(New revised version). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Arranged by Andreas Kohs. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 flutes, 3 oboes (2 oboes d'amore), 2 english horns, 2 bassoons, horn, 3 trumpets, timpani, 2 violins, viola, basso continuo (organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSAATTBB/2 Flutes/3 Oboes (2 Oboes d'amore)/2 English Horns/2 Bassoons/Horn/3 Trumpets or 3 Horns or 3 Clarinets/Timpani/2 Violins/Viola/Basso continuo (Organ)). This edition: Paperback, Urtext edition. Paperback. New revised version. Level 4. Piano reduction. Language: Latin. BWV 232. 243 pages. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag

(0.0.0.0/2.0.0.0,str,solo violin & viola)

SKU: TM.01279SC

Composed by Carl Stamitz. Score. Lucks Music Library #A7580. Published by Lucks Music Library (TM.01279SC).

Sol/pf. Allegro moderato, Romace, Rondeau.

(0.0.0.0/2.0.0.0,str,solo violin & viola)

SKU: TM.01279SET

Composed by Carl Stamitz. Set Type: D. Set of parts. Lucks Music Library #A7580. Published by Lucks Music Library (TM.01279SET).

Sol/pf. Allegro moderato, Romace, Rondeau.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, basso continuo - Grade 4

SKU: CA.5050113

Missa in C. Composed by Ignaz Holzbauer. Edited by Jochen Reutter. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Viola. Masses, Latin. Single Part, Viola. Composed circa 1770. 16 pages. Duration 40 minutes. Carus Verlag #CV 50.501/13. Published by Carus Verlag (CA.5050113).

ISBN 9790007224172. Key: C major. Language: Latin.

One of the most important masses of the pre-classical period, and one of the earliest examples of symphonic church music, published for the first time. Score and part available separately - see item CA.5050100.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119813

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/13. Published by Carus Verlag (CA.3119813).

ISBN 9790007210618. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300813

Composed by Jose Nunes Garcia. Viola 1. Sacred vocal music, Requiem. Single Part, Viola 1. 12 pages. Duration 35 minutes. Carus Verlag #CV 23.008/13. Published by Carus Verlag (CA.2300813).

ISBN 9790007037772. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and part available separately - see item CA.2300800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119814

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 1. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/14. Published by Carus Verlag (CA.3119814).

ISBN 9790007210625. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 2 horns, timpani, 2 violins, 2 violas, cello/contrabass

SKU: CA.2300814

Composed by Jose Nunes Garcia. Viola 2. Sacred vocal music, Requiem. Single Part, Viola 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 23.008/14. Published by Carus Verlag (CA.2300814).

ISBN 9790007037789. Language: Latin.

Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present ,,Missa dos Defunktos was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart's Requiem, which Garcia performed two years later (1819) for the first time in Brasil. Score and part available separately - see item CA.2300800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119815

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola da gamba 2. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/15. Published by Carus Verlag (CA.3119815).

ISBN 9790007210632. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, 2 violas, basso continuo

SKU: CA.1024713

Christmas cantata. Composed by Friedrich Wilhelm Zachow. German title: Uns ist ein Kind geboren. Sacred vocal music, Cantatas, Christmas. Single Part, Viola 1. 8 pages. Carus Verlag #CV 10.247/13. Published by Carus Verlag (CA.1024713).

ISBN 9790007022914. Language: German.

Score available separately - see item CA.1024700.

By Georg Bohm. For Soli SATB, SATB Choir, Bassoon, 2 Violins, 2 Violas, Basso continuo. Full score available separately - see item CA.1004200. Cantatas; Use during church year: End of the church year. Part: Viola 1. Language: German. 4 pages. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: viola 2. Language: German/English. Composed 1707/1708. BWV 131. 4 pages. Duration 24 min. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550214

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Viola 2. Composed circa 1747. 12 pages. Duration 90 minutes. Carus Verlag #CV 35.502/14. Published by Carus Verlag (CA.3550214).

ISBN 9790007213459. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200.

SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, 2 violas, basso continuo

SKU: CA.4067413

Composed by Gioachino Rossini. Edited by Guido Johannes Joerg. German title: Messa Di Rimini 1809. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1809. 24 pages. Duration 45 minutes. Carus Verlag #CV 40.674/13. Published by Carus Verlag (CA.4067413).

ISBN 9790007220013. Language: Latin.

Score available separately - see item CA.4067400.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, 2 violas, basso continuo, [3 trombones]

SKU: CA.4061313

Dominicusmesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Dominicus-Messe) Rev.2002. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1769. KV 66. 16 pages. Duration 43 minutes. Carus Verlag #CV 40.613/13. Published by Carus Verlag (CA.4061313).

