Chamber Music, Quartet String Quartet: 2 Violins 1 Alto 1 Cello - Grade 3

SKU: FL.FX073625

Composed by Marc-Antoine Charpentier. Arranged by Eric Vireton. Arrangement. Classical. Score and Set of Parts. Duration 1 minute, 40 seconds. FLEX Editions #FX073625. Published by FLEX Editions (FL.FX073625).

Instruments:Str ing Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 3.

String Quartet (2vl,va,vc)

SKU: BR.KM-2500

Composed by Hanspeter Kyburz. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Berlin, (Festspiele), September 9, 2004 (Quatuor Diotima)

Music post-1945; New music (post-2000). Score and parts. Composed 2003/2004. 118 pages. Duration 20'. Breitkopf and Haertel #KM 2500. Published by Breitkopf and Haertel (BR.KM-2500).

ISBN 9790004502730. 9 x 12 inches.

Hanspeter Kyburz works with three fundamental formative principles in his String Quartet. Soloistic, polyphonic and integratively i.e. homogeneously structured tutti runs alternate with one another, whereby the form does not follow a fixed pattern. Multifaceted correspondences and motivic relationships result from the interplay of the individual sections. The work was given its much-applauded first performance on 9 September 2004 at the Berliner Festwochen. The composer radically revised his quartet after the first performances. From January 2005 onwards, all concerts featuring the work will be based on this new version.

World premiere: Berlin, (Festspiele), September 9, 2004 (Quatuor Diotima).

(A Carol Service (String Quartet/Quintet)). By Hal H. Hopson. Choir Sacred. This edition: String Quartet/Quintet. Choral Worship Cantata. H.W. Gray. Christmas; Sacred; Winter. 120 pages. Published by Alfred Music Publishing

Chamber Music String Quartet

SKU: PR.144407270

Composed by Sydney F. Hodkinson. Sws. Set of Score and Parts. 44+16+16+16+16 pages. Duration 22 minutes. Merion Music #144-40727. Published by Merion Music (PR.144407270).

UPC: 680160681891. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.

Chamber Music String Quartet

SKU: PR.14440727S

Composed by Sydney F. Hodkinson. Sws. Full score. 44 pages. Duration 22 minutes. Merion Music #144-40727S. Published by Merion Music (PR.14440727S).

UPC: 680160681907. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.

Composed by Scott Staidle. Squareback saddle stitch. Book. 172 pages. Mel Bay Publications, Inc #30747. Published by Mel Bay Publications, Inc

String Quartet (2vl,va,vc)

SKU: BR.BG-502

Composed by Gunther Becker. This edition: paperback. Chamber music. Edition Gerig. Music post-1945. Full score. Composed 1964. 16 pages. Duration 7'. Breitkopf and Haertel #BG 502. Published by Breitkopf and Haertel (BR.BG-502).

ISBN 9790004120040. 9 x 12 inches.

CD: Parrenin-Quartett Cybele 660.202 Quatuor Parrenimcol legno WWE 1CD 31897.