Cello SKU: BT.VOLMB41 Composed by Dr. Shinichi Suzuki. Suzuki Method Inte...(+)
Cello
SKU:
BT.VOLMB41
Composed
by Dr. Shinichi Suzuki.
Suzuki Method
International. Tuition.
Book Only. Volonte e Co
#VOLMB41. Published by
Volonte e Co
(BT.VOLMB41).
ISBN
9788863880397.
English-Japanese.
<
p>Suzuki Cello
School Volume
1.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
(Progressive Studies and Pieces for Cello). By Pat Legg and Alan Gout. For Cello...(+)
(Progressive Studies and
Pieces for Cello). By Pat
Legg and Alan Gout. For
Cello. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Intermediate.
Published by Faber Music
From
the composer: After many
years writing cadenzas,
transcriptions and
reductions of orchestral
works, I decided to take
the plunge and try my
hand at writing a piece
of my own. It is my
privilege to dedicate
this first effort to
Viviane Spanoghe, my
musical partner, muse,
and benevolent critic for
the past 40 years.
Another considerable debt
is to the composer Peter
Swinnen, whose formidable
erudition and expertise
helped transform an idea
into a musical word.
Lastly, I discovered
Hildegard von Bingen,
whose genius struck me so
forcefully through the
ages; she gave me the
material prima and the
will to complete this
essay..
Emmelia Violoncelle [Conducteur] University Of York Music Press
Cello SKU: BT.MUSM570366453 Composed by Evis Sammoutis. Classical. Score ...(+)
Cello
SKU:
BT.MUSM570366453
Composed by Evis
Sammoutis. Classical.
Score Only. 10 pages.
University of York Music
Press #MUSM570366453.
Published by University
of York Music Press
(BT.MUSM570366453).
English.
'Brice
Catherin, a cellist and a
composer exploring the
notion of the
one-man-band concept,
commissioned this work;
this composition was
subsequently the result
of our collaboration. My
aim has been to create a
work where the cellist
produces sounds using his
full body: his hands
(employing a variety of
extended techniques on
the Cello and external
objects), his feet, his
mouth (singing and
playing the harmonica and
flexible tube) and even
his face on one occasion
to muffle the strings.
There are two central
themes in the work:
virtuosity and theatre,
both strong, frequent
features of my
compositional oeuvre.
After several meetings
and experimentation with
Brice, I chose asetup
that enhances the musical
scope without visually
cluttering the stage. I
am also using a rather
unusual scordatura that
not only changes the
timbre of the instrument
itself, but also helps
create unique soundscapes
that blend together with
the sounds from the
spring drums, the human
voice (whistling, groans
and other effects), a
singing bowl, a harmonica
and a flexible tube among
others. The work is
entitled Emmelia and
there are two reasons for
this: Emmelia derives
from the prefix en (in)
and the noun melos
(harmony), thus meaning
in harmony. The
composition is structured
and developed in clearly
defined sections (noisy,
harmonious, distorted,
etc.), based on
information revealed by a
spectral analysis of an
F1 spectrum on the cello
(tuned a fifth below low
C), played and recorded
using a variety of
attacks and triggering
objects and methods.
Emmelia is also the name
of my baby daughter, who
has been my constant
inspiration since she was
born.' - Evis
Sammoutis.
Technique Takes Off! for Cello by Mary Cohen. For Cello. Book; String - Cello St...(+)
Technique Takes Off! for
Cello by Mary Cohen. For
Cello. Book; String -
Cello Studies or
Collection; Technique
Musicianship. Faber
Edition. Intermediate.
Published by Faber Music
Cello SKU: PE.EP68766 Composed by Christian Wolff. Cello Solo Book. Class...(+)
Cello
SKU:
PE.EP68766
Composed
by Christian Wolff. Cello
Solo Book. Classical;
Contemporary. Book. 8
pages. Edition Peters
#98-EP68766. Published by
Edition Peters
(PE.EP68766).
ISBN
9790300762760.
E
ach of these five
movements for solo cello
uses a different
technique to extend the
performer's control over
various dimensions of the
music. The composer
writes:
There are
five pieces. In the
first, second and fifth
there are phrase
sequences with free
pauses between them.
There are also notations
for just dynamics (sounds
free), and for just
rhythms (free sounds).
The third and fourth
pieces are on grids of 6
x 6 and 8 x 8 bars,
allowing continuities to
be chosen in variously
free ways.
The
fifth piece, consisting
of a series of passages
that may be performed in
any sequence, may also be
played as a cello duo,
with the second cellist
playing a different
sequence.
