(1.0.1.0/0.1.0.0,perc,pf, str)

SKU: TM.06409SET

Composed by Gabriel Pierne. Set Type: B. Set of parts. Lucks Music Library #A1881. Published by Lucks Music Library (TM.06409SET).

Entrance March of the Boyars.

(2+1.2.2.2+1/4.2.3.0,perc ,glock,str)

SKU: TM.01439SET

Composed by Mikhail I. Glinka. Set Type: D. Set of parts. Lucks Music Library #A4208. Published by Lucks Music Library (TM.01439SET).

Chernomor's March.

(0.0.0.2/2.0.3.1,timp,per c,str,MzB solo)

SKU: TM.14324SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A5126. Published by Lucks Music Library (TM.14324SET).

Waltz, March of Gnomes, Dance Bajazzo, Dance of the Chinese Dolls, Heavenly Ladder, Silent Night.

(2D1.2.2.2/2.2.0.0,timp,2 perc,str)

SKU: TM.13123SC

Composed by Paul Wranitzky. Edited by Suttle. Score. Published by Lucks Music Library (TM.13123SC).

Performance edition ed. by Suttle. Engraved 2017. Transposed: Cl I+II, Hn I+II, Tpt I+II. Viola is divisi at parts. See #13743 for String Orchestra version; full orchestra string parts are not compatible with string orchestra version parts. I. Andante Maestoso/Allegro Molto/Tempo Di Marcia, Piu Maestoso, Piu Allegro Tempo Primo. La Revolution. Marche des Anglois. Marche des Autrichiens et Prussiens. II. Adagio Affestuoso. Le sort et la mort de Louis XVI. Marche funebre. III. Allegro. Marche des Anglois. Marche des Allies. Tumulte d’une bataille. IV. Andante Grazioso/Allegro Vivace. Negociations de paix. Cris de joie pour la paix restitue.

(2D1.2.2.2/2.2.0.0,timp,2 perc,str)

SKU: TM.13123SET

Composed by Paul Wranitzky. Edited by Suttle. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13123SET).

Performance edition ed. by Suttle. Engraved 2017. Transposed: Cl I+II, Hn I+II, Tpt I+II. Viola is divisi at parts. See #13743 for String Orchestra version; full orchestra string parts are not compatible with string orchestra version parts. I. Andante Maestoso/Allegro Molto/Tempo Di Marcia, Piu Maestoso, Piu Allegro Tempo Primo. La Revolution. Marche des Anglois. Marche des Autrichiens et Prussiens. II. Adagio Affestuoso. Le sort et la mort de Louis XVI. Marche funebre. III. Allegro. Marche des Anglois. Marche des Allies. Tumulte d’une bataille. IV. Andante Grazioso/Allegro Vivace. Negociations de paix. Cris de joie pour la paix restitue.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

SATB vocal soli, SATB choir, cello/contrabass, organ

SKU: CA.2100305

Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305).

ISBN 9790007100797. Language: Latin.

Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score available separately - see item CA.2100300.

Soli, chorus and orchestra

SKU: LM.JJ15796

Composed by Caroline Marcot. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ15796. Published by Editions Jobert (LM.JJ15796).

ISBN 9790230815796.

Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4

SKU: BA.BA05448

Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448).

ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.

In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.

Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre acts”, which comes very close to the spirit of Goethe's presentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str)

SKU: BA.BA04590-01

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01).

ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.

On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(2+1.2+alt/EH.2+1.3/4.3.3 .1,2 perc,2 hp,pf,str)

SKU: TM.13878SC

Composed by Sergei Prokofiev. Score. Published by Lucks Music Library (TM.13878SC).

