Piano SKU: BT.9780008306144 Composed by David Blackwell and Karen Marshal...(+)
Piano
SKU:
BT.9780008306144
Composed by David
Blackwell and Karen
Marshall. Get Set! Piano.
Book Only. Composed 2018.
40 pages. Collins Music
Publishing
#9780008306144. Published
by Collins Music
Publishing
(BT.9780008306144).
ISBN
9780008306144.
G
et Set! Piano Christmas
Crackers contains over 30
carols for the beginner
pianist, featuring a
range of techniques and
quizzes to support
musical development from
the very first lessons to
Grade 2.
Full of
festivefavourites such as
Jingle bells, Silent
night and Deck the halls,
with a few lesser known
carols included for good
measure, many of the
pieces have simple but
effective teacher duet
parts to encourage
ensemble playing from
thestart. The book is
illustrated throughout in
the charming Get Set!
style, and students are
encouraged to decorate
and colour in the
drawings to reflect their
progress.
Packed
with fantastic,
tried-and-tested
arrangementsanda variety
of fun activities to
reinforce learning, this
is the ultimate beginner
piano Christmas
book!
Piano - easy SKU: BT.DHP-1145521-401 Favourite pieces arranged for fiv...(+)
Piano - easy
SKU:
BT.DHP-1145521-401
Favourite pieces
arranged for five finger
piano with optional
accompaniment parts.
Five Finger Piano. Book
Only. Composed 2014. 48
pages. De Haske
Publications #DHP
1145521-401. Published by
De Haske Publications
(BT.DHP-1145521-401).
ISBN 9789043136112.
9x12 inches.
International.
STAG
E and SCREEN FAVORITES is
an exciting selection of
best-loved themes from
popular musicals, from
sing-along classics such
as THE SOUND OF MUSIC and
MY FAVOURITE THINGS to
toe-tapping hits like
CIRCLE OF LIFE and
YOU´VE GOT A FRIEND IN
ME. Asure-fire showcase
to get those fingers
moving!
Deze
spannende selectie van de
meest geliefde themas uit
populaire musicals, als
The Sound of Music
en My Favourite
Things tot swingende
hits als Circle of
Life en Youve got
a Friend in Me, zet
je vingers in beweging.
STAGE and SCREEN
FAVORITES enthält eine
mitreiÃ?ende Auswahl an
Lieblingsmelodien in
besonders leicht
spielbaren Arrangements,
die auch schon für
Anfänger geeignet
sind. Wagen Sie sich an
Musicalklassiker zum
Mitsingen wie THE SOUND
OF MUSIC und MYFAVOURITE
THINGS bis zu Hits, bei
denen jeder mitwippen
muss wie CIRCLE OF LIFE
und YOU´VE GOT A
FRIEND IN ME. Dank der
enthaltenen Begleitung
für Lehrer oder
Fortgeschrittene wird es
noch voller klingen und
noch mehr SpaÃ? machen.
So bringen Siegarantiert
nicht nur Ihre Finger in
Bewegung!
Unemozionante
selezione di temi tratti
da noti musical e canzoni
famose. Un metodo
infallibile per
esercitarsi e muovere le
dita sulla tastiera
divertendosi!
Piano solo SKU: HH.HH512-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo
SKU:
HH.HH512-SOL
Composed
by Franz Joseph Haydn.
Edited by Sarah Jenner.
Arranged by C.D.
Stegmann. Playing score.
Edition HH Music
Publishers #HH512-SOL.
Published by Edition HH
Music Publishers
(HH.HH512-SOL).
ISBN
9790708185222.
Symp
hony No.63 La Roxelane
the first movement of
which re-employs (with
reduced instrumentation
and some structural
adjustment to conform to
its new symphonic
setting) the overture to
Haydn’s opera Il
mondo della luna which
was originally composed
for the 1777 season at
Esterháza. The second
movement, headed Roxelane
Allegretto, is a set of
variations on the French
melody La Roxelane which
reveals itself as an
early example of the
composer’s
favoured double-variation
form of contrasting major
and minor key sections.
Roxelane herself is the
leading female character
in Les trois sultanes, a
stage play by Charles
Simon Favart performed by
Karl Wahr and his
theatrical troupe in a
German translation at
Esterháza in that same
year with (we assume)
incidental music by
Haydn. The Menuetto and
concluding Finale Presto
of the symphony were
newly-composed and do not
(as far as we know) make
use of re-cycled
theatrical music.
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano
SKU:
BR.BG-925
Composed by
Rudolf (Hrsg.) Luck.
Edited by Rudolf Luck.
Solo instruments;
Softcover. Edition Gerig.
Music post-1945. Score.
60 pages. Breitkopf and
Haertel #BG 925.
Published by Breitkopf
and Haertel (BR.BG-925).
ISBN 9790004131824. 9
x 12 inches.