The Anton
of the title is the
dedicatee, cellist Anton
Lukoszevieze, who gave
the world premiere of
this suite at St James'
Church, Islington, London
on September 21, 2018.
This performing edition
is a facsimile of the
composer's autograph
manuscript. At moderate
tempi, the total duration
of the work may be
approximately 15
minutes.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC6. Published
by The Frederick Harris
Music Company (FH.VC6).
ISBN
978-1-55440-542-8.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos:<
br>Concerto No. 4 in G
Major, op. 65 -
Goltermann, Georg arr.
Leo Schulz - First
Movement:
Allegro Concertino No.
1 in C Major, op. 7 -
Klengel, Julius -
First Movement:
Allegro Concerto No. 1
in A Minor, RV 422 -
Vivaldi, Antonio arr.
Eberhard Wenzel -
Second Movement: Largo
cantabile Sonatas and
Suites: Sonata in D
Minor, op. 8, no. 9 - De
Fesch, Willem arr. Jason
Noble - First
Movement: Siciliano -
Second Movement:
Allemande Sonata in G
Minor, RV 42 - Vivaldi,
Antonio - First
Movement: Preludio -
Second Movement:
Allemanda Sinfonia in
F Major - Pergolesi,
Giovanni Battista arr.
Joseph Schmid - Third
Movement: Adagio -
Fourth Movement:
Presto Concert
Repertoire: Lied ohne
Worte, op. 109 -
Mendelssohn,
Felix Cantillation -
Ethridge,
Jean Supplication -
Bloch, Ernest Romanze
- Reger, Max La
Provencale - Marais,
Marin arr. May
Mukle Gavotte, op. 67,
no. 2 - Popper,
David Serenade
espagnole, op. 20, no. 2
- Glazunov, Aleksandr
arr. M.P.
Belaieff Andaluza
(Playera) - Granados,
Enrique arr. Manuel
Calvo Apparition -
Rathburn,
Eldon Siciliana -
Piazzolla,
Astor Unaccompanied
Repertoire: Suite No.
5 in C Minor, BWV 1011 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue Suite
No. 2 in D Minor, BWV
1008 - Bach, Johann
Sebastian - Third
Movement:
Courante Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude I
Dropped My Ice Cream Cone
- Laut, Edward Ballad
- Laut, Edward.
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
(A Workbook for Examinations). By Paul Harris. For Cello. This edition: New. Boo...(+)
(A Workbook for
Examinations). By Paul
Harris. For Cello. This
edition: New. Book;
Method/Instruction;
String - Cello Studies or
Collection; Technique
Musicianship. Faber
Edition. Elementary.
Published by Faber Music
Cello SKU: BT.VOLMB42 Composed by Dr. Shinichi Suzuki. Suzuki Method Inte...(+)
Cello
SKU:
BT.VOLMB42
Composed
by Dr. Shinichi Suzuki.
Suzuki Method
International. Tuition.
Book Only. Volonte e Co
#VOLMB42. Published by
Volonte e Co
(BT.VOLMB42).
ISBN
9788863880403.
English-Japanese.
<
strong>Suzuki Cello
School Volume
2.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
4. Bis 7. Lage; Vibrato, Akkordspiel, Spiccato u.a. Ubungen 1-142. By Hirzel, Su...(+)
4. Bis 7. Lage; Vibrato,
Akkordspiel, Spiccato
u.a. Ubungen 1-142. By
Hirzel, Susanne. For
Violoncello.
Violoncello-Schule (Cello
Methods). Playing Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
A cello method for children. Composed by Egon Saßmannshaus and Kurt Sassmanns...(+)
A cello method for
children.
Composed by Egon
Saßmannshaus
and Kurt Sassmannshaus.
Stapled. With a Chinese
text
booklet. Performance
score.
Baerenreiter Verlag
#BA10757.
Published by Baerenreiter
Verlag
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For cello. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
(A Workbook for Examinations). By Paul Harris. For Cello. This edition: New. Boo...(+)
(A Workbook for
Examinations). By Paul
Harris. For Cello. This
edition: New. Book;
Method/Instruction;
String - Cello Studies or
Collection; Technique
Musicianship. Faber
Edition. Intermediate.
Published by Faber Music
Sevcik for Cello - Opus 2, Part 1. (School of Bowing Technique). For Cello. Musi...(+)
Sevcik for Cello - Opus
2, Part 1. (School of
Bowing Technique). For
Cello. Music Sales
America. 26 pages.
Bosworth and Co.
#BOE003544. Published by
Bosworth and Co.
30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2307.
Published by Kendor Music
Inc (KN.SB2307).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.