Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Demofoonte (Mailand 1743) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Dramma per musica in drei Akten). Composed by Christoph Willibald von Gluck (17...(+)
(Dramma per musica in
drei Akten). Composed by
Christoph Willibald von
Gluck (1714-1787). Edited
by Tanja Golz. Arranged
by Eckhart Kuper. For
solo voices, choir,
orchestra (3 soprano
voice solos/2 solo alto
voices/2 tenor solo
voices/children's choir/2
flutes/2
oboes/[bassoon]/4
horns/timpani/strings/har
psichord). This edition:
Complete edition, Urtext
edition. Linen. Christoph
Willibald Gluck. Complete
Works. Series III, Volume
3. Mailand 1743. Score.
Published by Baerenreiter
Verlag
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Le comte Ory Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien...(+)
(Opera in two acts).
Composed by Gioachino
Rossini (1792-1868).
Edited by Damien Colas.
For soprano voice solo/5
mezzo-soprano voice
solos/4 tenor voice
solos/4 baritone voice
solos/mixed choir/female
choir/men's
choir/orchestra (flute/2
flutes/2 oboe/2
clarinet/2 bassoon/4
horn/2 trumpet/3
trombone/timpani/percussi
on/2
violins/viola/cello/keybo
ard). This edition:
Edition of selected
works, Urtext edition.
Linen. Works of Gioachino
Rossini 5a b. Score.
Language: France, Text
Language:
France/English/Italian.
Published by Baerenreiter
Verlag
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Gloria in E flat major Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Facile Carus Verlag
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli S...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Pietro Zappala.
For Soli SSATB, SATB
Choir, 2 Flutes, 2 Oboes,
2 Clarinets, 2 Bassoons,
2 Horns, 2 Trumpets,
Timpani, 2 Violins,
Viola, Cello/Contrabass.
This edition: Paperbound.
Es-Dur (E-flat major).
Stuttgart Urtext
editions. Mass sections,
Christmas. Level 3. Full
score. Language: Latin.
Composed 1822. 128 pages.
Duration 21 min.
Published by Carus Verlag
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Violoncello.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Cello. WAB 45. 12
pages. Duration 25
minutes. Carus Verlag #CV
27.190/14. Published by
Carus Verlag
(CA.2719014).
ISBN
9790007200770. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola.
Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863).
ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic.
“The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorb...(+)
Soli e Coro SST(A)TB, 2
Fl, 2 Ob, 2 Tr, Timp, 2
Vl, 2 Va (Va, Vl), Vc/
Fg/ Tiorba, Bc
SKU:
CA.2103203
Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. Sacred
vocal music, Motets,
Praise and thanks. Vocal
score. H 146. 48 pages.
Duration 25 minutes.
Carus Verlag #CV
21.032/03. Published by
Carus Verlag
(CA.2103203).
ISBN
9790007186142. Language:
Latin.
In 1953,
with timpani and trumpets
a la Marseillaise, a
French piece of music
once again captured
public attention
(Eurovision Hymn) and a
composer was
rediscovered: the first
recording of Marc-Antoine
Charpentier's Te Deum H
146 was released. The
introductory fanfare not
only praised God but the
Sun King Louis XIV, and
it opens one of the
greatest works of French
Baroque music.
Magnificent celebration
and ardent pleading,
effective choruses, arias
and small ensembles, plus
instrumental interludes
combine to create a
harmonious whole, drawing
its higher meaning from
Charpentier's
musical-theological
interpretation of the
Latin hymn of praise that
it is based on. Score
available separately -
see item CA.2103200.
WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years.
The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais.
-
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
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Barenreiter
Urtext
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expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Magnificat in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Pa...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For SSATB vocal soli,
SSATB choir, 2 flutes, 2
oboes, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Paperbound.
D-Dur (D major).
Stuttgart Urtext
editions. Score available
separately - see item
CA.3124300. Magnificats,
Christmas. Study score.
Language: Latin. BWV 243.
76 pages. Published by
Carus Verlag