When
the mathematically
oriented compositional
method started losing
favour, composers began
turning again more
strongly to the piano,
from the midsixties on,
and discovered, as it
were, the new poetry of
the instrument through
effects obtained with
harmonics and
preparation. For this
reason, only a few pieces
dating from before 1965
have been selected. Most
of the following pieces
were composed especially
for this anthology. They
are arranged in order of
increasing difficulty.
While the first volume is
intended more for the
amateur, the second
volume presupposes a
greater degree of skill.
Due to the great number
of composers, it was
impossible even to
pretend to offer a
representative
cross-section of
contemporary German piano
music. Several composers
had to be excluded
because they wrote no
notable works for piano.
Another criterion
influencing the selection
of pieces was the effort
to present the most
varies styles of piano
writing possible.
Moreover, special notice
has been given to the
works which display
originality, even though
their authors are not
among the most widely
known and marketable
musicians of the day.
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano
SKU:
BR.BG-922
Composed by
Rudolf (Hrsg.) Luck.
Edited by Rudolf Luck.
Solo instruments;
Softbound. Edition Gerig.
Music post-1945. Score.
68 pages. Breitkopf and
Haertel #BG 922.
Published by Breitkopf
and Haertel (BR.BG-922).
ISBN 9790004140192. 9
x 12 inches.
When
the mathematically
oriented compositional
method started losing
favour, composers began
turning again more
strongly to the piano,
from the midsixties on,
and discovered, as it
were, the new poetry of
the instrument through
effects obtained with
harmonics and
preparation. For this
reason, only a few pieces
dating from before 1965
have been selected. Most
of the following pieces
were composed especially
for this anthology. They
are arranged in order of
increasing difficulty.
While the first volume is
intended more for the
amateur, the second
volume presupposes a
greater degree of skill.
Due to the great number
of composers, it was
impossible even to
pretend to offer a
representative
cross-section of
contemporary German piano
music. Several composers
had to be excluded
because they wrote no
notable works for piano.
Another criterion
influencing the selection
of pieces was the effort
to present the most
varies styles of piano
writing possible.
Moreover, special notice
has been given to the
works which display
originality, even though
their authors are not
among the most widely
known and marketable
musicians of the day.
Lute Stop Piano seul [Conducteur] Stainer and Bell
Piano SKU: ST.Y215 Composed by Morgan Hayes. 6 minutes. Score. Stainer & ...(+)
Piano
SKU: ST.Y215
Composed by Morgan Hayes.
6 minutes. Score. Stainer
& Bell Ltd. #Y215.
Published by Stainer &
Bell Ltd. (ST.Y215).
ISBN
9790220221309.
1st
perf: Sarah Nicolls, The
Warehouse, London, 12
December 2003
Lute Stop,
inspired by the legendary
playing of Glen Gould and
Alexis Weissenberg, is
the latest bravura solo
from Morgan Hayes, an
outstanding young British
composer of piano music.
The interpretative style
of these performers,
favouring a block-like
rather than a nuanced
approach to dynamics, is
mirrored in the formal
aspect of the piece and
the extreme dynamic
contrasts of its
material. Sudden shifts
in register, octave
doublings and quiet
left-hand punctuations
also feature prominently
in the textures,
suggesting changes of
registration on a
harpsichord - hence the
title.
Piano SKU: FG.55011-717-4 Composed by Einar Englund. Score. Fennica Gehrm...(+)
Piano
SKU:
FG.55011-717-4
Composed by Einar
Englund. Score. Fennica
Gehrman #55011-717-4.
Published by Fennica
Gehrman (FG.55011-717-4).
ISBN
9790550117174.
It
was through Einar Englund
(1916-1999) that the
Neoclassicism already
familiar elsewhere in the
world landed on Finnish
shores in the late 1940s.
A composer especially of
large-scale orchestral
and chamber works,
Englund is one of the
greatest Finnish
symphonists.
Sinuh
e is an example of a
Finnish composition
founded on a non-Finnish
subject handled in a
non-National-Romantic
way. This probably partly
explains why the score
has fallen into oblivion
in Finland: the Oriental
moods and the Nile do not
correspond to the view of
a Finnish composition as
one favouring topics from
the national epic, the
Kalevala, and lakeland
scenery. The music also
incorporates motifs
derived from Lapp yoiks
used by Englund in his
score for the film The
White Deer (1952). When
it was written, the
ballet's combination of a
historical subject with
an exotic, stylised idiom
showed that Englund had
his finger on the
international pulse,
unlike, say, Samuel
Barber's ballet Medea
(1946) and Aram
Khachaturian's ballet
Spartacus
(1956).
The suite
from Sinuhe is in five
scenes. It omits the
original overture and
almost all the music for
the second half of the
ballet. Sinuhe's hapless
love for the courtesan
Nefernefer is described
with languorous
sensuality. His servant
Kaptah throws himself
into a frenzied dance
with the Cretan maidens.
The suite ends with the
rhythmic war dance of his
friend Horemheb.