Voice & Piano SKU: ST.LS14 Composed by Francis Pilkington. Edited by Edmu...(+)
Voice & Piano
SKU:
ST.LS14
Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Vocal music.
Edited by E H Fellowes.
Revised by Thurston Dart.
With Lute Tablature.
Vocal score. Stainer &
Bell Ltd. #LS14.
Published by Stainer &
Bell Ltd. (ST.LS14).
ISBN
9790220212567.
CONT
ENTS Alas fair face
(F sharp - E) Ay me,
she frowns (F - G)
Beauty sat bathing (D -
F) Can she disdain?
(E - E) Climb O heart
(D - F) Come, come
all you (D - E)
Diaphenia, like the
daffdowndilly (D - D)
Down a down thus Phyllis
sung (D - D) I sigh
as sure to wear the fruit
(E - E) Look mistress
mine (F sharp - F)
Music dear solace to my
thoughts (D- F) My
choice is made (D -
F) Now let her change
(E - F) Now peep, Bo
Peep (E - F) Pavan
for the lute and bass
viol Rest sweet
nymphs (G - F) Sound
woeful plaints (D -
D) Thanks gentle moon
(D - E) Underneath a
cypress shade (F - F)
Whither so fast? (E -
E) With fragrant
flow'rs (D - E flat)
You that pine in long
desire (E - E).
Vocal Solo Piano Accompaniment; Vocal Solo (Music For Voice) SKU: HL.364392(+)
Vocal Solo Piano
Accompaniment; Vocal Solo
(Music For Voice)
SKU:
HL.364392
Composed by
Edwin M. Willmington and
William H. Doane. Jubal
House. General Worship,
Sacred, Traditional.
Softcover. 8 pages. Jubal
House Publications
#JH-1561. Published by
Jubal House Publications
(HL.364392).
UPC:
840126958850.
9.0x12.0x0.075 inches.
Edwin M.
Willmington/William H.
Doane.
Keep Me Near
the Cross is a new
musical setting of a
familiar Fanny Crosby
text. Written in a
flowing melodic style,
the new music ties
together some of the
textual phrases in a
meaningful manner. There
is one option for the
soloist to invite a
congregation to join with
the familiar refrain of
the original tune.
Voice & Piano SKU: ST.LS9 Composed by John Coprario. Edited by Edmund H F...(+)
Voice & Piano
SKU:
ST.LS9
Composed by
John Coprario. Edited by
Edmund H Fellowes. Vocal
music. Edited by E H
Fellowes. Revised by
Thurston Dart. With Lute
Tablature. Vocal score.
Stainer & Bell Ltd. #LS9.
Published by Stainer &
Bell Ltd. (ST.LS9).
ISBN
9790220204920.
CONT
ENTS Come ashore,
merry mates (F - F)
Deceitful fancy (duet) (D
- D and G - C)
Dialogue: Foe of mankind
(duet) (D - F and G -
B) Fortune and glory
(E - G) Go happy man
(C - G) How like a
golden dream (D - E)
In darkness let me dwell
(duet) (E - G and A -
D) My joy is dead
(duet) (C - E and G -
B) Oft thou hast
(duet) (G - G and C -
D) O grief (D -
F) O poor distracted
world (E - G) O sweet
flower (duet) (E - G and
G - D) O th' unsure
hope (duet) (G - G and A
- C) Send home my
long-stray'd eyes (D -
F) So parted you (D -
E) 'Tis now dead
night (D - G) When
pale famine (D - F)
While dancing rests (D -
G).
Voice and piano SKU: BR.EB-8371 Composed by Friedhelm Dohl. Voice; Softco...(+)
Voice and piano
SKU:
BR.EB-8371
Composed
by Friedhelm Dohl. Voice;
Softcover. Edition
Breitkopf. 1. World
premiere version for
Soprano, flute and piano
Freiburg 1963 2.
World premiere version
for Sorpano and piano
Braunwald (Switzerland),
1980. Music post-1945.
Score. 12 pages.
Breitkopf and Haertel #EB
8371. Published by
Breitkopf and Haertel
(BR.EB-8371).
ISBN
9790004176788. 9 x 12
inches.
