Piano, Voix [Partition] - Intermédiaire Word Music
For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vo...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook (spiral bound).
With vocal melody, piano
accompaniment, lyrics and
chord names. Gospel and
worship. 192 pages.
9.25x12 inches. Published
by Word Music.
Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
Voice and piano SKU: BR.EB-8874 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8874
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8874. Published by
Breitkopf and Haertel
(BR.EB-8874).
ISBN
9790004184646. 9 x 12
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Voice and piano SKU: BR.EB-8876 Repertoire Collection. Edited by P...(+)
Voice and piano
SKU:
BR.EB-8876
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8876. Published by
Breitkopf and Haertel
(BR.EB-8876).
ISBN
9790004184660. 0 x 0
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Voice and piano SKU: BR.EB-8875 Repertoire Collection. Edited by P...(+)
Voice and piano
SKU:
BR.EB-8875
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8875. Published by
Breitkopf and Haertel
(BR.EB-8875).
ISBN
9790004184653. 9 x 12
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str) SKU: BR...(+)
Voice and piano (solo:
S/Mez - 2.2.1.B-clar.2 -
4.0.0.0 - perc - str)
SKU: BR.DLV-3496
Then I Ceased to Ask
Those Questions.
Composed by Jean
Sibelius. Voice; stapled.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic.
Piano/Vocal Score. 4
pages. Duration 3'.
Breitkopf and Haertel
#DLV 3496. Published by
Breitkopf and Haertel
(BR.DLV-3496).
ISBN
9790004801666. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Se'n har jag ej fragat
mera on March 30, 1914,
in Turku. Idas husband
Karl conducted the
orchestra of the Turku
Musical Society.Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting it.In most
cases, Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the
strings.
Nearly
all of the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.
Medium Voice (Medium Voice) SKU: HL.48187328 Composed by Joseph Canteloub...(+)
Medium Voice (Medium
Voice)
SKU:
HL.48187328
Composed
by Joseph Canteloube.
Leduc. Post-1900.
Softcover. 6 pages.
Heugel & Cie #HE28797.
Published by Heugel & Cie
(HL.48187328).
UPC:
888680828943.
9.0x12.0x0.155
inches.
Regrouped
by Joseph Canteloube,
this book is the second
series from the set Songs
from the Auvergne. This
edition, written for
Voice and Piano, contains
lyrics in local dialect
?Occitan?, with the
French translation below.
Some directives are given
to obtain the correct
pronunciation of the
language. It features
five songs: I.
Pastourelle / The
Shepherdess II.
L'Antouenou (L'Antoine) /
Antoine III. La
Pastroueletta e lou
Chibalie / The
Shepherdess and the
Horse-rider IV. La
Delaissado (La delaissee)
/ The neglected V. Deux
Bourrees / Two Bourrees:
a. N'ai pas ieu de mio
(Je n'ai pas d'Amie) / I
don't have a Friend b. Lo
calhe (La Calle) Joseph
Canteloube (1879-1957)
was a French composer,
musician and author,
mainly known for his folk
songs and for the series
Songs from the Auvergne
inspired by the area his
family was from..
Critical Edition Reduction for Voice and Piano. Composed by Antonio Vival...(+)
Critical Edition
Reduction for Voice and
Piano. Composed by
Antonio Vivaldi
(1678-1741). Edited by
Alessandro Borin. Vocal
Score. Classical.
Softcover. 90 pages.
Ricordi #CP141380.
Published by Ricordi
(HL.50600720).
Voice and Piano SKU: BT.ALHE28797 Composed by Joseph Canteloube. Book Onl...(+)
Voice and Piano
SKU:
BT.ALHE28797
Composed
by Joseph Canteloube.
Book Only. 6 pages.
Heugel & Cie #ALHE28797.
Published by Heugel & Cie
(BT.ALHE28797).
French.
Regro
uped by Joseph
Canteloube, this
book is the second series
from the
set Chants
D'Auvergne. This
edition, written for
Voice and Piano, contains
lyrics in local dialect
“Occitan”,wit
h the French translation
below. Some directives
are given to obtain the
correct pronunciation of
the language.
It features five songs:
I. Pastourelle / The
Shepherdess II.
L'Antouènou
(L'Antoine) /Antoine
III. La
Pastroueletta è
lou Chibalié / The
Shepherdess and the
Horse-rider IV. La
Delaïssádo
(La
délaissée)
/ The neglected V.
Deux Bourrées
/TwoBourrées:
a. N'aï pas
iéu de mîo
(Je n'ai pas d'Amie) / I
don't have a Friend
b. Lo calhé (La
Calle)
Joseph
Canteloube
(1879-1957) was a French
composer,musician and
author, mainly known for
his folk songs and for
the
series Chant
s
D'Auvergne
inspired by the area his
family was from.
