Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Viola. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/13. Published by
Carus Verlag
(CA.1036413).
ISBN
9790007190408. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514).
ISBN
9790007201722. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549).
ISBN
9790007201746. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Double bass.
Sacred vocal music,
Cantatas, Advent. Single
Part, Double Bass.
Composed 1868/1869. Op.
29. 4 pages. Duration 14
minutes. Carus Verlag #CV
10.364/15. Published by
Carus Verlag
(CA.1036415).
ISBN
9790007190422. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. 1x 10.364/21 flute
1, 1x 10.364/22 flute 2,
1x 10.364/23 oboe 1, 1x
10.364/24 oboe 2, 1x
10.364/25 clarinet 1, 1x
10.364/26 clarinet 2, 1x
10.364/27 bassoon 1, 1x
10.364/28 bassoon 2, 1x
10.364/31 horn 1, 1x
10.364/32 horn 2, 1x
10.364/33 horn 3, 1x
10.36. Harmony parts.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/09. Published by
Carus Verlag
(CA.1036409).
ISBN
9790007190378. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violoncello.
Sacred vocal music,
Cantatas, Advent. Single
Part, Cello. Composed
1868/1869. Op. 29. 4
pages. Duration 14
minutes. Carus Verlag #CV
10.364/14. Published by
Carus Verlag
(CA.1036414).
ISBN
9790007190415. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/19. Published by
Carus Verlag
(CA.1036419).
ISBN
9790007166557. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Choral Score. Composed
1868/1869. Op. 29. 12
pages. Duration 14
minutes. Carus Verlag #CV
10.364/05. Published by
Carus Verlag
(CA.1036405).
ISBN
9790007166540. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Vocal score. Composed
1868/1869. Op. 29. 24
pages. Duration 14
minutes. Carus Verlag #CV
10.364/03. Published by
Carus Verlag
(CA.1036403).
ISBN
9790007166533. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. This edition:
paperback. Sacred vocal
music, Cantatas, Advent.
Full score. Composed
1868/1869. Op. 29. 56
pages. Duration 14
minutes. Carus Verlag #CV
10.364/00. Published by
Carus Verlag
(CA.1036400).
ISBN
9790007166526. Language:
German. Text: von Spee,
Friedrich / Simrock,
Karl. Text by Friedrich
von Spee / Karl
Simrock.
Max Bruch
succeeded in composing an
impressive setting of the
well known Advent text, O
Heiland, reiss die Himmel
auf (O Saviour, tear open
the heavens).
Compositionally it is
extremely sophisticated
in its construction;
Bruch combines both the
choir and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public.
Symphony cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Douglass
Seaton. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
Lobgesang,
Symphonie-Kantate (Kart).
Innovative practice aids,
Sacred vocal music,
Praise and thanks.
Critical commentary.
Composed 1840. MWV A 18,
Op. 52. 60 pages.
Duration 65 minutes.
Carus Verlag #CV
40.076/98. Published by
Carus Verlag
(CA.4007698).
ISBN
9790007217334. Language:
German/English.
Men
delssohn describes to his
friend Klingemann the
1840 work as a 'symphony
for chorus and
orchestra'... First three
symphonic movements, to
which 12 choral- and
solo- movements are
appendaged; the words
from the Psalms, and
indeed all pieces, vocal
and instrumental, are
composed in the words
'Everything which has
breath, Praise the Lord';
one understands by this
that first the
instruments give praise
in their own way, and
then the chorus and the
individual voices. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.4007600.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Viola. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/15. Published by
Carus Verlag
(CA.5014915).
ISBN
9790007080099. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Violin Solo.
Composed 1887. Op. 149.
12 pages. Duration 33
minutes. Carus Verlag #CV
50.149/11. Published by
Carus Verlag
(CA.5014911).
ISBN
9790007080051. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Violin 2. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/14. Published by
Carus Verlag
(CA.5014914).
ISBN
9790007080082. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Violin 1. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/13. Published by
Carus Verlag
(CA.5014913).
ISBN
9790007080075. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Organ solo, 2 Oboes, 2
Violins, Viola, Cello,
Basso continuo
SKU:
CA.4600112
Composed
by George Frideric
Handel. German title:
Sonate In D. Single Part,
Violin 2. HWV. 2 pages.
Carus Verlag #CV
46.001/12. Published by
Carus Verlag
(CA.4600112).
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violin 1.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Violin 1. WAB 45.
12 pages. Duration 25
minutes. Carus Verlag #CV
27.190/11. Published by
Carus Verlag
(CA.2719011).
ISBN
9790007200749. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violin 2.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. WAB 45.
12 pages. Duration 25
minutes. Carus Verlag #CV
27.190/12. Published by
Carus Verlag
(CA.2719012).
ISBN
9790007200756. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Composed
by Josef Gabriel
Rheinberger. German
title: Suite In C.
Orchesterfassung. Set of
Orchestra Parts. Composed
1887. Op. 149. Duration
33 minutes. Carus Verlag
#CV 50.149/19. Published
by Carus Verlag
(CA.5014919).
ISBN
9790007138288. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
parts available
separately - see item
CA.5014900.
Offertorium.
Composed by Louis Spohr.
German title: Jubilate
Deo (Lat/Dt). Sacred
vocal music, Cantatas,
Easter and Eastertide,
Whitsun, Praise and
thanks. Single Part,
Violin 2. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 27.011/13.
Published by Carus Verlag
(CA.2701113).
Offertorium.
Composed by Louis Spohr.
German title: Jubilate
Deo (Lat/Dt). Sacred
vocal music, Cantatas,
Easter and Eastertide,
Whitsun, Praise and
thanks. Single Part,
Violin Solo. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 27.011/11.
Published by Carus Verlag
(CA.2701111).
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Cello. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/16. Published by
Carus Verlag
(CA.5014916).
ISBN
9790007080105. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Double Bass.
Composed 1887. Op. 149. 4
pages. Duration 33
minutes. Carus Verlag #CV
50.149/17. Published by
Carus Verlag
(CA.5014917).
ISBN
9790007080112. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Cello Solo.
Composed 1887. Op. 149.
12 pages. Duration 33
minutes. Carus Verlag #CV
50.149/12. Published by
Carus Verlag
(CA.5014912).
ISBN
9790007080068. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Offertorium.
Composed by Louis Spohr.
German title: Jubilate
Deo (Lat/Dt). Sacred
vocal music, Cantatas,
Easter and Eastertide,
Whitsun, Praise and
thanks. Single Part,
Violin 1. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 27.011/12.
Published by Carus Verlag
(CA.2701112).