ISBN 9790007073442. Key: C major. Language: Latin.

Score available separately - see item CA.4061300.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, 2 violas, basso continuo

SKU: CA.1024714

Christmas cantata. Composed by Friedrich Wilhelm Zachow. German title: Uns ist ein Kind geboren. Sacred vocal music, Cantatas, Christmas. Single Part, Viola 2. 8 pages. Carus Verlag #CV 10.247/14. Published by Carus Verlag (CA.1024714).

ISBN 9790007022921. Language: German.

Score available separately - see item CA.1024700.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810914

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Single Part, Viola 1. Warb CW E 4. 28 pages. Duration 55 minutes. Carus Verlag #CV 38.109/14. Published by Carus Verlag (CA.3810914).

ISBN 9790007054342. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 violins, 2 violas, basso continuo, [3 trombones]

SKU: CA.4005513

Composed by Wolfgang Amadeus Mozart. Arranged by Walter Heinz Bernstein. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Litaniae De Venerabili Altaris Rev.2002. Litanies, Corpus Christi, Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1772. KV 125. 12 pages. Duration 32 minutes. Carus Verlag #CV 40.055/13. Published by Carus Verlag (CA.4005513).

ISBN 9790007059392. Key: B flat major. Language: Latin.

The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and part available separately - see item CA.4005500.

SATB vocal soli, SATB choir, bassoon, 3 violins, 2 violas, basso continuo - Level 2

SKU: CA.1008115

Composed by Sebastian Knupfer. German title: Ich will singen von der Gnade. Sacred vocal music, Cantatas, Easter and Eastertide, Christmas, Praise and thanks. Single Part, Viola 2. 2 pages. Duration 6 minutes. Carus Verlag #CV 10.081/15. Published by Carus Verlag (CA.1008115).

ISBN 9790007018351. Key: F major. Language: German.

Score available separately - see item CA.1008100.

SATB vocal soli, SATB choir, 2 violins, 2 violas, basso continuo

SKU: CA.1001414

Composed by Wolfgang C. Briegel. German title: Ich will singen von der Gnade. Sacred vocal music, Cantatas, Easter and Eastertide, Christmas, Praise and thanks. Single Part, Viola 2. 4 pages. Carus Verlag #CV 10.014/14. Published by Carus Verlag (CA.1001414).

ISBN 9790007016210. Language: German.

Score available separately - see item CA.1001400.

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: viola 1. Language: German/English. Composed 1707/1708. BWV 131. 4 pages. Duration 24 min. Published by Carus Verlag

SATB vocal soli, SATB choir, bassoon, 3 violins, 2 violas, basso continuo - Level 2

SKU: CA.1008114

Composed by Sebastian Knupfer. German title: Ich will singen von der Gnade. Sacred vocal music, Cantatas, Easter and Eastertide, Christmas, Praise and thanks. Single Part, Viola 1. 2 pages. Duration 6 minutes. Carus Verlag #CV 10.081/14. Published by Carus Verlag (CA.1008114).

ISBN 9790007018344. Key: F major. Language: German.

Score available separately - see item CA.1008100.

SATB vocal soli, SATB choir, 2 violins, 2 violas, basso continuo

SKU: CA.1001413

Composed by Wolfgang C. Briegel. German title: Ich will singen von der Gnade. Sacred vocal music, Cantatas, Easter and Eastertide, Christmas, Praise and thanks. Single Part, Viola 1. 4 pages. Carus Verlag #CV 10.014/13. Published by Carus Verlag (CA.1001413).

ISBN 9790007016203. Language: German.

Score available separately - see item CA.1001400.

SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo

SKU: CA.3550213

As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Viola 1. Composed circa 1747. 12 pages. Duration 90 minutes. Carus Verlag #CV 35.502/13. Published by Carus Verlag (CA.3550213).

ISBN 9790007213442. Language: German.

Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200.

(Easter Sunday). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo. E-Moll (E minor). German title: Christ lag in Todes B Part: viola 2 Cantatas, Easter and Eastertide

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119816

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, basso continuo. Composed 1727. BWV 198. 20 pages. Duration 35 minutes. Carus Verlag #CV 31.198/16. Published by Carus Verlag (CA.3119816).

ISBN 9790007210649. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 lutes, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119849

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Organ. Composed 1727. BWV 198. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.198/49. Published by Carus Verlag (CA.3119849).

ISBN 9790007210656. Language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.