1. world
premiere version for
Soprano, flute and piano
Freiburg 1963 2. world
premiere version for
Sorpano and piano
Braunwald (Switzerland),
1980 I A spring rain -
chatting stroll along the
path straw coat and
umbrella II O - the
nightingale - and inside
the house all are sitting
around the dinner table
III On a bell rests
deeply asleep a butterfly
IV O what coolness - and
from the bell emanates
the echoing sound V Under
the mosquito net let a
glow-worm fly - it will
bring you luck VI My
heart is pounding - the
comb of the departed
loved one I stepped in
the bedchamber VII Slowly
- day after day - link
themselves together past
things CD Thomas Franz
(Flote) Judith Kamphues
(soprano) Friedhelm Dohl
(piano) Musikhochschule
Lubeck Ltg. Thomas
Fricke-Masur
Konzertmitschnitt vom
14.6.1996
1. World
premiere version for
Soprano, flute and piano
Freiburg 19632. World
premiere version for
Sorpano and piano
Braunwald (Switzerland),
1980.
Voice and piano SKU: BR.EB-8888 Urtext. Composed by Pauline Viardo...(+)
Voice and piano
SKU:
BR.EB-8888
Urtext. Composed
by Pauline
Viardot-Garcia. Edited by
Miriam-Alexandra Wigbers.
Voice. Edition Breitkopf.
Song; Romantic. Score.
112 pages. Breitkopf and
Haertel #EB 8888.
Published by Breitkopf
and Haertel (BR.EB-8888).
ISBN 9790004185117. 0
x 0 inches.
German.
The
piano-accompanied Lied is
undoubtedly the main
genre of Pauline
Viardot-Garcia's oeuvre.
With this volume, we
present settings of
German texts by such
poets as Ludwig Uhland,
Eduard Morike, Johann
Wolfgang von Goethe,
Heinrich Heine, Emanuel
Geibel, Ludwig Rellstab
and Richard Pohl. Except
for the Uhland settings,
these German Lieder were
written between 1862 and
1871 during Viardot's
Baden-Baden period, when
she shifted the focus of
her activities from
singing to composing and
teaching. Here she
worked, among other
things, on the poetry of
Eduard Morike, which she
called the greatest and
most genuine in all
German poetry after
Goethe.One of her first
published songs was the
setting of the Uhland
poem Des Knaben Berglied.
Accompanying herself on
the piano, she performed
it in 1838 on her first
concert tour of Germany.
A performance of the song
at the Leipzig Gewandhaus
prompted Robert Schumann
to remark: She showed
three talents here
[composition, singing and
piano playing], each of
which would grace its
artist. Through her
music, Viardot brings the
creatures in the poems to
life, tracing their
different characters and
inner states, thus giving
the texts a new level of
interpretation.
Mi
riam-Alexandra Wigber's
recordings of songs from
this edition can be found
on YouTube.
Voice and piano SKU: BR.EB-5026 After Poems. Composed by Othmar Sc...(+)
Voice and piano
SKU:
BR.EB-5026
After
Poems. Composed by
Othmar Schoeck. Voice;
stapled. Edition
Breitkopf. Song;
Romantic; Late-romantic.
Score. 36 pages.
Breitkopf and Haertel #EB
5026. Published by
Breitkopf and Haertel
(BR.EB-5026).
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melod...(+)
For voice and piano.
Format: easy
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and big note
notation. Christmas and
holiday. 168 pages. 9x12
inches. Published by Hal
Leonard
Voice and piano SKU: BR.DLV-5633 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5633
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5633.
Published by Breitkopf
and Haertel
(BR.DLV-5633).
ISBN
9790004802151. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Voice and piano SKU: BR.EB-8090 7 Stations for Soprano and Piano. ...(+)
Voice and piano
SKU:
BR.EB-8090
7
Stations for Soprano and
Piano. Composed by
Friedhelm Dohl. Voice;
Softcover. Edition
Breitkopf. World premiere
Dusseldorf, 1982. Song;
Music post-1945. Score.
Composed 1978. 20 pages.
Duration 14'. Breitkopf
and Haertel #EB 8090.
Published by Breitkopf
and Haertel (BR.EB-8090).
ISBN 9790004174746. 9
x 12 inches.
World
premiere Dusseldorf, 1982
CD Eva Csapo (voice)
Friedhelm Dohl (piano)
Dreyer-Gaido CD
21023
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
Voice and piano SKU: BR.DLV-5634 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5634
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5634.
Published by Breitkopf
and Haertel
(BR.DLV-5634).
ISBN
9790004802168. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Piano; Voice (Voice and Piano) SKU: HL.48009196 Voice and Piano. C...(+)
Piano; Voice (Voice and
Piano)
SKU:
HL.48009196
Voice
and Piano. Composed
by Sergei Prokofiev.
Edited by F.H. Schneider.
This edition: M060020520.
Boosey & Hawkes Voice.
Classical, Contemporary,
Russian. 35 pages. Boosey
& Hawkes #M060020520.
Published by Boosey &
Hawkes (HL.48009196).
