By Various. Arranged by Helen Marlais. For piano. The FJH Pianist's Curriculum. ...(+)
By Various. Arranged by
Helen Marlais. For piano.
The FJH Pianist's
Curriculum. Christmas.
Level: Early Advanced.
Book. Published by The
FJH Music Company Inc.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Piano - Early Advanced; Late Intermediate SKU: AP.47915 Piano Arrangem...(+)
Piano - Early Advanced;
Late Intermediate
SKU:
AP.47915
Piano
Arrangements for the
Close of Worship
Services. Composed by
Carol Tornquist. Other
Church; Piano Collection;
Worship Resources.
Worship Essentials.
Contemporary Christian;
Sacred. Book. 40 pages.
Alfred Music #00-47915.
Published by Alfred Music
(AP.47915).
ISBN
9781470642174. UPC:
038081549279.
English.
The
Worship Essentials series
offers a valuable
resource for church
pianists that includes
collections with
accessible piano
arrangements specifically
for preludes,
offertories, and
postludes. This book
includes selections of
contemporary Christian
hits appropriate for
postlude music. Titles:
Cry of My Heart (Terry
Butler) * Days of Elijah
(Robin Mark) * Even So
Come (Come Lord Jesus)
(Chris Tomlin) *
Everlasting God (Brenton
Brown) * I Am Not Alone
(Kari Jobe) * I Lift My
Eyes Up (Brian Doerksen)
* Indescribable (Jesse
Reeves and Laura Story) *
Lord, Reign in Me
(Brenton Brown) * Mighty
to Save (Hillsong
Worship) * Our God (Chris
Tomlin) * Redeemed (Big
Daddy Weave) * Sing to
the King (Billy Foote) *
Take My Life (Holiness)
(Scott Underwood) * This
Is Amazing Grace (Phil
Wickham) * Trust in You
(Lauren Daigle) * Whom
Shall I Fear (God of
Angel Armies) (Chris
Tomlin).
Piano - intermediate SKU: BT.SLB-00597300 Composed by Eric Tanguy. Contem...(+)
Piano - intermediate
SKU:
BT.SLB-00597300
Composed by Eric Tanguy.
Contemporary Music. Book
Only. Composed 2016. 7
pages. Editions Salabert
#SLB 00597300. Published
by Editions Salabert
(BT.SLB-00597300).
PIANO inches.
French.
Nouvelle
Etude for solo piano
premiered by Steven van
Hauwaert in Los Angeles
in the Piano Sphere
concert series on June
2nd 2015.
Born in
Caen in 1968, Eric Tanguy
has become one of the
most widely performed and
broadcast French
composers ofour days. His
output comprises more
than hundred works to
this day, ranging from
solo pieces to concertos,
vocal pieces and
symphonic works. They
have been included into
the repertoire of major
performers of our time.
His reputation as a
composer andprofessor has
brought him invitations
for masterclasses and
lectures all around the
world.
Level 1 Piano - Elementary SKU: HL.645931 Schaum Making Music Piano Li...(+)
Level 1 Piano -
Elementary
SKU:
HL.645931
Schaum
Making Music Piano
Library. Composed by
Bela Bartok. Edited by
Wesley Schaum. 20th
Century. Educational
Piano. Classical.
Softcover. Op. 8/c. 24
pages. Duration 7200
seconds. Schaum
Publications, Inc. #1763.
Published by Schaum
Publications, Inc.
(HL.645931).
ISBN
9781629060958. UPC:
008148017638. 9.0x12.0
inches. Hungarian,
French. Compiled and
edited by Wesley
Schaum.
These
collections integrate
method, theory, technic
and note reading with
appealing materials for
recital and repertoire.
Level 1 includes: Allegro
* Angel Fair with Golden
Hair * Can Can * Concerto
Theme * DAnce of the
Hours * Enchantment *
Flowers That Bloom in the
Spring * Heavenly Aida *
In the Hall of the
Mountain King * Jesu, Joy
of Man's Desiring *
Melody * Minuet (Bach) *
Musette * O Solo Mio *
Passepied * Scheherazade
* Seventh Symphony Theme
* Sleeping Beauty Waltz *
Sonata No. 6 * There
Stands a Little Man *
Vienna Life Waltz.
Piano - Early Intermediate; Intermediate SKU: AP.48027 Book 4. ...(+)
Piano - Early
Intermediate;
Intermediate
SKU:
AP.48027
Book
4. 7 Piano
Arrangements of Holiday
Favorites. Composed
by Catherine Rollin.
Piano Collection; Piano
Supplemental. Christmas
Treats and Treasures.
Christmas; Winter. Book.
24 pages. Alfred Music
#00-48027. Published by
Alfred Music (AP.48027).
ISBN 9781470642525.
UPC: 038081550664.
English.
Catherine
Rollin's Christmas Treats
and Treasures, Book 4, is
a collection of seven
piano arrangements of
holiday favorites. These
beautiful, joyful, and
uplifting carols and
songs will bring many
special musical moments
to piano students as they
celebrate the holidays.
