunes, mix them all
together in a march style
and you have Christmas
Mash-Up. It is set for
the youngest of players
using only the first six
notes and the most
difficult rhythm in the
winds is a quarter note.
This one is perfect for
featuring your band after
as little as ten weeks of
study and their very
first holiday concert.
Mash-ups are a pop
culture sensation and
Christmas Mash-Up will
turn your band into
exactly that!
Concert Band/Harmonie - Grade 3 SKU: BT.1088-04-140-MS Arranged by Don Ca...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1088-04-140-MS
Arranged by Don Campbell.
Pop, Film and Show. Pop &
Rock. Score Only.
Composed 2004. Music
Sales #1088-04-140 MS.
Published by Music Sales
(BT.1088-04-140-MS).
Rick Astley
exploded onto the pop
music scene back in the
eighties with this
super-hot, techno-funk
hit that climbed the
charts. Now Don Campbell
has captured the energy
and excitement of this
great dance song in an
arrangement for concert
band. Both your band and
your audience will have
great fun with this one.
In de jaren
tachtig veroverde Rick
Astley de popmuziekscene
met onder meer dit gave
nummer in
techno-funkstijl waarmee
hij hoog in de hitlijsten
kwam. Nu heeft Don
Campbell de energie en
spanning van deze grote
danshit gevangen ineen
arrangement voor
blaasorkest. Zowel de
muzikanten als het
publiek zullen enorm van
dit nummer
genieten.
Rick
Astley eroberte mit
seinen heißen Hits im
Techno-Funk-Stil, die
schnell an die Spitze der
Hitparaden kletterten,
die Popmusikszene der
80er-Jahre im Sturm. Nun
hat Don Campbell die
Energie und die Spannung
dieses großartigen
Tanzhits in einer
gelungenen Bearbeitung
für Blasorchester
eingefangen. Sowohl Ihre
Musiker als auch Ihr
Publikum werden einen
Riesenspaß mit diesem
Titel haben!