UPC: 073999091960.
9.25x12.25x0.077
inches.
Text in
Russian, French, German
and English Contents: An
Incantation for Fire and
Water * The Voice of
Birds * The Butterfly *
Think of Me! (A Malayan
Incantation) * The
Pillars.
Baritone Voice and Piano SKU: HL.14042411 Composed by Bo Holten. Music Sa...(+)
Baritone Voice and Piano
SKU: HL.14042411
Composed by Bo Holten.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31718.
Published by Edition
Wilhelm Hansen
(HL.14042411).
ISBN
9788759826812.
<
strong>Hårde
ord (1980) for
Baritone and Piano by
Bo Holten, with
text by Charlotte
Strandgaard.
Music pedagogy. Score. 24
pages. Breitkopf and
Haertel #EB 8933.
Published by Breitkopf
and Haertel (BR.EB-8933).
ISBN 9790004186008.
8.5 x 11.5 inches.
German.
Discovering
the voice for the very
youngest children The
little Singing Frog was
conceived and brought to
life by the soprano
Stefanie Fersch from
years of experience
teaching many young
singing talents. Around
her theme character the
author devises stories
with concealed
vocal-training exercises
and songs of her own
composition. In the
process she is able in an
appealing way to train
holistically the singing
voices of children aged 4
to 8 with first body and
breathing exercises.
Available are an
illustrated storybook
with CD, a supporting
teacher's manual complete
with methodological
suggestions and piano
part, together with the
separate piano part.
Ideal for teaching voice
in kindergarten, music
school and primary
school, in choruses and
other groups, even for
pedagogues with no
background in teaching
children Ideal gift for a
child-friendly
introduction to
singing
The new
book for children's
vocal-training -
recommended by Diana
Damrau. For further
information and news
about the Singfrosch
please visit
www.kleiner-singfrosch.de
.
Voice and piano SKU: M7.ART-42031 10 Piano-Songs aus dem Debütalbum...(+)
Voice and piano
SKU:
M7.ART-42031
10
Piano-Songs aus dem
Debütalbum des
deutschen
Singer/Songwriters Tiemo
Hauer. Composed by
Tiemo Hauer. Sheet music.
Songbook. 70 pages. MDS
(Music Distribution
Services) #ART 42031.
Published by MDS (Music
Distribution Services)
(M7.ART-42031).
ISBN
9783866420311.
German.
'Es gibt
sie immer noch - die
deutschen
Nachwuchstalente!
Taschentuch, Feuerzeug,
gereckte Faust: Tiemo
Hauer offenbart auf dem
Piano allen Hörern
seine gesamte eigene
Gefühlsklaviatur. So
virtuos wie ehrlich,
fühlt man, wie nahe er
uns an sich
heranlässt. Tiemos
musikalischer
Gefährte: sein
Klavier, das er so
facettenreich einzusetzen
vermag, harmonisiert
perfekt mit seinem
herausragenden Gesang,
bei dem sich der ein oder
andere an den großen
Rio Reiser erinnert
fühlt. Tiemo Hauer,
gerade mal 21 Jahre alt,
hat viel zu erzählen
und so überrascht sein
Debüt-Album
'Losgelassen', lässt
aufhorchen und
erstaunen'. Dieses
Songbook enthält die
Original Noten und Texte
für 10 Songs aus
diesem herausragenden
Album. Garantiert sind
sowohl gefühlvolle als
auch aufreibende Momente
am Klavier. Viel
Spaß!
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.50602279 12 Haiku...(+)
Piano Accompaniment;
Vocal (Voice and Piano)
SKU: HL.50602279
12 Haikus of H. C.
Artmann Voice and
Piano. Composed by
Gerald Resch. Vocal
Score. Classical.
Softcover. 24 pages.
Sikorski #SIK8892.
Published by Sikorski
(HL.50602279).
Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str) SKU: BR...(+)
Voice and piano (solo:
S/Mez - 2.2.1.B-clar.2 -
4.0.0.0 - perc - str)
SKU: BR.DLV-3496
Then I Ceased to Ask
Those Questions.
Composed by Jean
Sibelius. Voice; stapled.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic.
Piano/Vocal Score. 4
pages. Duration 3'.
Breitkopf and Haertel
#DLV 3496. Published by
Breitkopf and Haertel
(BR.DLV-3496).
ISBN
9790004801666. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Se'n har jag ej fragat
mera on March 30, 1914,
in Turku. Idas husband
Karl conducted the
orchestra of the Turku
Musical Society.Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting it.In most
cases, Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the
strings.
Nearly
all of the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.