Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital audio. ADG Productions #ADG235. Published by ADG Productions

Composed by Andrew D. Gordon. Saddle stitch. Blues, instructional. Book and Downloadable audio. Duration 80 minutes. Published by ADG Productions

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Composed by Andrew D. Gordon. Saddle stitch. Jazz/Piano Instruction. Book/Downloadable audio/MP3/MIDI Files. Duration 70 minutes. Published by ADG Productions

Composed by Andrew D. Gordon. Piano Practice Sessions. Latin. Book and digital audio. ADG Productions #ADG234. Published by ADG Productions

Composed by Andrew D. Gordon. Piano Practice Sessions. Rock. Book and digital audio. ADG Productions #ADG233. Published by ADG Productions

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

35 Pieces for Piano Solo on the Quirky Side. By Various. Boosey and Hawkes Piano. 56 pages. Published by Boosey & Hawkes.

Composed by Andrew D. Gordon. Blues. Book and online audio. Duration 67 minutes. Published by ADG Productions (AD.ADG159).

Composed by Andrew D. Gordon. Blues. Book and online audio. Duration 40 minutes. Published by ADG Productions (AD.ADG160).

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. 100 Ultimate Blues Riffs. Blues. Book/digital audio. ADG Productions #ADG175. Published by ADG Productions

Blues Bass Lines for Piano/Keyboards in all 12 Keys by Andrew D. Gordon. For Piano, Keyboard. Blues. Book. 68 pages. Published by ADG Productions

By Various. Arranged by Andrew Balent. For Piano/Keyboard. FJH Solo Time. Patriotic. Composed 2003. Published by The FJH Music Company Inc.

Arranged by Andrew Balent; Joseph Compello. For Piano. This edition: Conductors Score- Piano Accompaniment. Level: Grade 2. Performance score. 35 pages. Published by Carl Fischer.

(Level 5). Composed by Lang Lang. For Piano. Book; Method/Instruction; Piano Method. Faber Edition. Intermediate. Published by Faber Music

Piano

SKU: H2.MH2230

Composed by Halfdan Kjerulf & Nils Grinde. Hardcover. Complete works with critical commentary. Published by Musikk-Husets Forlag (H2.MH2230).

Innbundet.
S amlede klaververker + kritiske kommentarer.

Welha vens Nokken kan sta som motto for Halfdan Kjerulfs livsverk - han var den forste norske komponisten som lyttet til nokkens sange, og evnet a skape et saerpreget norsk tonesprak som fikk avgjorende innflytelse pa den neste generasjonen i norsk musikkliv med Nordraak, Grieg og Svendsen i spissen. Men Kjerulf hadde apent sinn for verdiene bade i norsk og europeisk tonekunst. Han var nordmann og leipziger i skjonn forening, og stod kritisk vurderende overfor bade det norske og det europeiske. Hans egne komposisjoner avspeiler begge disse sider av hans interesse.

Halfdan Kjerulfs samlede verker er utgitt av professor Nils Grinde. Utgaven er basert pa manuskripter og tidligere trykte utgaver, hovedsakelig i Norsk musikksamling, Universitetsbiblioteket i Oslo, men ogsa pa kilder i andre norske samlinger, og samlinger i Stockholm og Uppsala. Oystein Gaukstad var radgiver ved fastsettelsen av retningslinjene for utgaven, som har et praktisk og vitenskapelig formal.

Kjerulfs samlede verker inneholder omtrent 380 verker: ca. 125 romanser, 110 klaverstykker, knapt 110 mannskorsatser og 35 andre verker. Av disse verkene er litt over 80 trykt her for forste gang. Da det er omtrent 10 forstegangstrykte verker blant romansene og et tilsvarende antall mellom klaverstykkene, er det her i bind 4 og 5 litt over 60 verker trykt for forste gang. Dette dreier seg delvis om leilighetskomposisjoner og verker av mindre betydning, men en del av de nytrykte komposisjonene gir ogsa meget betydelige bidrag til vart bilde av Kjerulf som komponist, og det er verker som bor fa en plass i vart musikkiv. Det bor ogsa tilfoyes at det i disse fem bindene finnes en betydelig mengde musikk som nok har vaert trykt tidligere, men som har vaert lie kjent og lite brukt.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

By Amy Appleby. For Piano. Classical, Folk, Children's. Sheet Music. 146 pages. Published by Wise Publications.

Piano Technique. By Howard Kasschau. Piano Method. Size 9x12 inches. 76 pages. Published by G. Schirmer, Inc.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano - difficult

SKU: HL.49008315

Part VII-XI. Composed by Moritz Eggert. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1995-1998. 70 pages. Duration 33'. Schott Music #ED9137. Published by Schott Music (HL.49008315).

ISBN 9790001126403. UPC: 073999352016. 8.0x11.75x0.221 inches.

'Hammerklav ier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hammer' of the title refers not to the mechanical action of the pianoforte nor to Beethoven's 'Hammerklaviersonata' but to the mental approach required of the performer who doesn't just simply depress the keys of the piano but needs to be a true 'performance artist'. The composer has recorded the entire cycle for WERGO (WER 6611-2).