Titles: Angels We Have
Heard on High * Away in a
Manger * It Came Upon the
Midnight Clear * Jazzy
and Jolly Old Saint Nick
* O Little Town of
Bethlehem * Ukrainian
Bell Carol * Up on the
Housetop.
Piano - intermediate to advanced SKU: HL.49007897 Composed by Tatiana Kom...(+)
Piano - intermediate to
advanced
SKU:
HL.49007897
Composed
by Tatiana Komarova. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1990.
16 pages. Duration 9'.
Schott Music #ED 8299.
Published by Schott Music
(HL.49007897).
ISBN
9790001084536.
9.0x12.0x0.072
inches.
Die fruhe
Sonata kann als
Schlusselwerk fur Tatjana
Komarovas internationale
Bekanntheit bezeichnet
werden. 1992 fuhrte ihr
Ehemann Lars Vogt sie in
allen grossen Stadten der
USA von New York bis Los
Angeles auf und stellte
sie bis 1995 in ganz
Europa der Offentlichkeit
vor. Frankfurt, Leipzig,
Amsterdam, Paris, Prag
und Athen sind nur einige
Beispiele. Das Werk
eignet sich hervorragend
fur den Vortrag in allen
Arten von Konzertsalen
und beinhaltet einen
weiten Blick auf die
grosse Spannweite von
Komarovas
kompositorischen
Fahigkeiten.
Piano SKU: HL.1298846 For Piano. Composed by Angeline Bell. Piano....(+)
Piano
SKU:
HL.1298846
For
Piano. Composed by
Angeline Bell. Piano.
Blues, Classical, Jazz,
Tango. Softcover. 36
pages. Musica Ferrum
Editions
#FERR9790708147855.
Published by Musica
Ferrum Editions
(HL.1298846).
UPC:
196288171256.
A
collection of 20 fun,
jazzy, bluesy, tangoy,
pieces for the
intermediate pianist.
Piano SKU: HL.1298847 For Piano. Composed by Angeline Bell. Piano....(+)
Piano
SKU:
HL.1298847
For
Piano. Composed by
Angeline Bell. Piano.
Classical, Romantic.
Softcover. 48 pages.
Musica Ferrum Editions
#FERR9790708147862.
Published by Musica
Ferrum Editions
(HL.1298847).
UPC:
196288171263.
A
collection of 20 lyrical,
romantic, pieces for the
intermediate pianist.
Piano - Elementary SKU: HL.645049 Level 1 Elementary Level. Compos...(+)
Piano - Elementary
SKU: HL.645049
Level 1 Elementary
Level. Composed by
Paul Wachs. Arranged by
Wesley Schaum. Sheet
music. Educational Piano.
Christmas. Softcover. Op.
4/2. 32 pages. Schaum
Publications, Inc. #1105.
Published by Schaum
Publications, Inc.
(HL.645049).
ISBN
9781495080999. UPC:
008148011056. 9.0x12.0
inches.
23 easy to
play pieces with lyrics
and illustrations: Angels
We Have Heard on High *
As With Gladness Men of
Old * Auld Lang Syne *
Away in a Manger *
Beautiful Savior *
Christmas Is Coming *
Coventry Carol * First
Noel * Friendly Beasts *
God Rest Ye Merry
Gentlemen * Go Tell It on
the Mountain * Hark the
Hearld Angels Sing * Here
We Come A-Caroling
(Wassail Song) * Holly
and the Ivy * It Came
Upon the Midnight Clear *
Jingle Bells * Joy to the
World * Little Town of
Bethlehem * March of the
Three Kings * Nazareth *
O Come All ye Faithful *
Silent Night * Twelve
Days of Christmas.
Piano solo - Level 4 SKU: FV.FUE-2340 Composed by Barbara Heller. Piano (...(+)
Piano solo - Level 4
SKU: FV.FUE-2340
Composed by Barbara
Heller. Piano
(Harpsichord), 2-hands.
Work premiere: 21.03.1985
Tilburg (NL) Barbara
Heller. Instrumental
Music. Full score.
Duration 40'. Furore
Verlag #FUE 2340.
Published by Furore
Verlag (FV.FUE-2340).
ISBN
979-0-50012-134-3.
This work can be
understood as the daily
diary entries of a piano
composer in an unusual
situation. Suitable for
elementary and advanced
piano study as well as
for concert performance.
Selections vary from
simple, easy to demanding
short poetic pieces. Some
are of didactic and some
of minimalistic nature.
Inspirational in the
development of
independence in
interpretive
decision-making.
W
P: 21.03.1985 Tilburg
(NL) Barbara
Heller
CONTENT
Ein Zug fahrt ab...,
Perpetuum, Schmerz:
Energie verebbt,
Anklange, ...niemand
weiss..., Schwebend,
Einwurf, Verwirrung,
fruher (vormals),
...und..., Erinnerung
(Kindheit:
schwarz-weiss), good
night, Triangel,
Courante, This chord,
Anruf aus Rom, slow
(langsam), im Traum...,
Tagtraum, Aus der Ferne,
Einfall, Ratsel,
Bruchstucke, Fermate, Ein
Versuch, Ein Zeichen.