Composed by George Frideric Handel (1685-1759). For Solo Instrument, Basso Conti...(+)
Composed by George
Frideric Handel
(1685-1759). For Solo
Instrument, Basso
Continuo, Soprano. Henle
Music Folios. Softcover.
G. Henle #HN968.
Published by G. Henle
For Soprano, Solo Instrument and Basso continuo. Composed by George Frideric Han...(+)
For Soprano, Solo
Instrument and Basso
continuo. Composed by
George Frideric Handel.
Edited by Ullrich
Scheideler. Vocal,
Repertoire. Nine German
Arias. Softcover Book.
118 pages. G. Henle
#HN968. Published by G.
Henle (HU.HN968).
11.7 x 8.3 x 0.4 inches.
We do not know very much
about Handels
compositions on poems by
Barthold Heinrich
Brockes. We can only date
their composition to
approximately 17241727.
The autograph does not
shed any light on the
titles nor the sequence
of the works. It does not
even give the
instrumentation. Thus
there are several
alternatives for the solo
instrument that imitates
the vocal part although
violin, flute or oboe are
the most likely. Our
practical edition not
only contains additional
parts for the solo
instrument and the bass
but also a realization of
the figured bass in the
score by the editor
Ullrich Scheideler.
Piano; Soprano Recorder - intermediate to advanced SKU: HL.49011203 Fo...(+)
Piano; Soprano Recorder -
intermediate to advanced
SKU: HL.49011203
For Soprano Recorder
and Piano Reduction.
Composed by John Baston.
Edited by Bernard Thomas.
This edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Piano Reduction with Solo
Part. 16 pages. Duration
7'. Schott Music
#OFB1045. Published by
Schott Music
(HL.49011203).
ISBN
9790220117084. UPC:
073999739343.
9.0x12.0x0.075
inches.
With these
new editions, all six
recorder concertos of
John Baston are now
available, each with
score, piano score and
parts. The thor-oughly
edited scores follow
essentially the first
edition printed by John
Walsh in London in 1729.
Baston was regarded as an
excellent recorder and
flute player who worked
with London opera
orchestras in the early
18th century. His easy
concertos anticipating
the elegant melody of the
early classical period
enjoy great popularity
representing a rewarding
task for music school
orchestras and advanced
recorder players.