Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500).
ISBN
9790007167769. Language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements.
(Fassung IV). By Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arra...(+)
(Fassung IV). By Johann
Sebastian Bach
(1685-1750). Edited by
Peter Wollny. Arranged by
Paul Horn. For Soli
SATBB, SATB Choir, 2
Flutes, 2 Oboes/Oboe
d'Amore, Oboe d'Amore,
Viola da Gamba, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. BWV 245. Full
score available
separately - see item
CA.3124500. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide.
Piano/Vocal score.
Language: German/English.
Composed 1749. 184 pages.
Duration 120 min
St. John Passion Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Peter Wollny. Arranged by
Paul Horn. For solo tenor
voice (Evangelist), solo
bass voice (Jesus), SATB
vocal soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo.
Stuttgart Urtext Edition.
German title:
Johannespassion 1749 5.
Oratorios, Passions, Lent
and Passiontide. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1749. BWV 245.
96 pages. Duration 120
minutes. Published by
Carus Verlag
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Full score.
Composed 1715. BWV 132.
28 pages. Duration 22
minutes. Carus Verlag #CV
31.132/00. Published by
Carus Verlag
(CA.3113200).
ISBN
9790007090999. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed 1715. BWV
132. Duration 22 minutes.
Carus Verlag #CV
31.132/19. Published by
Carus Verlag
(CA.3113219).
ISBN
9790007136741. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and parts
available separately -
see item CA.3113200.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed 1715.
BWV 132. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/11. Published by
Carus Verlag
(CA.3113211).
ISBN
9790007207922. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Joyful be, O ransomed flock Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
(Cantata for the Feast of John the Baptist). Composed by Johann Sebastian Bach (...(+)
(Cantata for the Feast of
John the Baptist).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Julia Doht. For SATB
vocal soli, SATB choir, 2
flutes, oboe I/oboe
d'amore, oboe II, violin
solo, 2 violins, viola,
basso continuo. This
edition: paperback.
Stuttgart Urtext edition.
Cantatas, Special days.
Full score. Text
language: German/English.
Composed 1738(?). BWV 30.
Duration 38 minutes.
Published by Carus Verlag
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 2. Composed 1715.
BWV 132. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/12. Published by
Carus Verlag
(CA.3113212).
ISBN
9790007207939. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
St. John Passion Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Peter Wollny. Arranged by
Paul Horn. For solo tenor
voice (Evangelist), solo
bass voice (Jesus), SATB
vocal soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title:
Johannespassion 1749.
Oratorios, Passions, Lent
and Passiontide. Full
score. Language:
German/English. Composed
1749. BWV 245. 224 pages.
Duration 120 minutes.
Published by Carus Verlag
St. John Passion Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Peter Wollny. Arranged by
Paul Horn. For tenor
voice solo (Evangelist),
bass voice solo (Jesus),
SATB vocal soli, SATB
choir, 2 flutes, 2 oboes,
2 violins, viola, viola
da gamba, basso continuo.
Stuttgart Urtext edition.
Passio secundum Joannem.
Oratorios, Passions, Lent
and Passiontide. Full
score (clothbound
edition). Text language:
German/English. Composed
1749. BWV 245. Duration
120 minutes. Published by
Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Wolfram Windszus. Th...(+)
Composed by George
Frideric
Handel (1685-1759).
Edited by
Wolfram Windszus. This
edition: complete
edition,
urtext edition. Linen.
Halle
Handel Edition (HHA)
Series
I, Volume 9.1. First
version.
Score. HWV 49a.
Baerenreiter
Verlag #BA04039-01.
Published
by Baerenreiter Verlag
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate
SKU:
MN.56-0109
Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57.
(Oratorium in 3 Teilen (englisch/deutsch). Urtext der Hallischen Handel-Ausgabe ...(+)
(Oratorium in 3 Teilen
(englisch/deutsch).
Urtext der Hallischen
Handel-Ausgabe - Oratorio
in three Parts
(english/german)) By
George Frideric Handel
(1685-1759), edited by
John Tobin. Score; Urtext
Edition; Complete Edition
(cloth bound) for soprano
solo, 2 alto solo, tenor
solo, bass solo, mixed
choir-ssatb, 2 bassoon, 2
trumpet, kettledrum,
strings, basso continuo.
Published by
Baerenreiter-Ausgaben
(German import).
Die erste Walpurgisnacht Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Reduction] Barenreiter
(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1...(+)
(Ballade von Johann
Wolfgang von Goethe). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
For alto voice solo/tenor
voice solo/baritone voice
solo/bass voice solo/SATB
choir/2 flutes/piccolo/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/3
trombones/timpani/concert
drum/cymbal/2
violins/viola/cello/contr
abass. This edition:
Urtext edition. Level 3.
Piano reduction
(paperbound). Language:
German/English, Text
language: German/English.
Opus 60. Published by
Baerenreiter Verlag
St. John Passion, BWV 245 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Solo voices, SATB chorus, orchestra (Soprano solo, Alto solo, Tenor solo (2), Ba...(+)
Solo voices, SATB chorus,
orchestra (Soprano solo,
Alto solo, Tenor solo
(2), Bass solo (2), Mixed
choir (SATB), Orchestra)
SKU: BA.BA05037-02
Composed by Johann
Sebastian Bach. Edited by
Arthur Mendel. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. BWV 245.
Baerenreiter Verlag
#BA05037_02. Published by
Baerenreiter Verlag
(BA.BA05037-02).
ISBN
9790006566709. 31 x 24.3
cm inches. Language:
German. Preface: Mendel,
Arthur.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
St. John Passion 1745 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
(Ein Lammlein geht und tragt die Schuld). By Georg Philipp Telemann (1681-1767)....(+)
(Ein Lammlein geht und
tragt die Schuld). By
Georg Philipp Telemann
(1681-1767). Edited by
Wolfgang Hirschmann.
Arranged by Olga
Kroupova. For Soprano
Solo (2), Alto Solo,
Tenor Solo (3), Bass Solo
(3), Mixed Choir-SATB,
Piano Str, Basso
Continuo. Passionen
(Passion Music, Easter).
Piano Reduction/Vocal
Score; Urtext Edition
(paperbound). TWV 5:30