Voice and piano SKU: BR.DLV-5256 Hey ho, the Wind and the Rain - from ...(+)
Voice and piano
SKU:
BR.DLV-5256
Hey
ho, the Wind and the Rain
- from Shakespeare's
Twelfth Night.
Composed by Jean
Sibelius. Voice;
Softcover.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 4
pages. Duration 2'.
Breitkopf and Haertel
#DLV 5256. Published by
Breitkopf and Haertel
(BR.DLV-5256).
ISBN
9790004801895. 10 x 12.5
inches.
Heissa,
hopsa, bei Regen und Wind
- from Shakespeare's
'Twelfth Night' Unklar
bleibt warum Sibelius
etwa zeitgleich eine
weitere Fassung des Werks
nur mit deutschem Text
fur Singstimme und
Streichorchester
anfertigte. Soweit
bekannt wurde diese
Fassung vor ihrer
erstmaligen
Veroffentlichung im Jahr
2003 in der Gesamtausgabe
,,Jean Sibelius Werke
(JSW) noch nicht
aufgefuhrt. It remains
uncertain why Sibelius
wrote another version of
the work with German text
only for voice and string
orchestra around the same
time. As far as is known
this latter version has
never been performed
before its first
publication in the volume
of the complete edition
Jean Sibelius Works in
2003. In den meisten
Fallen beschrankte sich
Sibelius auf ein relativ
kleines Orchester. In
,,Varen flyktar hastigt
sind neben den Streichern
nur zwei Floten und vier
Horner besetzt.
Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. In most
cases Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the strings. Mit
dem Erscheinen der
Erstausgabe 1986 eroberte
sich das Werk rasch
seinen Platz neben den
anderen
Streichorchesterwerken
des finnischen
Komponisten. Das
vorliegende Impromptu
entstand Anfang 1894, als
Jean Sibelius die kurz
zuvor komponierten
Klavier-Impromptus op. 5
Nr. 5 und Nr. 6
zusammenfugte und fur
Streichorchester
instrumentierte. Die
beiden im Gestus vollig
unterschiedlichen
Charakterstudien finden
dabei zu einem
einheitlichen Ganzen da
Sibelius das Hauptthema
aus dem sturmischen.
Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
Serious Songs Piano, Voix Deutscher Verlag für Musik
Voice and piano SKU: BR.DV-6089 Composed by Hanns Eisler. Edited by Tobia...(+)
Voice and piano
SKU:
BR.DV-6089
Composed
by Hanns Eisler. Edited
by Tobias Fasshauer.
Voice; stapled. Deutscher
Verlag. Song; Early
modern; Music post-1945.
Piano/Vocal Score.
Composed 1961/62. 28
pages. Duration 15'.
Deutscher Verlag fur
Musik #DV 6089. Published
by Deutscher Verlag fur
Musik (BR.DV-6089).
ISBN 9790200464993.
9.5 x 12
inches.
Farewell
Music
Wit
h the Ernste
Gesaenge (Serious
Songs) for baritone and
string orchestra Hanns
Eisler created at the end
of his life a key work
whose complex message
becomes more than clear
from the music settings
of texts by five
different poets, together
with the Holderlin motto
articulated in the
prologue. It reflects -
between resignation and
hope - the difficult
current state of societal
development. At the
same time, not least by
harking back to earlier
works, it is a kind of
quintessence of his
composing. The piano
arrangement of the subtle
orchestral accompaniment
is intended not only as a
study aid for singers,
but also as a work for
public
performance.
Simply Heavenly Piano, Voix SATB, Orchestre Bourne Music Co.
Voice and piano SKU: BC.238001 Composed by David Martin & Langston Hughes...(+)
Voice and piano
SKU:
BC.238001
Composed by
David Martin & Langston
Hughes. Vocal Music.
Single. With vocal
melody, lyrics and piano
accompaniment. Published
by Bourne Music
(BC.238001).
For Voice and String Orchestra. By Einojuhani Rautavaara. (Voice and Piano). Bo...(+)
For Voice and String
Orchestra. By Einojuhani
Rautavaara. (Voice and
Piano). Boosey and Hawkes
Voice. Book only. Size
8.25x11.75 inches. 32
pages. Published by
Boosey & Hawkes.
Voice and piano SKU: M7.AST-47 On poems by modern English authors....(+)
Voice and piano
SKU:
M7.AST-47
On poems
by modern English
authors. Composed by
Wilhelm Rettich. Sheet
music. Op. 80. Duration
25'. MDS (Music
Distribution Services)
#AST 47. Published by MDS
(Music Distribution
Services) (M7.AST-47).
Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str) SKU: BR...(+)
Voice and piano (solo:
S/Mez - 2.2.1.B-clar.2 -
4.0.0.0 - perc - str)
SKU: BR.DLV-3496
Then I Ceased to Ask
Those Questions.
Composed by Jean
Sibelius. Voice; stapled.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic.
Piano/Vocal Score. 4
pages. Duration 3'.
Breitkopf and Haertel
#DLV 3496. Published by
Breitkopf and Haertel
(BR.DLV-3496).
ISBN
9790004801666. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Se'n har jag ej fragat
mera on March 30, 1914,
in Turku. Idas husband
Karl conducted the
orchestra of the Turku
Musical Society.Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting it.In most
cases, Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the
strings.
Nearly
all of the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.