The Tale of the Buffoon. 12 movements. Le Bouffon et sa Bouffonne; Danse des bouffonnes; Les bouffons tuent leurs bouffonnes (Fugue); Le Bouffon travesti en jeune femme; Troisieme entr’acte; Danse des filles des bouffons; L’arrivee du mardiand, la danse des reverences et le choix de la fiancée; Dans la chambre a coucher du marchand; La jeunne femme est devenue chevre; Cinquieme entr’acte et lienterrement de la chevre; La querelle du Bouffon avec le marchand; Danse Finale.

By Marc-Antoine Charpentier (1645-1704). For Flute II & Violin II (SATB vocal soli, SATB choir, instruments). Choral, Christmas. Flute II & Violin II Part. Scripture: Psalm 97:2, 5-9. 4 pages. Published by E.C. Schirmer Publishing

By Marc-Antoine Charpentier (1645-1704). For Flute I & Violin I (SATB vocal soli, SATB choir, instruments). Choral, Christmas. Flute I & Violin I Part. Scripture: Psalm 97:2, 5-9. 4 pages. Published by E.C. Schirmer Publishing

(Fassung fur Sinfonieorchester). By Gabriel Faure (1845-1924). Edited by Rigaudiere, Marc. For Soli SBar, SATB Choir, 2 Flutes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, Violin, 2 Violas, 2 Cellos, Contrabass, Harp, Organ. This edition: paperbound. Full score available separately - see item CA.2731200. Requiem; Occasions: Mourning, Death. Piano/Vocal score. Language: Latin. Composed 1900. 36 pages. Duration 60 min

SATB vocal soli, SATB choir, 2 flutes, 2 violins, cello/contrabass, organ - Level 2

SKU: CA.2100111

Composed by Marc-Antoine Charpentier. French Sacred Music. German title: In Nativitatem Domini Canticum 1. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. H. 2 pages. Duration 5 minutes. Carus Verlag #CV 21.001/11. Published by Carus Verlag (CA.2100111).

ISBN 9790007197643. Language: Latin/German.

Score available separately - see item CA.2100100.

SATB vocal soli, SATB choir, 2 flutes, 2 violins, cello/contrabass, organ - Level 2

SKU: CA.2100113

Composed by Marc-Antoine Charpentier. French Sacred Music. German title: In Nativitatem Domini Canticum 1. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1698-1699. H. 4 pages. Duration 5 minutes. Carus Verlag #CV 21.001/13. Published by Carus Verlag (CA.2100113).

ISBN 9790007197667. Language: Latin/German.

Score available separately - see item CA.2100100.

SATB vocal soli, SATB choir, 2 flutes, 2 violins, cello/contrabass, organ - Level 2

SKU: CA.2100112

Composed by Marc-Antoine Charpentier. French Sacred Music. German title: In Nativitatem Domini Canticum 1. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. H. 2 pages. Duration 5 minutes. Carus Verlag #CV 21.001/12. Published by Carus Verlag (CA.2100112).

ISBN 9790007197650. Language: Latin/German.

Score available separately - see item CA.2100100.

By Marc-Antoine Charpentier (1645-1704). For Keyboard Continuo (SATB vocal soli, SATB choir, instruments). Choral, Christmas. Keyboard Continuo Part. Scripture: Psalm 97:2, 5-9. 4 pages. Published by E.C. Schirmer Publishing

(Version Hellmann/Glockner). By Johann Sebastian Bach (1685-1750). Edited by Glockner, Andreas. Arranged by Diethard Hellmann. For SAT soli, SATB choir, 2 flutes, 2 oboes (2 oboe d'amore), 2 violins, viola, viola da gamba, basso continuo (2 lutes). BWV 247. Full score available separately - see item CA.3124700. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. Composed 1723/1964/2001. 64 pages. Duration 75 min

By Marc-Antoine Charpentier. Edited by Fiaschi, Annick. Arranged by Paul Horn. For Soli SATB, SATB Choir, Cello/Contrabass, Organ. Magnificat, Motets; French Sacred Music; Use during church year: Christmas. Score. Language: Latin. 24 pages. Duration 9 min. Published by Carus Verlag (German import).