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Mozart W.a. - La Clemence De Titus Kv 621 - Vocal Score
55.20
Mozart W.a. - La Clemence De Titus Kv 621 - Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
BARENREITER
Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (...
(+)
Opera seria in 2 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch)
Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Giegling, Franz
Binding : paperbound
Instrumentation : 4 Soprano solo, Tenor solo, Bass solo, Mixed Choir, Orchestra Hn, 2 Trumpet, Kettledrum, Strings, Basso continuo
55.20 EUR - vendu par Woodbrass
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Kantate 214 Tönet, Ihr Pauken! (BACH JOHANN SEBASTIAN)
18.10
Kantate 214 Tönet, Ihr Pauken! (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Partition]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Trumpets, uplift ye! loud drum-rolls, now thunder! BW...
(+)
Par BACH JOHANN SEBASTIAN. Trumpets, uplift ye! loud drum-rolls, now thunder! BWV 214/ Répertoire / Soliste, Choeur Mixte et Orchestre
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Ascension Oratorio Bwv 16
6.30
Ascension Oratorio Bwv 16
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition'.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition'- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Alto
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Ascension Oratorio Bwv 17
6.30
Ascension Oratorio Bwv 17
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Contrebasse
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Ascension Oratorio Bwv 14
6.30
Ascension Oratorio Bwv 14
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Violon I
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Ascension Oratorio Bwv 12
22.70
Ascension Oratorio Bwv 12
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Ensemble A Vent
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3 Uncharacteristic Pieces
35.60
3 Uncharacteristic Pieces
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orchestre
35.60 EUR - vendu par LMI-partitions
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Ascension Oratorio Bwv 13
18.90
Ascension Oratorio Bwv 13
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition'.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition'- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orgue
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Ascension Oratorio Bwv 11
13.60
Ascension Oratorio Bwv 11
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...
(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Voix
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Magnificat (BRUCKNER ANTON)
29.90
Magnificat (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Conducteur]
Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like' The Magnificat ...
(+)
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like' The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Ensemble de Chambre
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
36.70
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
470.60
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
[Set de Parties séparées]
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre
470.60 EUR - vendu par LMI-partitions
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
16.30
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB
16.30 EUR - vendu par LMI-partitions
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